This is a brochure of Jan Baker designed textiles created in collaboration with Lori Weitzner for an award winning upholstery fabic collection. -- Source of annotation: Marvin or Ruth Sackner.

These are samples of Jan Baker designed textiles created in collaboration with Lori Weitzner for an award winning upholstery fabric collection. -- Source of annotation: Marvin or Ruth Sackner.

This issue focuses mainly on Japanese graphic design. -- Source of annotation: Marvin or Ruth Sackner.

This issue includes an illustrated article on the American magazine, "Wired." -- Source of annotation: Marvin or Ruth Sackner.

This book edited by Eric Dluhosch and Rostislav Svacha serves as the catalogue for an exhibition at the Wolfsonian-FIU in 2000. The critical essays include the following chapters: "Karel Teige in the Twenties: The Moment of Sweet Ejaculation," "Poetism," "Typography," "Before and After the Mundaneum: Teige as Theoretician of the Architectural Avant-Garde," "Karel Teige during the Thirties: Projecting Dialectics," and "Karel Teige's Collages, 1935-1951: The Erotic Object, the Social Object, and Surrealistic Landscape Art." The appendix includes a chronological overview of Teige's life. -- Source of annotation: Marvin or Ruth Sackner.

Kay Rosen contributes an introductory essay in which she writes that "In the 1970's, I had made the transition from an academic approach to languages to a visual one because to me the most interesting things about language were not what was included in its formal rules, but rather what I stumbled upon accidentally...These most mundane and undervalued bits of speech were distinguished not only by their rejection of normal doctrine, but also by their potential to convey meaning non-linguistically. They needed to be expressed visually to be realized." -- Source of annotation: Marvin or Ruth Sackner.

This collection of wedding documents reproduced from the original Ketubot designed adn drawn by David Moss are bound in three volumes. The first is titled Traditon: Ten Ketubot Inspired by the Illuminated Manuscript Tradition. The second volume is titled Transition: Portals of Passage: Ten Ketubot in the Form of Gates. The third volume is titled Transformation: Innovation: Ten Ketubot in Non-Traditional Styles. -- Source of annotation: Marvin or Ruth Sackner.

Collage elements make up this cover for the May 9, 1988 cover of Time Magazine. -- Source of annotation: Marvin or Ruth Sackner.

This book is concerned with applications of the triangular image in design. -- Source of annotation: Marvin or Ruth Sackner.

Concerns Chopin's design for the postcard, "I Refuse." -- Source of annotation: Marvin or Ruth Sackner.

The authors write that stationery for the avant garde 20th century movements served as typographic manifestos and reflected the artists' and designers' ambitions to merge art into life and to create visual identities for themselves. This book contains an international avant-garde net-work time line that diagrams the interaction of the major movements and artists. The reproductions of the poster, "Kleine Dada Soiree" by Schwitters and Van Doesburg and the brochure, "Reklame Mechano" by Henryk Berlewi in this book are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This book is concerned with making letters and letterforms for specific purposes, including handwritten, computer generated, cut and torn, constructed, photocopied and faxed, painted and sprayed. The editor states in the first section of the book that letterforms communicate their emotional content before their verbal content. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by Barbara Glauber. The topics covered in this experimentally designed catalogue, with varied typefaces and layout approaches, include "The Anonymous Profession" by Steven Heller, "Roadside Culture" by George LaRou and "Anarch-Graffiti in New York City's Lower East Side" by John Dale and Margaret Morton. The themes mainly deal with the influence of outdoor sign designs, logographs, and advertisements of graphic designs as a whole. -- Source of annotation: Marvin or Ruth Sackner.

This is the second printing of the book. An essay by Dom Sylvester Houedard, Concrete Poetry (1963) is reprinted from its first publication in Typographic new series No.8, 1963. -- Source of annotation: Marvin or Ruth Sackner.

This book is a compilation of essays dealing with graphic design. J. Abbott Miller and Ellen lupton contribute an essay titled "A Natural History of Typography" in the section Looking Closer: Modernism and its Malcontents. Steven Heller writes of typographic nostalgia in his essay, "The Time Machine." Other sections of the book include Language and Dialects; Surface and Style; Form Follows Function; Sex Lies and Stereotypes; In the End, It's Education. Michael Dooley traces the development of Emigre by Rudy VanderLans and Zuzana Licko in his essay "Kicking up a Little Dust." The essays contained in this volume were previously published in Print, Eye, Emigre, I.D. Magazine, AIGA Journal and other graphic design publications, -- Source of annotation: Marvin or Ruth Sackner.