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Futurism

 Subject
Subject Source: Sackner Database

Found in 207 Collections and/or Records:

Poetry and Revolution in Russia 1905-1930 / Koch P ; Blok A ; Larionov M ; Khlebnikov V ; Kruchenykh A ; Mayakovsky V ; Burliuk D ; Marinetti FT ; Larionov M ; Goncharova N ; Tatlin V ; Filonov P ; Rozanova O ; Malevich K ; Livshits B ; Lissitzky E ; Guro E., 1988

 Item
Identifier: CC-34518-36217
Scope and Contents

The catalogue was designed by Peter Koch. The exhibition illuminated the poetry of the "Silver Age" of early 20th century Russian poetry which was in total obscurity dring the 1940's and 1950's. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Politics As Art: Italian Futurism and Fascism / Bowler, Ann; Marinetti FT., 1990

 Item
Identifier: CC-23223-23662
Scope and Contents

This mauscript is unpublished. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Proto-filo-anti-iper-pseudo futurismo / Arengario Studio Bibliografico, L' ; Bruno A ; Buzzi P ; Carra C ; Severini G ; Volt., 2004

 Item
Identifier: CC-42573-44588
Dates: 2004
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs

Quaderni di Tullio d'Albisola No.1: Lettere di Fillia (1929-1935) / Presotto, Danilo, editor ; Fillia., 1981

 Item
Identifier: CC-03740-3811
Scope and Contents

Reproduces correspondence from Fillia to D'Abisola. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Quaderni di Tullio d'Albisola No.2: Lettere di Edoardo Alfieri, Bruno Munari... (1928-1939) / Presotto, Danilo, editor., 1981

 Item
Identifier: CC-03741-3812
Scope and Contents

Reproduces correspondence of several writers to d'Albisola. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Quaderni di Tullio d'Albisola No.3: Lettere di Tullio Crali, Fortumato Depero, Fillipo Tommaso Marinetti, Pino Masnata, Bruno Sanzin... (1929-1939) / Presotto, Danilo, editor., 1981

 Item
Identifier: CC-03742-3813
Scope and Contents

Reproduces correspondence of several writers to d'Albisola. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Quartiere Latino / L Caruso, 1986

 Item
Identifier: CC-03731-3802
Dates: 1986
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / BOOKS

Reading Visual Poetry after Futurism: Marinetti, Apollinaire, Schwitters, Cummings / Webster, Michael ; Cendrars B ; Apollinaire G ; Schwitters K ; cummings ee ; Marinetti FT ; Bohn W ; Shattuck R ; Barthes R ; Steiner W ; Stein G ; Zurbrugg N ; Dohl R ; Mayer HJ ; Tashjian D ; Gomringer E ; DeCampos A ; Pignatari D ; DeCampos H ; Carra C ; Hausmann R ; Williams E., 1995

 Item
Identifier: CC-32304-33866
Scope and Contents

Webster states that the four main poets discussed in this book, that was originally a doctural thesis, were not influenced by Mallarme's Un Coup de Des. In the case of Marinetti, he points out the structural typographic differences and similarities between Un Coup de Des and Parole In Liberta. Webster uses the term, visual poetry, as synonymous with concrete poetry. An appendix depicts several poems descibed in the book. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Reteadriatica / Pannaggi, Ivo., 1971

 Item
Identifier: CC-44828-46999
Scope and Contents

This book consists of a reprint of a 1922 poem. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1971
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Revistes / Arengario Studio Bibliografico, L'., 2008

 Item
Identifier: CC-49959-71018
Scope and Contents

This catalogue depicts all the magazine covers of the periodicals for sale - almost all Italian. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2008
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs

Scritti Sull'Arte / Baj, Enrico ; Warhol A ; Manzoni P ; Duchamp M ; Jorn A., 1996

 Item
Identifier: CC-28453-29721
Scope and Contents

Includes two sound poems by Baj from 1986 in the style of Parole in Liberta. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Scrittura Visuale e Poesia Sonora Futurista / Luciano Caruso, curator ; Stelio Maria Martini, curator ; Marinetti FT ; Mallarme S ; Cangiullo F ; Soffici A ; Depero F ; Munari B ; d'Albisola T ; Benedetta ; Jamar-14 ; Buzzi P ; Balla G., 1977

 Item
Identifier: CC-02429-2469
Scope and Contents

This exhibition catalogue dealt with published and unpublished examples of Parole In Liberta. One such poem by Jamar 14 (aka Piero Gigli), "Villa T.B.C.," had the theme of a stay in a Tuberculosis Sanatorium. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1977
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Severini futuristi: 1912-1917 / Hanson, Ann Coffin, editor ; Severini G ; Marinetti FT ; Boccioni U ; Carra C ; Russolo L ; Balla G., 1995

 Item
Identifier: CC-28829-30147
Dates: 1995
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Short List: Futurism / Ex Libris ; Marinetti FT ; Depero F ; Bruno A ; Fillia., 1981

 Item
Identifier: CC-13887-14192
Dates: 1981
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs

Short List: Rarae Aves 5 / Ex Libris ; Depero F ; Breton A ; Cangiullo F ; cummings ee ; Duchamp M ; Apollinaire G., 1983

 Item
Identifier: CC-13906-14211
Dates: 1983
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs

