Fragmented text
Found in 1089 Collections and/or Records:
Worter / Kriwet, Ferdinand., 1969
This print appears to have been made from a collage of red, blue, and green colored fragments of rotor poems. -- Source of annotation: Marvin or Ruth Sackner.
wrecking ballzark, th: Can't Afford No Kodak Instamatik Instamatik. No.16/Apr / jw curry., 1980
This work is also designated Curvd H&Z No.54. -- Source of annotation: Marvin or Ruth Sackner.
wrecking ballzark, th: For Peg E. No.4/Nov / jw curry., 1979
The poem reads, 'k - ums - tay - n - z.' This work is also designated pomez-a-penny 8 and Curvd H&Z No.16. Peg E is curry's first wife, Peggy Lefler. -- Source of annotation: Marvin or Ruth Sackner.
wrecking ballzark, th: Pornograph 2nd Ed. No.13 / jw curry ; Aylward D., 1980
This is the 2nd edition of the poem first published as Curvd H&Z #23. Also designated Curvd H&z No.46 and pomez a penny #29. The poem consists of the fragmentation of the word "incest." -- Source of annotation: Marvin or Ruth Sackner.
wrecking ballzark, th: Pornograph 2nd Ed. No.13 / jw curry ; Aylward D., 1980
This is the 2nd edition of the poem first published as Curvd H&Z #23. Also designated Curvd H&z No.46 and pomez a penny #29. The poem consists of the fragmentation of the word "incest." -- Source of annotation: Marvin or Ruth Sackner.
wrecking ballzark, th: Pornograph. No.7 / jw curry., 1979
Also designated Curvd H&Z No.23 and pomez a penny #14. Poem consists of the fragmentation of the word "incest." -- Source of annotation: Marvin or Ruth Sackner.
wrecking ballzark, th: Seven Portaits - Ra. No.26/May / Richard Truhlar., 1981
Also designated in "Curvd H&Z" series as No.89. -- Source of annotation: Marvin or Ruth Sackner.
wrecking ballzark, th: Sound Poem 3. No.18 / William Maki., 1980
This poem morphs the words 'dismay and Mayhem' into 'dismayhem.' It is also designated curvd H&Z No.60 and pomez a penny #38. -- Source of annotation: Marvin or Ruth Sackner.
Writing / Reese, Marshall ; Ligorano N., 1980
One section of this book depicts fragmented textural poems, the othe cut-ups after William Burroughs. The end papers consist of calligraphic markings. -- Source of annotation: Marvin or Ruth Sackner.
[x] / Harris, Ken., 2000
Xerolage: [35]. No.29 / Carla Bertola., 1999
Xerolage: Dilapidarium. No.33 / Carlos M. Luis., 2005
Xerolage: Entrails. No.31 / Michael Basinski., 2003
Xerolage: Found rubBeings. No.32 / David-Baptiste Chirot., 2004
Chirot's art consists of rearranging found street texts and objects by frottage. -- Source of annotation: Marvin or Ruth Sackner.
Xerolage: Grapyrus. No.43 / Martina L. Stamatakas., 2008
Xerolage: (literary). No.4 / Joe Napora., 1986
Xerolage. No.10 / Ll. Dunn., 1987
Pages consist of mostly visual collages. -- Source of annotation: Marvin or Ruth Sackner.
Xerolage. No.28 / Carlyle Baker., 1998
Xerolage: Sphinx. No.23 / Bill Keith., 1992
Xerolage: The Flowers of Mental Illness and The Big Bozo. No.34 / David Daniels., 2005
The flower poem/stories are all in the form of varied flowers. The Big Bozo poems consist of different shaped abstract objects. -- Source of annotation: Marvin or Ruth Sackner.