Fragmented text
Found in 1089 Collections and/or Records:
Clotting Time of Sunspots in Vacuum / Lipcsey, Emoke., 1989
Cloud: [Chapter 11]. No.13/Nov / Daniel f. Bradley., 1989
Edited by Greg Evason. -- Source of annotation: Marvin or Ruth Sackner.
Clutching The Tre Mor / Upton, Lawrence., 1978
Coeur en Eventail / Cepl, Gernot., 1988
The torn layered appearance of the glued pages has similar iconography to an artist book, Art History, by Buzz Spector, that is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Collagen, 1968
The collage was done in the style of Schwitters Merz pieces. -- Source of annotation: Marvin or Ruth Sackner.
Collages I'm Working Now / Rehfeldt, Robert., 1986
This is a photograph of a visual poetic collage. -- Source of annotation: Marvin or Ruth Sackner.
Collateral Triage' the lost books of rjs / sigmund, r.j., aka rjs ; Cornillon J., 2007
Collected Poems Volume Nine: Lame Limping Mangled Marked Mutilated / Cobbing, Bob., 1986
David Barton's introductory essay describes Cobbing's work from 1942 to 1986 as the discovery of new sound and movement in poetry. The works reprinted in this book are mainly abstract xerox images from which Cobbing performs sound poetry. Examples of Cobbing's works in "Destruction in Art Movement," some of which are held by the Sackner Archive are also included. Cobbing denotes his mimeograph (a subclassification of "xerox art" in Archive) as duplicatorprints. -- Source of annotation: Marvin or Ruth Sackner.
Collection: Zerosscopiz 845: Articles 1er. No.10 / Servin., 1983
The pages of this book depict collages of newspaper fragments that appear to be patterned after the cut-up technique of William Burroughs. -- Source of annotation: Marvin or Ruth Sackner.
coloured noise / Lora-Totino, Arrigo., 1995
Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.
Coma Goats Press: logical Sequence #16. No.6 / jw curry., 1982
This card is also designated one cent #105. -- Source of annotation: Marvin or Ruth Sackner.
Coma Goats Press: Twenty Bottoms. No.1/Dec / jw curry., 1982
The pages depict photographs of an attractive young woman in full frontal nudity altered with collaged fragmented text. This work was reprinted in a bound copy by curry in 1996. -- Source of annotation: Marvin or Ruth Sackner.
Commonpress: Speciale Italia. No.9 / Giulia Niccolai, Adriano Spatola, editors ; Vangelisti P ; Duch LF ; Petasz P ; Groh K ; Deisler G ; Spatola A ; Rehfeldt R ; Baroni V ; Bruscky P ; Perfetti M ; Szombathy B ; Niccolai G ; Gualtieri M ; DeJonge K., 1978
Pawel Petasz initiated Commonpress and was its first editor. -- Source of annotation: Marvin or Ruth Sackner.
Congress Yourself, 1996
The cover is a postcard of the Acapulco Hotel, the Baroni family hotel where Vittore works. -- Source of annotation: Marvin or Ruth Sackner.
Consequences, Including Restraints / Fisher, Allen., 1978
Designated Writers Forum Chapbook #13. -- Source of annotation: Marvin or Ruth Sackner.
Continuazione. No.f , 1970
Continuazione/f / Caruso, Luciano., 1978
Copy Art: Electrographic Exhibition / Aragao A ; Santos AJ ; Pimenta A ; j(o(h)n)ston b ; Figueiredo C ; Padin C ; Aguiar F ; Deisler G ; Brossa J ; Held JjR ; Olbrich JO ; Was E ; Fierens L ; Bloch M ; And M ; Monro N ; Rehfeldt R ; Maggi R ; Baroni V ; Hainke W., 1990
Copyright Violation / Sokal, David., 1981
The book consists of photocopied images and collages dealing with copyrighted material with embellishments by the author, There are several pages dealing with the dangers of cigarette smoking. -- Source of annotation: Marvin or Ruth Sackner.
[Coup-Gramme], 1987
This print appears to have been made for a periodical since the verso depicts two works by other artists. -- Source of annotation: Marvin or Ruth Sackner.