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Graphic design

 Subject
Subject Source: Sackner Database

Found in 483 Collections and/or Records:

Spirit World, 1992

 Item — Box 205: [Barcode: 31858072460110]
Identifier: CC-29041-30379
Scope and Contents

The texts intermingle the early democratic principles of America' founding fathers with slavery issues. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

Surveillance Means Security! / Wright, Micah Ian., 2006

 Item
Identifier: CC-45929-48631
Scope and Contents

J.R. Norton contributed a forward. The Sackners heard the lecture delivered by Wright at relating to this book at the Wolfsonian Museum, Miami Beach in October 2006. The political posters in this book were altered from 50 old classic war propoganda posters using PhotoShop. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2006

Symbol Soup / Patteel, Andre, editor., 1999

 Item
Identifier: CC-35646-37393
Scope and Contents

The editors write that this publication studies the symbols of the contemporary visual landscape and illustrates the meaning of visual literacy and communication in the current generation and how attitudes, ideas and aspirations are conveyed. The books are titled The Mix, Retro, You, Spirituality, Look, Body, Digital Characters, Random Access and Aliens. The book, You, with its quirky layout can be considered an artist book. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999

Thames & Hudson (July-December) / Sackner MA ; Sackner RK ; Katz L ; McCaffery S., 2015

 Item
Identifier: CC-60691-10003557
Scope and Contents

The "Art of Typewriting" is listed and illustrated (page 31). It contains illustrated works and descriptions from the Sackner Achive. Four of the uniquely designed book covers are shown. On the back covers the works of Leandro Katz (Word Column IV) and Steve McCaffery (Carnival - second column) are illustrated. The smaller soft cover book contains children's publications. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2015

The 20th Century Poster: Design of the Avant-Garde / Dawn Ades, editor ; Mildred Friedman, editor ; Lissitzky E ; Schwitters K ; VanDoesburg T ; Huszar V ; Zwart P ; Malevich K ; Zdanevich I ; Law A ; Brown R ; Mayer HJ ; Depero F ; Duchamp M ; Ben., 1984

 Item
Identifier: CC-26041-26503
Scope and Contents

El Lissitzky's poster "Beat the Whites with the Red Wedge" pictured on page 11 is same design as the poster held in the Sackner Archive. The poster reproduced but not displayed in the exhibition, is from the Stedelijk Van Abbemuseum in Eindhoven, The Netherlands. The core of this exhibition of posters originates from the collection of Merrill C. Berman who also provides an interview with Alma Law on collecting such works. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

The Alphabet of the Angel Metatron / The Midrash of the Alphabet of Metatron / Moss, David., 2000

 Item
Identifier: CC-47615-68627
Scope and Contents David Moss Introduction in book accompanying prints: "Among the many Hebrew letter forms which have now largely become defunct, there is a group of strange alphabets which were used exclusively for Kabbalah Maasit-practical Kabbalah, i.e. magic. These bear no apparent relationship to the common Hebrew letters. They were known by various names: angelic alphabets, characters, seals. They appear on ancient Greek magic papyri and on Aramaic incantation bowls; they continued to be used for centuries on amulets and were, until quite recent times, even written on mezuzot. When I chanced upon the first publication of The Midrash on The Alphabet of Metatron, these strange letters were not unfamiliar to me. I recognized in them the characteristic forms of all of these magical alphabets: simple, straight and curved lines always ending with tiny circles. I had seen such letters in Sefer Raziel-probably the most popular book of Jewish magic. But the discovery of this charming midrash based...
Dates: 2000

The Art of Darkness (Simon Clark) / curry, jw., 1987

 Item
Identifier: CC-43154-45210
Scope and Contents

The is a business card for a lighting designer - the verso is black. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987

[The Body Electric] / Sych, Paul., 1996

 Item
Identifier: CC-27607-28684
Scope and Contents

The poster depicts fragmented, overlapping, vividly colored, distorted letterforms. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

The Cheese Monkeys / Kidd, Chip., 2001

 Item
Identifier: CC-37753-39631
Scope and Contents Booklist reviewed this book. "Kidd is a pioneer in book cover art, but this novel marks his first attempt to write the words between his magnificent covers. It tells the story of one boy's discovery of graphic design in college and his talented and cruel professor. The "novel in two semesters" follows our narrator through his first year at the ubiquitous "State U." In the first semester, he meets Himillsy Dodd, a precociously brilliant fellow art major with a great disdain for art, and takes "Introduction to Drawing," which includes such inane exercises as drawing a still life of a large, brown, and dead bird named Renaldo. Then they take graphic design with the enigmatic William Sorbeck, and life changes forever. Sorbeck shines in three dimensions on the page, a living representation of the larger-than-life professor that luckier college students have a chance to know. This is a fascinating, funny, and wonderfully written novel of graphic design that manages to deepen the...
Dates: 2001

The Complete Work [by Arthur Cohen] / Bayer, Herbert., 1984

 Item
Identifier: CC-20877-21286
Scope and Contents

Text by Arthur A. Cohen. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

The End of Print / Carson, David ; Blackwell, Lewis ; Byrne D ; Tilson J ; Fella E., 1995

 Item
Identifier: CC-20687-21089
Scope and Contents

David Byrne of the rock group, The Talking Heads, wrote the introduction. Carson has been considered by some to be the most innovative and influencial graphic designer of the 1990's. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

[The Getty Center Fellowship] , 1992

 Item — Box 321: [Barcode: 31858072490877]
Identifier: CC-23999-24449
Scope and Contents

This poster has a more experimental design than usually distributed by the Getty. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

The Graphic Language of Neville Brody Volumes 1 & 2 / Brody, Neville ; Burroughs WS ; Gysin B., 1995

 Item
Identifier: CC-24084-24536
Scope and Contents

Born in 1957 and educated at the London College of Printing, the early influences on Brody were Brion Gysin, William Burroughs, Punk Rock, Moly Nagy, Rodchenko, El Lissitzky and Malevich. Brody has designed record covers, magazines book covers, logos most recently digitized images and alphabets. Brody was a founder of Fuse, a digital disc accompanied by posters of experimental typography. Jon Wozencroft provided the text and captions for these books which are reprinted from the 1988 & 1994 editions. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

The Medium Is The Massage / McLuhan, Marshal ; Fiore, Quentin ; Cage J ; Joyce J., 1967

 Item
Identifier: CC-33174-34802
Scope and Contents

This profusely illustrated book dealing with the power of the media, written over 32 years ago at the time of writing this annotation still is current in thought today. Thus, McLuhan writes on page 67, "The new interdependence recreates the world in the image of a global village." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1967