Four constructivist drawings were done by Ruth Pettis. -- Source of annotation: Marvin or Ruth Sackner.

Four constructivist drawings were done by Ruth Pettis. -- Source of annotation: Marvin or Ruth Sackner.

Pierre Garnier contributed an essay on Spatialism, a designation for his own style of concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.

Note that the seven Paulo Bruscky photocopied prints are recorded as separate entries in the database and stored in the Bruscky box. The Archive includes eight photocopied prints and an exhibition announcement card of Clemente Padin. -- Source of annotation: Marvin or Ruth Sackner.

The nationalities of selected contributing artists are as follows: Ivan Preissler (Czech); Elena Krol Petrsjian (Russian); Dimitar (Slovenian); Pedro Bericat (Spanish); Franco Busic (Croatian); A. Perez-Cares (Chilian); Charistos-Ansari (Austrian); Zlatko Krstevski (Macedonian); ilmar Kruusamae (Estonian); Patricia Salas (Argentine); Harl Ristau (American). -- Source of annotation: Marvin or Ruth Sackner.

The maquettes are for the first and second versions of the poem; the first is smaller and executed in the maquette with red colored collage additions while the second is larger and executed in black colored collaged additions with blue printed type. Both final versions of these cards which retain the color schema of the maquettes are held by the Sackner Archive. One collaged and another printed card of blue and grey hearts is not cited in Finlay bibliographies and apparently was a discarded idea. -- Source of annotation: Marvin or Ruth Sackner.

This collaboration consisted of reproductions of layers of text, handwriting, gauze and block letters printed on green paper. -- Source of annotation: Marvin or Ruth Sackner.

Collage depicted on p.14 (Dare Avere) is held by Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Collage depicted on p.14 (Dare Avere) is held by Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Printed on a page of a newspaper, The Carillon, while Friedman was in an artist in residence at the Norman McKenzie Art Gallery in Saskatchewan. -- Source of annotation: Marvin or Ruth Sackner.

curry drew the word "received" three times in different fragmented forms.The poem was published by Gronk/Psycho Potato. -- Source of annotation: Marvin or Ruth Sackner.

The drawings were traced from the second design sketches. The work was later published as grOnk Random Number Series 3. -- Source of annotation: Marvin or Ruth Sackner.

This a page torn from P. R. Mack & Son rubberstamp catalog modified by felt pen ink additions that served as the original idea for the completed work later published as "As Or Is With," grOnk Random Number Series 3. -- Source of annotation: Marvin or Ruth Sackner.

These are the first working drawings placed on a page with curry's abandoned attempt to develop a catalog for Curvd H&Z publications. This work was published as grOnk Random Number Series 3. -- Source of annotation: Marvin or Ruth Sackner.

The drawing was traced from the second design sketches. The work was later published as grOnk Random Number Series 3. -- Source of annotation: Marvin or Ruth Sackner.

Each page has two to three words with the final word to complete the phrase left up to the reader. The book is identical to the signed copy. -- Source of annotation: Marvin or Ruth Sackner.

Each page has two to three words with the final word to complete the phrase left up to the reader. -- Source of annotation: Marvin or Ruth Sackner.