Designed by Toshihiro Katayama. -- Source of annotation: Marvin or Ruth Sackner.

The poster was designed by Toshihiro Katayama. -- Source of annotation: Marvin or Ruth Sackner.

This poster was designed by Toshihiro Katayama. -- Source of annotation: Marvin or Ruth Sackner.

The drawing on the colophon page consists of a large K in ink and green graphite. Two phrases are handwritten at the top and bottom of the K: "Quand bien meme lance dans des circonstances eternelles" and "Toute pensee emet un coup de des." -- Source of annotation: Marvin or Ruth Sackner.

The catalogue reproduces and documents Massin's book and record covers as well as some typographic layouts and bookbindings. The drawing on the colophon page consists of the letter K with an arm and leg hand drawn and colored. Inscribed on each side of the K is the phrase "Cette lettre K qui derive du [symbol of bent arrow] Phenicien." -- Source of annotation: Marvin or Ruth Sackner.

The catalogue reproduces and documents Massin's book and record covers as well as some typographic layouts and bookbindings. The drawing on the colophon page consists of the letter K where part of the K becomes an arrow. Inscribed on the side of the K is an inscription in French. The Sackner Archive holds the preceding two volumes with the letter "K." -- Source of annotation: Marvin or Ruth Sackner.

This is a profusely illustrated catalogue of advertising graphics. -- Source of annotation: Marvin or Ruth Sackner.

Ingrid Schauffner contributed an inciteful essay entitled, "A Chocolate Art History." In it, she pointed out that members of the Fluxist movement were among the first to use chocolate in their art works. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue features books produced by companies as advertisements for their products. Stored in Lecointre box. -- Source of annotation: Marvin or Ruth Sackner.

Internet: Enrique Sacerio-Garí is the Dorothy Nepper Marshall Professor of Hispanic and Hispanic-American Studies at Bryn Mawr College, where he has taught since 1977. He is known especially for his work on Jorge Luis Borges, and for his poetry. He introduced and edited a selection of Jorge Luis Borges' early articles in the volume Textos cautivos, Ensayos y resenas en El Hogar. His poetic works include: Comunion (a concrete poem) and Poemas interreales (Pennsylvania, 1981; Madrid, 1999; La Habana, 2004). R -- Source of annotation: Marvin or Ruth Sackner.

This publication, subtitled X-Ray Culture, contains six essays relating to radiological imaging as it has been used in the arts and sciences, viz., in anthropology, theatre, advertising, conceptual art, humanitarism and film. The covers and essays are presented with the new typography and design in the layout style of David Carson. A remarkable x-ray of a snake eating a mouse is featured on the inside back cover. The magazine notes that Guerbet is the leading manufacturer of contrast media for medical imaging. -- Source of annotation: Marvin or Ruth Sackner.

This book depicts reproductions of magazine covers of popular and obscure Italian periodicals by graphic designers and visual poets. -- Source of annotation: Marvin or Ruth Sackner.

This work is the unfolded cover for issue No.2 of the poetry magazine, Pan. On its verso is the printed table of contents of the magazine that was edited and published by Alan Brilliant. -- Source of annotation: Marvin or Ruth Sackner.

This work is a design for a cover of the poetry magazine, Pan. The issue number is unspecified. -- Source of annotation: Marvin or Ruth Sackner.

This is an essentially a "How To Do It Book" on typography design. Several projects with examples are presented to the reader. -- Source of annotation: Marvin or Ruth Sackner.

Steven Heller contributed an essay on the graphic design work of Leo Lionni. The concrete poem on page 23 depicts fragmented letters of the word, "Napoli," to indicate the disintegrating ancient buildings in that city. -- Source of annotation: Marvin or Ruth Sackner.

This special issue for year end 2000 is a critique of web sites and was the final issue of the periodical. -- Source of annotation: Marvin or Ruth Sackner.