Graphic design
Found in 483 Collections and/or Records:
U&lc. No.2/Jul / Snyder G ; Erte., 1976
U&lc. No.2/Jun., 1982
This issue included an article dealing with the life and work of Mozart. -- Source of annotation: Marvin or Ruth Sackner.
U&lc. No.2/Jun / McLuhan M., 1980
This issue deals largely with the "new" digital typography and communications revolution. -- Source of annotation: Marvin or Ruth Sackner.
U&lc. No.2/Jun / Myers L ; Langdon J., 1977
U&lc. No.2/May / Warde B., 1988
This issue contains articles on the genesis of the letter 'B,' coasters, and art of manhole covers. There ia also a biography of Beatrice Warde, often referred to as the "First Lady of Typography." -- Source of annotation: Marvin or Ruth Sackner.
U&lc. No.2/Spr / Haley A ; Muller Ma., 1990
This issue includes an illustrated article on the genesis of the letter 'K' by Allan Haley. Lee Sinoff contributes an essay "Mechanical Writing Machines Begat..." that deals with manual typewriters. Marion Muller writes about contemporary Russian posters in her essay "the Russians Are Here!" A review of the Hechinger Collection, "Tools As Art," is described by Marion Muller. -- Source of annotation: Marvin or Ruth Sackner.
U&lc. No.3/Fall / Reisinger D ; Heller S ; Kurtz C ; Wolf A ; Joyce J ; Fletcher A., 1991
This issue includes an illustrated essay on the evolution of the letter "P." Steven Heller contributed an essay "Ode to the Twilight Zone." He also wrote about "David Johnson: Linear Man." This issue reviews an exhibition of Calligraphy, Calligraphia USA/USSR held in Moscow. -- Source of annotation: Marvin or Ruth Sackner.
U&lc. No.3/Nov., 1987
This issue includes an illustrated article on Alan Blackman's artist's mailing envelopes. -- Source of annotation: Marvin or Ruth Sackner.
U&lc. No.3/Sep / Heller S., 1983
Steven Heller contributed an essay, "Feliks Topolski: Memoir of the Century." -- Source of annotation: Marvin or Ruth Sackner.
U&lc. No.3/Sep / Heller S., 1982
U&lc. No.3/Sep / Siemsen P ; Amft P ; Lubalin H ; Bass S ; Glaser M., 1979
U&lc. No.3/Sum / Licko Z ; Caxton W ; Ray M ; cummings ee ; Thomas D ; Roth D ; Lamantia P ; Finlay IH ; Herbert G ; Marinetti FT ; Morgenstern C ; Apollinaire G ; Gomringer E ; Muller Ma ; Costin J., 1990
This issue contains illustrated articles on the genesis of the letter 'L,' film posters, and "Love Letters." Allan Haley contributed a biography entitled, "William Caxton: The Modest Translator." Marion Muller's essay "Meant to Be Seen and Not Heard" about concrete and shaped poetry dealt with an exhibition of Arion Press' Shaped Poetry portfolio at MJS Books & Graphics in New York. -- Source of annotation: Marvin or Ruth Sackner.
U&lc. No.3/Win / Heller S., 1993
Steven Heller contributed an essay "Deco Espana" in which he explores Spain's contribution to this elegant era of design. -- Source of annotation: Marvin or Ruth Sackner.
U&lc. No.4/Aug / Heller S., 1987
U&lc. No.4/Dec / Bayer H ; Folon ; Myers L ; Sawka J ; Larcher J., 1977
This issue continues documenting the conference, "Vision 77," from the previous issue. -- Source of annotation: Marvin or Ruth Sackner.
U&lc. No.4/Dec / Heller S., 1981
Steven Heller contributed an essay "Simplicissimus," that described the late nineteenth century German magazine. -- Source of annotation: Marvin or Ruth Sackner.
U&lc. No.4/Dec / Muller Ma., 1983
Steven Heller contributed an essay, "Seeing Is Believing: the Art of David Suter." -- Source of annotation: Marvin or Ruth Sackner.
U&lc. No.4/Dec / Myers L., 1978
Contains an essay "Blissymbols for the Handicapped: A Manner of Speaking" that describes a way for verbally handicapped individuals to communicate through a non-verbal language based on early Chinese picto-ideographs. -- Source of annotation: Marvin or Ruth Sackner.
U&lc. No.4/Dec / Myers L ; Brod S., 1980
U&lc. No.4/Fall / Healey A ; Muller Ma ; Heller S ; Sandberg W., 1989
This issue includes an illustrated article on the genesis of the letter 'H.' Steven Heller writes about Dutch Poster designs. Marion Muller contributes an illustrated essay on the work of Eduard Prussen of Cologne. His linocuts are integrated with letters. The work of Willem Sandberg is described in an essay by Marion Muller based on a retrospective exhibition at the Center for Book Arts, New York. -- Source of annotation: Marvin or Ruth Sackner.