Time is the result of documentracing the October 29, 1973 issue of Time magazine. Each page in the book relates to a page in the magazine. -- Source of annotation: Marvin or Ruth Sackner.

Time is the result of documentracing the October 29, 1973 issue of Time magazine. Each page in the book relates to a page in the magazine. -- Source of annotation: Marvin or Ruth Sackner.

Found pages of text are interwoven on a visual background and stitched around the borders. -- Source of annotation: Marvin or Ruth Sackner.

The card that is fastened to the interior box lid contains a typed poem "To George Von." Hats off to our friend, George Von, for a job well done, Our Friendly Little Free Press is second to NONE!!! Your friend, Florence -- Source of annotation: Marvin or Ruth Sackner.

The images are reproductions of ink stampings from medicine bottle tops. The text appears in reverse. -- Source of annotation: Marvin or Ruth Sackner.

The inscription refers to the Sackners visit to de Charmoy when they got lost trying to find the train station in Montpellier, France. -- Source of annotation: Marvin or Ruth Sackner.

This is a fragment of a telephone book that Sit (1917-1987) has torn in a progression such that the narrowest page occurs at the beginning, the widest pages toward the middle, and the torn pages narrow at the end. It is reminiscent of the torn pages, artist books by Buzz Spector and Scott McCarney but Sit tears the pages more crudely. -- Source of annotation: Marvin or Ruth Sackner.

This edition of artist trading cards was coordinated through an education program for young adults in Geelong. It offered them the opportunity to contribute to an international project sending their tokens into the mailart network. -- Source of annotation: Marvin or Ruth Sackner.

Includes a poem "Proverbial Ruth" in which the name Ruth is substituted for Truth; Colombo views this work as an ironic, playful love poem. -- Source of annotation: Marvin or Ruth Sackner.

This issue is based upon computer text manipulations of titles of U.S. patents. -- Source of annotation: Marvin or Ruth Sackner.

The issue was written using computer manipulations that involved mashing movie titles, twisting names of stars and grinding up descriptions from a local newspaper. -- Source of annotation: Marvin or Ruth Sackner.

Ficus used software programs to invent and scramble words and sentences to form new meanings. -- Source of annotation: Marvin or Ruth Sackner.

Ficus used computer software to twist, fold, bend and mutilate word from a thesaurus. -- Source of annotation: Marvin or Ruth Sackner.

This issue is based upon computer manipulations dealing with food names and ingredient lists. -- Source of annotation: Marvin or Ruth Sackner.

The card depicts a colored photograph of an installation of Elvis memorabilia. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue consists of photographic reproductions of collages exhibited at the gallery. -- Source of annotation: Marvin or Ruth Sackner.

This is the first edition. In an author's afterward, Foer writes that he used the text of Bruno Schultz''s book "The Street of Crocodiles" to create this "imagined larger book, this ultimate book, that every word ever written, spoken or thought is exhumed." Bruno Schultz was killed by the Nazis and only two volumns of his writing survive. The artist Olafur Eliason writes that Tree of Codes is "an extraordinary journey that activates the layers of time and space involved in the handling of a book and its heap of words." Foer creates a new poetic text mined from the original novel. -- Source of annotation: Marvin or Ruth Sackner.