Based on a reversed drawing by Leonardo Da Vinci, the image is reversed when reflected in the mirror at the correct angle. Dupuy installed a mechanism so that the clock runs backward. -- Source of annotation: Marvin or Ruth Sackner.

Based on a reversed drawing by Leonardo Da Vinci, the image is reversed when reflected in the mirror at the correct angle. Dupuy installed a mechanism so that the clock runs backward. -- Source of annotation: Marvin or Ruth Sackner.

This book consists of an introduction by Herta Klang and Francesco Conz and a lengthy interview of George Brecht by Henry Martin. -- Source of annotation: Marvin or Ruth Sackner.

Goethals provides highly annotated citations for each work displayed in this exhibition. Most of the books in are also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The collages give directions for performance pieces. -- Source of annotation: Marvin or Ruth Sackner.

This is a collection of objects that bears resemblance to Flux Kits. The shredded paper packing material in the box is part of the collection and is entitled, "Excelsior;" it consists of shredded dictionary pages. The rubberstamped citations on the objects are minimalist phrases, e.g., the keychain is titled, "burglar's apprentice" and the tongue depressor, "corrective diction device." Although the title page indicated that this box is signed and numbered in an edition of 100 copies, this identification could not be found. -- Source of annotation: Marvin or Ruth Sackner.

This book is stated to be a limited edition but the tirage is not provided. -- Source of annotation: Marvin or Ruth Sackner.

Hidalgo is a member of the Zaj group. -- Source of annotation: Marvin or Ruth Sackner.

This is a documentation of a zany exhibition with the material consisting of names and addresses of mail artists, Fluxus artists, dealers and collectors along with comments and doodles. Zack also provides some diaristic content. -- Source of annotation: Marvin or Ruth Sackner.

This is the only issue of the periodical published. The Archive also holds an incomplete copy that is missing the envelope and the Bussotti card. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by Andre Balthazar and Pol Bury. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Andre Balthazar and Pol Bury with collaboration from Dick Higgins and Emmett Williams. Artists and writers were asked to describe themselves "in writing, or drawing, or any other means at the service of your imagination." Most elected to do a visual interpretation. A contribution by Mark Brusse, an artist living in New York, depicts the same calligraphic style and imagery of Robin Crozier. -- Source of annotation: Marvin or Ruth Sackner.

Milan Knizak, Ann Holyoke Lehmann, Rune Mields, Augustina Von Nagel, Jurgen Olbrich, Ingo Trauer, Emmett Williams, and Wolfgang Hainke all contributed objects to the box and signed some of their works. The book incorporates a magazine that reviewed the top ten black jazz and blues recording artists in 1956. The 24 blank embossed pages bear an imprint of a small nail or pin on the left center portion of the pages. -- Source of annotation: Marvin or Ruth Sackner.

The book incorporates a magazine that reviewed the top ten black jazz and blues recording artists in 1956. The 24 blank embossed pages bear an imprint of a small nail or pin on the left center portion of the pages. The Sackner Archive also holds the limited edition of this catalogue. -- Source of annotation: Marvin or Ruth Sackner.

One section of this book depicts paintings from a combination of images by two artists done in the style of Equipo Cronica. The line drawing depicts a hand. -- Source of annotation: Marvin or Ruth Sackner.

Also lists publications of Beau Geste Press and Da Costa Editions. -- Source of annotation: Marvin or Ruth Sackner.

Reprints articles by and on Alocco along with the Nice school of art. -- Source of annotation: Marvin or Ruth Sackner.