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First published by CrO2 Press in 1993 as indicated on verso. -- Source of annotation: Marvin or Ruth Sackner.

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Consists of a transcription of a 90 minute interview by Hubsch of jw curry. The cover photoportrait of curry was taken by Lance LaRoque. -- Source of annotation: Marvin or Ruth Sackner.

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The text in the painting is from Wittenstein. The multilevel, subtle painting of the interrupted phrases and singular letters provokes the viewer to find personal meanings. Letters, words and sentences are rendered beautifully in this work. -- Source of annotation: Marvin or Ruth Sackner.

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The cards are assembled in a square like a jig-saw puzzle to form the Holiday greetings from the Wolfs. -- Source of annotation: Marvin or Ruth Sackner.

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Edited by Greg Evason. -- Source of annotation: Marvin or Ruth Sackner.

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Endwar titles a poem from a word(s) and fragments it(them) into clusters and spaces, while retaining the same order of the letters, to form a new poem which can be read from top to bottom. -- Source of annotation: Marvin or Ruth Sackner.

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A page from a periodical dealing with a political issue in Wales is cut jaggedly down the center. The printed black name, Wales, is repeated in its opening with progressive enlargement of the typeface dimensions. The uppermost "Wales" is printed in red, large capital letters. On the verso, the caption, "subscribe to Second Aeon" is printed in handwritten black letters. -- Source of annotation: Marvin or Ruth Sackner.

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Jennifer Hill is editor and co-founder of Paper Kite Press Studio & Gallery. -- Source of annotation: Marvin or Ruth Sackner.

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On the back cover, Mollohan states that he "was born in a log cabin. Well, not quite. I was born in 1947, which from 2010, seems like a log cabin. I have been interested particularly in those arts which push envelopes. I wrote my first poem between first and second grade. I've lived in Charleston, WV since 1975. I've worked for government, trade unions, bookstores, pizza places, software firms, and other non-poetic places. My visual poem, "Singularity" was used as a CD cover by Capitol Records. My poetry has been taught at the University of Iowa (thanks, Dan!). My ambitions are few, yet"¦ambitious. Nothing short of Nirvana will suffice. The contents of this book are conceptual photographs, artwork, and other plastic works that I deem to be evocative in a manner similar to that of a traditional poem. They are rather like Haiku of the mind." -- Source of annotation: Marvin or Ruth Sackner.

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On the back cover, In the late seventies I felt pressed to "get rid" of my Hungarian. So the main source of my way is a deficiency, which makes things simple in some sense. Asemic Table No. 2 on the cover is a comment on Tony Trehy's Reykjavik. Works on pp 4, 6, 7, 8, 11 and 13 were dedicated to Geof Huth, Karl Kempton, Jim Leftwich, Bob Grumman, Nico Vassilakis and Karl Young respectively. All poems are from: Endgames, Otoliths 2008; From The Annual Records of The Cloud Appreciation Society, Otoliths 2008 (coedited with Nico Vassilakis); and from a book project, also with Otoliths. -- Source of annotation: Marvin or Ruth Sackner.

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On the back cover, it is stated that he is a multidisciplinary artist (conceptual poetry, video, performance, theater). He sees his work as a re-creation, an imperious dialogue with the dead and the living, sometimes absurd and, paradoxically, non-expressive. His researches also seek to transgress gender and to examine their limits. He realized many exhibitions in Montreal, where he is finishing his Master Degree in Theater. He's about to publish a conceptual chapbook, called DIRECTIONS, coauthored with Robert Fitterman (No press, 2010). -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents On the back cover, it is stated that she is a teacher and a poet / visual poet from Finland. She made her first visual poems in the beginning of the year 2008. Kaikkonen states I like to explore all different kinds of artistic and typographical terrains. To me the most important part of doing visual poetry is being with in process. I often connect asemic elements to my visual poems and I use many different kind of ways and methods to do visual poetry. Some of my vispos (in this book poems number 8-11) I have done under pseudonym (nele hannes), because it gives me freedom to create different kind of things. One of my works has been published by the Paper Kite Press in USA. I have also published works in the Otoliths, in the SCRIPT and in the Finnish print journals Parnasso and Tuli&Savu, and on the websites nokturno.org. and The New Post -literate: gallery of asemic writing. In this year 2010 some of my works will be part of the exhibitions in Russia (asemics) and also in...

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On the back cover, it is stated that since 1976, Mr. Helmes has been a leading international figure in experimental poetry. Work has been published in notable magazines, including Poetry, Paris Review, and the Notre Dame Review. As a writer, his work has appeared in Print, Minneapolis-St. Paul, Minnesota Monthly, and Whistling Shade, including non-fiction and fiction. As an artist and photographer, he has been included in exhibitions throughout the Upper Midwest. His work is included in museum collections world wide and his writing archive from 1972 to 1997 is in the Avant Writing Collection of The Ohio State Libraries. Mr. Helmes is professionally employed as an architect and lives in St. Paul, MN. -- Source of annotation: Marvin or Ruth Sackner.

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On the back cover, Martone writes, "Bob Grumman's RASP press published my first two books of visual poetry in the 1980's. Recent work has appeared in Mark Young's Otoliths, Michael Rothenberg's Big Bridge and online at fluxusa.com, and the weblogs of Jim Leftwich and Geof Huth. Marco Giovinelli produced several of my short books at GAMM editions. Among my other books of poetry is Ksana, which appeared from Jim Kacian's Red Moon Press in 2009." -- Source of annotation: Marvin or Ruth Sackner.