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 Subject
Subject Source: Sackner Database

Found in 1081 Collections and/or Records:

[me] / Harris, Ken., 2000

 Item
Identifier: CC-40082-42051
Dates: 2000
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Metamorfosis / Collins P ; Aguiar F ; Gomez A ; Graf H ; Lenoir P ; Melnikov W ; Ricart J ; Sourdin B ; Strada G ; Vidal F ; Beltran JC., 1998

 Item
Identifier: CC-34703-36406
Dates: 1998
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

Mindplay: An Anthology of British Concrete Poetry, 1971

 Item
Identifier: CC-33729-35392
Scope and Contents

The cover was designed by Tom Phillips. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1971
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Minimal Fictions, 1994

 Item
Identifier: CC-08120-8281
Scope and Contents

Although the works in this book are designated "Minimal Fictions" by Kostrlanetz, the varied typefaces and experimental page layouts do not distinctly differentiate them from classifying them concrete poems. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Miss America Is a Virgin, 1968

 Item
Identifier: CC-30285-31694
Scope and Contents

This collage has complex meanings in reference to its title. It was made near the date that levy committed suicide. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / PAINTINGS, PRINTS AND BROADSIDES

Modern Reading: Poems 1969-1990 / McCaffery, Steve., 1992

 Item
Identifier: CC-06782-6901
Dates: 1992
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

mo'gumbo. No.9/Nov / ross priddle, editor ; curry jw ; Asser M., 1999

 Item
Identifier: CC-41986-43982
Scope and Contents

Stored in the same box as the periodical "Van." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

momento mori, 1988

 Item
Dates: 1988
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / PAINTINGS, PRINTS AND BROADSIDES

momento mori, 1988

 Item — Box 329: [Barcode: 31858072490950]
Identifier: CC-23192-23630
Scope and Contents The work was based on a copy-art installation by Baroni for the "Ear Nerve" festival in Naples, Italy held in September 1988. Wikipedia: A memento mori (Latin 'remember that you will die is an artistic or symbolic reminder of the inevitability of death. Popular belief says the phrase originated in ancient Rome: as a Roman general was parading through the streets during a victory triumph, standing behind him was his slave, tasked with reminding the general that, although at his peak today, tomorrow he could fall, or "” more likely "” be brought down. The servant is thought to have conveyed this with the warning, "Memento mori.".It is further possible that the servant may have instead advised, "Respice post te! Hominem te esse memento! Memento mori!": "Look behind you! Remember that you are but a man! Remember that you'll die!", as noted by Tertullian in his Apologeticus. The thought came into its own with Christianity,whose strong emphasis on divine judgment, Heaven, Hell, and the...
Dates: 1988
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / PAINTINGS, PRINTS AND BROADSIDES

/mor=plague/ / Valoch, Jiri., 1964

 Item
Identifier: CC-00843-862
Dates: 1964
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Morte di Joseph Beuys , 1986

 Item — Box 329: [Barcode: 31858072490950]
Identifier: CC-22213-22635
Dates: 1986
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / PAINTINGS, PRINTS AND BROADSIDES

much ado for nothing, 1994

 Item — Box 615: [Barcode: 31858073143871]
Identifier: CC-60858-10003713
Scope and Contents

Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / ARTIST BOOKS AND POETRY/BOOK OBJECTS / Arrigo Lora-Totino

much ay ay aye / Lora-Totino, Arrigo., 1994

 Item — Box 615: [Barcode: 31858073143871]
Identifier: CC-60857-10003712
Scope and Contents

Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / ARTIST BOOKS AND POETRY/BOOK OBJECTS / Arrigo Lora-Totino

Mule Transmissions / Evason, Greg., 1991

 Item
Identifier: CC-13851-14156
Scope and Contents

The cover was designed by Mike Miskowski. This copy is the numbered, deluxe edition. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Multiplicazione 2, 1967

 Item — Folder 21: [Barcode: 31858072459807]
Identifier: CC-13060-13355
Scope and Contents

Consists of 12 rows of lower case "a" half printed upside down and half cut in two in a grid-like fashion resembling a postage stamp sheet. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1967
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / PAINTINGS, PRINTS AND BROADSIDES / TO BE PROCESSED / Luigi Ferro

Murder Hat Box, 2002

 Item — Box 116: [Barcode: 31858073143707]
Identifier: CC-47960-68983
Scope and Contents

The collaged elements on the hat are taken for covers of old paperback novels. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2002
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / ARTIST BOOKS AND POETRY/BOOK OBJECTS / nic and sloy

Murmurios Acerca de um Soneto, 1986

 Item — Folder 10: [Barcode: 31858069877912]
Identifier: CC-26206-26669
Scope and Contents

This work is reproduced in Mendes de Sousa & Ribeiro: Antologia da Poesia Experimental Portuguesa: Anos 60 - Anos 80, 2004, a book held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1986
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / PAINTINGS, PRINTS AND BROADSIDES

MUSSIO ED 912 Posters (Situazione No. 9): Come, 1967

 Item — Folder 26: [Barcode: 31858072459856]
Identifier: CC-14155-14460
Dates: 1967
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / PAINTINGS, PRINTS AND BROADSIDES / TO BE PROCESSED / ED 912 / Situazione

MWFooooC / spence, pete., 1989

 Item
Identifier: CC-01770-1806
Dates: 1989
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

[my dear peter (schmidt)] (051168) / Houedard, Dom Sylvester; Schmidt P., 1968

 Item
Identifier: CC-08625-8797
Scope and Contents On the first page Houedard wrote, "thank you for the invitation to your show - wish i cld have manged it all best sounds good" At the bottom of page three Houedard wrote, "typed in haste - unchecked - i fear with a slip or two - sent the with unslipt luvs" -s. Pages 2 & 3 of this letter are based upon an onomastikon that is a book, list, or vocabulary of names, especially of people. Wikipedia: Peter Schmidt (17 May 1931 "“ 22 January 1980) was a Berlin-born British artist, painter, theoretician of color and composition, pioneering multimedia exhibitor and an influential teacher at Watford College of Art. He was part of a generation of art school teachers in the 1960s and 1970s that had great impact on some students who later went on to work in art and music. He worked with Hansjörg Mayer, Brian Eno, Mark Boyle, Dieter Roth and had associations with Russell Mills, David Toop and Tom Phillips. the Sackner Archive holds one work by Schmidt, The Thoughts Behind the Thoughts", an...
Dates: 1968
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

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