Sound Art: Beyond Music Betwen Categories / Licht, Alan ; Shaw J ; Dubuffet J ; Kelley M ; Acconci V ; Amirkhanian C ; Anderson L ; Basquiat JM ; Ball H ; Brecht G ; Brown E ; Cage J ; Cobbing B ; Corner P ; Duchamp M ; Dunn D ; Eno B ; Feldman M ; Filliou R ; Flynt H ; Gysin B ; Hansen A ; Hausmann R ; Heidsieck B ; Higgins D ; Isou I ; Jarry A ; Johnson R ; Kaprow A ; Klein Y ; Knizak M ; Kubisch C ; LeWitt S ; Levine L ; MacLow J ; Maciunas G ; Marchetti W ; Marinetti FT ; Michaux H ; Nancarrow C ; Neuhaus M ; Nitsch H ; Oldenburg C ; Paik NJ ; Nauman B ; Ono Y ; Ranier A ; Rauschenberg R ; Ray M ; Roth D ; Samaras L ; Schafer RM ; Schwitters K ; Smithson R ; Snow M ; Stockhausen K ; Tinguely J ; Toop D ; Trimpin ; Tudor D ; Viola B ; Vostell W ; Weiner L ; Warhol A ; Wolman G ; Young L ; Zazeela M., 2007

 Item
Identifier: CC-62713-68525
Scope and Contents Amazon.com: Over the past century, an art form has emerged that draws from the worlds of visual art and music. Sound art's roots can be found in the experimental work of Italian Futurism, Dada, and later the Fluxus group and the pioneering efforts of the American composer and artist John Cage. In the wake of this groundbreaking work, sound art began to mature into a movement, and artists explored the interactive possibilities of sound and in turn created entirely new modes of experiencing and engaging with art. In this volume, the complete story of sound art is told by one of the country's leading critics and scholars. The author traces the history of this form of art--highlighting the convergence of the indie world bands such as Sonic Youth with the art world--looking at the critical cross-pollination that has led to some of the most important and challenging art being produced today, including work by Christian Marclay, LaMonte Young, Janet Cardiff, Rodney Graham, and Laurie...
Dates: 2007
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Soundings / Suzanne Delehanty, curator ; Dore Ashton, curator ; Germano Celant, curator ; Lucy Fischer, curator ; Apollinaire G ; Braque G ; Brecht G ; Carra C ; Duchamp M ; Kandinsky V ; Knowles A ; Kosugi T ; Kupka F ; Maciunas G ; Marinetti FT ; Miro J ; Moholy-Nagy L ; Opalka R ; Picasso P ; Ray M ; Rauschenberg R ; Russell M ; Russolo L ; Schwitters K ; Severini G ; Tinguely J ; Agam Y ; Bertoia H ; Brown E ; Calder A ; Jones H ; Paik NJ ; Schoffer N ; Acconci V ; Anderson L ; Brewster M ; Monk M ; Neuhaus M ; Baldessari J ; Beuys J ; Cage J ; Fox T ; Giorno J ; Ono Y ; Hausmann R ; Huelsenbeck R ; Klein Y ; Levine L ; Lichtenstein R ; Oldenburg C ; Oppenheim D ; Ben ; Vostell W ; Wiley WT ; Conner B ; Frampton H ; Nauman B ; Sharits P ; Snow M ; Weiner L ; Satie E ; Tudor D., 1981

 Item
Identifier: CC-55294-65858
Scope and Contents At the time of this exhibition in 1981, no one was paying attention to the ways in which visual artists were using sound, yet everyone was vaguely aware of it. Suzanne Delehanty and the Neuberger mounted this show, pulling together books, objects, installations, and performance to at least sketch the scope of the idea. There were performances by the Glass Orchestra, and Composers Inside Electronics among others; books and objects by Braque, Duchamp, Dick Higgins, Kandinsky, Alison Knowles, George Macunias, Man Ray, Rauschenberg, Schwitters, and Tinguely and more; instruments/sculptures by Agam, Bertoia, Calder, Paik, and more; installations by Acconci, Anderson, Cage, Monk, Robert Morris, Nauman, and more; and many, many records and tapes by artists including the foregoing, Ono, Dine, Dibbets, LeWitt, and too many to mention (e-mail for specific inquiries). This was in fact a blockbuster, and the catalogue alone serves as one of the best scholarly resources there is on the subject,...
Dates: 1981
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Spazi Multiformi / Benedetto, Enzo ; Verdone M., 1985

 Item
Identifier: CC-23082-23519
Dates: 1985
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs

Special Bulletin No.80: 14th International Antiquarian Book Fair / Ars Libri ; Artaud A ; Breton A ; Crotti J ; Diacono M ; Duchamp M ; Mayer HJ ; Hugnet G ; Iliazd ; Kruchenykh A ; Lissitzky E ; Marinetti FT ; Schwitters K ; Brossa J., 1992

 Item
Identifier: CC-26431-26900
Dates: 1992
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs

Special Bulletin No.93-Modern Art: Documents and Illustrated Books / Ars Libri ; Lewis WP ; Boccioni U ; Brown B ; Burliuk D ; Buzzi P ; Cangiullo F ; Carra C ; Hugnet G ; Iliazd ; Lissitzky E ; Marinetti FT ; Soffici A., 1995

 Item
Identifier: CC-26766-27236
Scope and Contents

El Lissitzky's "Beat the Whites with the Red Wedge" is described and documented. The dimensions of this poster which are smaller than the one in the Lenin Library more closely fit with the example held by the Sackner Archive. It probably should be considered a second state of the original lithograph. The annotation notes ... "several identical examples which have recently come to light." The offered example was owned by Solomon Telingater. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs

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