Fragmented text
Found in 1084 Collections and/or Records:
Visual Poetry Collaboration. No.7 / Andrew Topel ; Reed Altemus., 2002
Topel formed his contribution with fragmented texts, Altemus with rubberstamping. Stored in Reed Altemus portfolio box. -- Source of annotation: Marvin or Ruth Sackner.
Visual Poetry Collaboration. No.19 / Nico Vassilakis ; Reed Altemus., 2002
Stored in Reed Altemus portfolio box. -- Source of annotation: Marvin or Ruth Sackner.
Visual Poetry Collaboration. No.25 / Reed Altemus ; Spencer Selby., 2002
Stored in Reed Altemus portfolio box. -- Source of annotation: Marvin or Ruth Sackner.
Visual Poetry Collaboration. No.26 / Reed Altemus ; Spencer Selby., 2002
Stored in Reed Altemus portfolio box. -- Source of annotation: Marvin or Ruth Sackner.
Visual Poetry Collaboration. No.27 / Reed Altemus ; Spencer Selby., 2002
Stored in Reed Altemus portfolio box. -- Source of annotation: Marvin or Ruth Sackner.
Visual Poetry Collaboration. No.28 / Reed Altemus ; Diane Bertrand., 2002
Stored in Reed Altemus portfolio box. -- Source of annotation: Marvin or Ruth Sackner.
Visual Poetry Collaboration. No.29 / Reed Altemus ; Diane Bertrand., 2002
Stored in Reed Altemus portfolio box. -- Source of annotation: Marvin or Ruth Sackner.
Visual Poetry Poster Series: Graphy for the Ensemble (for Petr Kotik). No.6 / Michael Peters., 2009
Visual Poetry Poster Series: ruudukko. No.2 / Satu Kaikkonen., 2009
Visual Poetry Poster Series: Words Lost. No.8 / Miroljub Todorovic., 2009
Visual Voices; A Great Poem A-Borning Poem pages 4-5 / Weiss, Irving., 1994
This poem is based upon John Milton's First line of Paradise Lost. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices: Manuscript of Unpublished Portion / Weiss, Irving; Blake W., 1994
These poems constitute those that were not used for the published book of Visual Voices. They have the same format as the published version, an introductory page (listed as laser generated, typed in media description) that provides an explanation and designation followed by Weiss' typewritten rearrangement presentation of the poem taken from classics. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices Unpublished; Poem in Two Aspects: Bleeding and Almost Completely Risen; page 14 / Weiss, Irving., 1994
This poem is based upon Wyatt, "What no, perdy" -- Source of annotation: Marvin or Ruth Sackner.
viva la mamma! / Lei e artista?, 1976
This colllage is depicted on page 279 of Pignotti's book 'Figure Scritture.' -- Source of annotation: Marvin or Ruth Sackner.
Vivaldi: the Seasons / Wheatley, Steve., 1978
This depicts four images from the sheet music of the "Four Seasons." -- Source of annotation: Marvin or Ruth Sackner.
Voyage 1984 Greta Garbo Box / And, Miekal., 1984
Images include Greta Garbo and others from the Art World. The handcolored edition is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.