Valoch seems to have cut part of ablack annoucement card with fragmented letters and year in yellow. -- Source of annotation: Marvin or Ruth Sackner.

This pamphlet served as the preliiminary version of the work with the same title (1967) published by Brian Lane for his Project 67, Gallery Number Ten seriess. It was designated as No.127 in Rogers amd Cutts' book, "The Printed Performance Brian Lane Workks 1966-99." The latter consisited of 30 newspaper poems that were printed in letterpress and lithograph. The poems printed on the pages are clippings of a sentence or fragments of a sentence from newspaper articles and given a title by Morgan. -- Source of annotation: Marvin or Ruth Sackner.

Photograph taken on Brevard Avenue, Tallahassee, FL. -- Source of annotation: Marvin or Ruth Sackner.

This book by Herbert S. Terrace entitled, "NIM: A Chimpanzee Who Learned Sign Language" was altered by Sackner and Rickles. The dust jacket title was altered to NIMS by Sackner by adding an 'S.' On the dust jacket photograph of NIM, Rickles collaged a piece of the blue Respibands sold by Sackner's company to monitor respiration in babies. She also drew blue Respibands on photographs of NIM throughout pages of the book. -- Source of annotation: Marvin or Ruth Sackner.

Consists mainly of discarded library index cards and stationery from the Deutsches Kupfer-Institute e.V. (German Copper Institute), Berlin. Announcement cards of artistic events are included in an envelope. The bag, from a shop in Berlin, holding these materials is printed with the legend, "quality copper." -- Source of annotation: Marvin or Ruth Sackner.

This issue was shipped in a black, sealed plastic bag with three metal badges fixed to it. The cards and sheets of paper mainly consist of discarded library index cards and fragments from ledgers. The painting consists of thick gobs white, gray and black paint arranged in a near grid remeniscent of the style of Alfred Jensen's paintings. -- Source of annotation: Marvin or Ruth Sackner.

Although No.35 was supposed to be the final issue of this periodical, Olbrich has continued to publish it. This issue has objects connected directly or tenuously to a game, e.g., game board, play money, cards, toys, tickets, credit card, lists, etc. The box that holds the latter has been "compartmentalized" by affixing match boxes to its bottom to keep these objects in place. In addition, there are several drawings that appear to be plans for a stage. The largest drawing has been folded such that it is a folder for the smaller ones. All of the material is found and none has been created by the artist. -- Source of annotation: Marvin or Ruth Sackner.

The poem was made by linking headlines from the New York Times which are pasted onto a white ribbon to form a scroll. -- Source of annotation: Marvin or Ruth Sackner.

Stored in Tipping's "Sign Here" box. -- Source of annotation: Marvin or Ruth Sackner.

Stored in Tipping's "Sign Here" box. -- Source of annotation: Marvin or Ruth Sackner.

Part of the postcard-correction (since 1977) series. -- Source of annotation: Marvin or Ruth Sackner.

The drawings reproduced in this book appear to have originated in the author's sketch books. The drawings and themes are reminiscent of those by Raymond Pettibone. Mark Gonzales is a world class skateboard champion. -- Source of annotation: Marvin or Ruth Sackner.

This work consists of reproductions of photographic images of dictionary definitions for water, ice, oxygen, snow, and steam in negative images (white on black) as well as reproductions of handwritten notes, a folded map of the world and a radiator. -- Source of annotation: Marvin or Ruth Sackner.

This is a new series of essays from Phillips' current project which is based upon a century of picture postcards. For this magazine, the postcards have been selected to reflect aspects of the world of music. -- Source of annotation: Marvin or Ruth Sackner.

This is the first in a new series of Phillips' current project that is based on a century of picture postcards. For this magazine, te postcards will be selected to reflect aspects of the world of music. -- Source of annotation: Marvin or Ruth Sackner.