This issue of Typographic takes the work of type-designers and explores the differing reasons and purposes for their use of the computer as an appropriate tool. -- Source of annotation: Marvin or Ruth Sackner.

This issue is concerned with the problems faced by the teachers of typography in higher education dealing with governments that have imposed mass accessibiity upon a system whose internal values remain elitist. -- Source of annotation: Marvin or Ruth Sackner.

This issue is concerned with the real world of graphic design and the education of design students who will "shape the real world into a place more to their liking." -- Source of annotation: Marvin or Ruth Sackner.

Designed by Karen Wilks and edited by Lucy Rix, this book surveys work from the 90s. It is divided into four sections, viz., Type as Composition: designing with words; Type Plus: the alliance of type and imagery; Type as Text: typography as a medium for the reader and writer; Type Itself: recent font designs. A poster by Edward Fella is reproduced in opposition to Neville Brody's typographic magazine, "Fuse." -- Source of annotation: Marvin or Ruth Sackner.

Profusely illustrated book that reproduces experimental typographic spreads from magazines, exhibition catalogues, posters, and ads. It also has a section on student work. Magazines represented among others include Ray Gun, Emigre, Bulldozer, Form + Zweck, The Downlow, Zed, Coil, Bikini, Wired, and Now Time. -- Source of annotation: Marvin or Ruth Sackner.

This issue includes an illustrated article on the genesis of the letter 'A.' -- Source of annotation: Marvin or Ruth Sackner.

Marion Muller contributes an extensively illustrated essay on the calligraphic and graphic design works by Hans-Joachim Burgert. Marion Muller writes about "A Dictionary" by Peter Grundy. In it, Grundy provides concrete poems utilizing compositions with the letter(s) 'x' that describe a word beginning with 'ex.' For example, xaggerate, xtract, xact, xcrete, etc. -- Source of annotation: Marvin or Ruth Sackner.

Steven Heller contributed an essay on the cartoon pieces by Robert Grossman. Alan Haley submitted an essay on the typographer William Addison Dwiggins. Marion Muller wrote about "Fingernail Embossing." -- Source of annotation: Marvin or Ruth Sackner.

This issue contains an illustrated article on the genesis of the letter 'N.' -- Source of annotation: Marvin or Ruth Sackner.

This issue includes an article about Graham Clifford depicted his "dirty type" for use in an advertisement dealing with pain, sweat, dirt, and blisters. -- Source of annotation: Marvin or Ruth Sackner.

Steven Heller contributed an essay titled "Advertising Arts: America Becomes Modern(istic)." He traces the history of the advertising magazine first published in 1930. -- Source of annotation: Marvin or Ruth Sackner.

This issue includes an illustrated article on the genesis of the letter 'I' by Allan Haley. Marion Muller describes the work of Jan Baker in a illustrated essay "A Woman of Letters." The Sackner Archive has extensive holdings of this artist. -- Source of annotation: Marvin or Ruth Sackner.

Marion Muller writes a brief essay on Deltiology, i.e, the collecting of postcards. -- Source of annotation: Marvin or Ruth Sackner.

This issue includes an illustrated article dealing with contemporary book design. -- Source of annotation: Marvin or Ruth Sackner.

This issue includes the annual catalogue of International Typeface Corporation. It includes an article on the Grey Spider Press. -- Source of annotation: Marvin or Ruth Sackner.