Fragmented text
Found in 1089 Collections and/or Records:
Fission / Kempton, Karl ; Grumman B ; cummings ee ; Patchen K ; Huth G., 1988
Bob Grumman wrote the introduction in which he comments on the form of Kempton's poems whereby a word is split into two or more words by intervening spaces. He mentions that G. Huth designated this form as a severlation. These poems are printed one to a page, e.g., artifact = art if act, justice = just ice, herring = her ring, netherlands = net her lands, etc. -- Source of annotation: Marvin or Ruth Sackner.
Five for Burroughs, 1982
Five Poems / Groh, Klaus., 1989
Flesh / Hofstra, Sjoerd., 1990
[\'] flo\: art, text,new media / McVarish E ; Samuels D ; Winston S., 2009
Files under "slash" = [\} -- Source of annotation: Marvin or Ruth Sackner.
Foode Collage / de Charmoy, Cozette., 1997
The pages consist of fragments of previous book pages and prints at various stages of development. -- Source of annotation: Marvin or Ruth Sackner.
Footing 2nd Edition / Gerz, Jochen., 1969
For its time, this book is highly experimental both in its writing and typographic presentation and layout. Some of the poems appear to have been made by the cut-up technique popularized by Gysin and Burroughs. The German and English languages are often intermingled in the same sentences. Others poems are concrete and visual in format. Originals of a few of the visual poems are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Footing / Gerz, Jochen., 1968
This is Gerz's first book and the first edition. For its time, this book was highly experimental both in its writing and typographic presentation and layout. Some of the poems appear to have been made by the cut-up technique popularized by Gysin and Burroughs. The German and English languages were often intermingled in the same sentences. Others poems were concrete and visual in format. Originals of a few of the visual poems are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
for AG / Beaulieu, Derek., 1999
for bill butler [1] - let him make the next move / for dave wildpigeon (171068) / Houedard, Dom Sylvester., 1968
This page contains two poems, one for Bill Butler and one for Dave Wildpigeon. -- Source of annotation: Marvin or Ruth Sackner.
For D.I.A.S. / Cobbing, Bob., 1966
This work was exhibited in the Destruction In Art Symposium organized by Gustav Metzger and held in Prince Albert Hall in London in 1966. The event was a precursor to the art movement of Situationism. The work was composed by crumpling overtyped printed texts and printing them on a monoduplicator device as a single copy. These were then collaged onto a black painted panel. -- Source of annotation: Marvin or Ruth Sackner.
for ej [ernst jandl] (300565) / Houedard, Dom Sylvester., 1965
Ernst Jandl was a Viennese sound/concrete poet who published with Houedard. -- Source of annotation: Marvin or Ruth Sackner.
For Love / Vleeskens, Cornelis., 1996
The Sackner Archive also holds the maquette for this book. -- Source of annotation: Marvin or Ruth Sackner.
For Love / Vleeskens, Cornelis., 1996
The Sackner Archive also holds a copy of this book. -- Source of annotation: Marvin or Ruth Sackner.
[For Marvin] / Douglas Beube., 1992
[For Marvin] / Douglas Beube., 1992
[For Ruth] / Douglas Beube., 1992
[For Ruth] / Douglas Beube., 1992
Forever Hung / Baroni, Vittore., 2000
Forgive Them, 1986
Various Texts, many drawn from Dylan Thomas' "Do Not Go Gentle into that Good Night" make up this collaged patchwork of calligraphic texts and abstract expressionistic images. -- Source of annotation: Marvin or Ruth Sackner.