This profusely illustrated book reprints 20th century books or brochures or selections from them which utilize experimental typography. It includes major sections of the works dealing with relatively obscure practitioners of this field such as Guy de Cointet (conceptual text), Robert Fauconnet (typewriter poetry to illustrate a narrative), Martin Solomon (graphic design) and Chang Yee (ideograms). The illustrations accompanying this record are taken from Robert Fauconnet 's typewriter novel, Divertissement mecanographique (1961) no longer in print. The Sackner Archive holds an unsigned copy of this book as well that is stored on the reference shelf. -- Source of annotation: Marvin or Ruth Sackner.

This profusely illustrated book reprints 20th century books or brochures or selections from them which utilize experimental typography. It includes major sections of the works dealing with relatively obscure practitioners of this field such as Guy de Cointet (conceptual text), Robert Fauconnet (typewriter poetry to illustrate a narrative), Martin Solomon (graphic design) and Chang Yee (ideograms). The illustrations accompanying this record are taken from Robert Fauconnet 's typewriter novel, Divertissement mecanographique (1961) no longer in print. -- Source of annotation: Marvin or Ruth Sackner.

Malik draws ideograms in one motion of the pen without the pen leaving the surface as in automatic writing. He also uses ink on a brush in the same way. The compact disc is a recording of the pen moving on the paper that gives a sensibility of sound poetry. The catalogue depicts works done from 1989 to 2003. -- Source of annotation: Marvin or Ruth Sackner.

This may be Katz's first book. -- Source of annotation: Marvin or Ruth Sackner.

Noshino documents the meaning of the ideograms in English on the verso of the drawing. The accompanying image shows the drawing and documentation as a composite. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was curated by Kate Rawlinson and Wallace Harper with works from the Sackner Archive. It was structured into four groups of visual/verbal works: ideograms, alphabets, words and stories. Drucker provided an outstanding introductory critical essay to the works in the exhibition despite being able to work with photographic reproductions only. -- Source of annotation: Marvin or Ruth Sackner.

This issue deals mainly with the background for Chinese and Japanese ideograms. -- Source of annotation: Marvin or Ruth Sackner.

Stored in Reed Altemus portfolio box. -- Source of annotation: Marvin or Ruth Sackner.

Stored in Reed Altemus portfolio box. -- Source of annotation: Marvin or Ruth Sackner.

The book consists of examples and documentation of varied calligraphic styles utilized by the author. -- Source of annotation: Marvin or Ruth Sackner.

This book, printed in Gomringer's preferred lower case futura typography, contains sections on ideograms, poetic hommages to artists that include Josef Albers, Max Bill, Paul Lohse, and Gunther Uecker, books, book of hours, etc. Karl Riha contributed an afterward. -- Source of annotation: Marvin or Ruth Sackner.

The cover of the invitation to the marriage of Anabelle Hubaut and David Clarke was designed by the bride's father, Joel Hubaut. The Sackners attended the festivities in Normandy, France in April 2003. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition ostensibly dealt with works by 17 Islamic artists but fell short owing to inclusion of mostly Western art images done by Islamic artists living in the West. -- Source of annotation: Marvin or Ruth Sackner.

Also designated th wrecking ballzark #46. -- Source of annotation: Marvin or Ruth Sackner.

This New Year's greeting print has the shape of a equilateral triangle. -- Source of annotation: Marvin or Ruth Sackner.