Scope and Contents

Each print has a different colored and weighted paper. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Book is an auction catalog. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Edited by Luciano Caruso, this is a particularly faithful reproduction of the original book published in 1927 that was held at one timeby the Sackner Archive. Caruso also contributed a critical essay at the end of the book. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book was published to coincide with an exhibition of the same title held in Rovereto. The bolted book and pages from Cordial Campari, books held by the Sackner Archive are described and reproduced. In a letter to Marinetti from NYC, Depero write on page 259 "There is no other city... where you can learn to know the Jewish people. My best clients, friends, admirers are Jews... Very patient, very hard-working, persistant to the unbelievable point... They are absolutely sensitive... -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The catalogue edited by Wendy Kaplan was published for the inaugural exhibition of the Wolfsonian Museum, Miami Beach. The Sackner Archive lent Sonia Delaunay's "Transsiberien Railway" to the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Synopsis review: Digital Currents explores the growing impact of digital technologies on aesthetic experience and examines the major changes taking place in the role of the artist as social communicator. Just as the rise of photographic techniques in the mid 1800s shattered traditional views about representation, so too have contemporary electronic tools catalysed new perspectives on art, affecting the way artists see, think, and work, and the ways in which their productions are distributed and communicated. Digital Currents explores the growing impact of digital technologies on aesthetic experience and examines the major changes taking place in the role of the artist as social communicator. Margot Lovejoy recounts the early histories of electronic media for art making - video, computer, the internet - in the new edition of this richly illustrated book. She provides a context for the works of major artists in each media, describes their projects, and discusses the issues and...

Scope and Contents

This was a minor exhibition of original Futurist documents with secondary supporting materials. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This companion catalogue to "Mallarme et les siens" includes several books that are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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This is a sumptiously illustrated book replete with notes and essays about the avant garde Spanish poets of the twentieth century. In addition, the dvd documents film and video of some of their performances, -- Source of annotation: Marvin or Ruth Sackner.

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This series which was edited by Piero Pacini consists of reprints of 26 exhibition catalogs of the Italian Futurists from galleries in Milan, Rome, Naples, Florence, London, Berlin, Rotterdam, Brussels, and Paris. -- Source of annotation: Marvin or Ruth Sackner.

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Contains reproduction of "Sempre Futurismo" held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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The illustrations in this book deal with Depero's work for Campari. In the introduction by Verdicchio, he quotes Depero on advertising and art, "all art of the past centuries is marked bythe scope of advertising: exultation of war, of religion: documentation of facts, ceremonies and characters in their victories, in their symbols, within their gades of command and if splendour...even today we have the captains who face powerful enterprises for the valorization of their battles, of their campaigns for their own products and projects." This book also contains a manifesto on advertising which begins, 'the art of the future will tend stongly toward advertising." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Definitive catalog for an exemplary exhibition that was curated by Anne d'Haroncourt. Sonia Delaunay's "La Prose du Transsiberien," a work held by the Sackner Archive is depicted. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The catalogue is divided into Toward Futurism (1880-1909), Futurism (1909-1918) and Futurisms (1909-1930). It also contains a dictionary of Futurism, a chronology of the movement, color reproductions, listing of works exhibited, bibliography and index. Books depicted and once held by the Sackner Archive include Delauney's "Transsiberian Railroad" and Depero's "Bolted Book." The Sackner Archive still holds"Blast," "The End of the World," "BIF&ZF+18" as well as others by Cangiullo & Marinetti. -- Source of annotation: Marvin or Ruth Sackner.