The letter "k" has been altered by fragmentation and rotation to form a grid-like structure. -- Source of annotation: Marvin or Ruth Sackner.

This includes an image that is similar to a print also held by the Sackner Archive entitled "36. In the Beginning." -- Source of annotation: Marvin or Ruth Sackner.

The bookselller,"Waiting for Godot," indicated that only one copy is held by the National Library of the Czech Republic. -- Source of annotation: Marvin or Ruth Sackner.

Taken from Archiveof O!!Zone 1996. -- Source of annotation: Marvin or Ruth Sackner.

Taken from Archiveof O!!Zone 1996. -- Source of annotation: Marvin or Ruth Sackner.

The image is akin to the letter wooden typeface sculptures during this phase of Gette's career. -- Source of annotation: Marvin or Ruth Sackner.

The artist described the original work, a 30" x 30" acrylic on canvas, on the verso as a painting poem. -- Source of annotation: Marvin or Ruth Sackner.

This copy has a white background onto are which printed colored letters dictated by the analysis on the verso. William Allen comments: "Dom Sylvester's memorial to the artist Ken Cox, who died in November 1968 after a tragic accident. This double-sided print was printed at the Compton Press, Salisbury, in orange and green on yellow stock. The verso side of the print features silkscreen, together with the title and date. Recto, printed in black, contains the full length title "Ken Cox Memorial/Sun-Cheese wheel-ode, a double-rolling-gloster memorial for kencox" and the complex workings of Houedard's Consonant and Vowel System, as well as acknowledging Semi-Bold Flaxman by Edward Wright. The letters K- E- N- C- O- X are missing from the composition - reflecting the loss of the artist. Less than 300 prints were produced on white, pink and yellow stock." -- Source of annotation: Marvin or Ruth Sackner.

This copy has a yellow background onto are which printed colored letters dictated by the analysis on the verso. William Allen comments: "Dom Sylvester's memorial to the artist Ken Cox, who died in November 1968 after a tragic accident. This double-sided print was printed at the Compton Press, Salisbury, in orange and green on yellow stock. The verso side of the print features silkscreen, together with the title and date. Recto, printed in black, contains the full length title "Ken Cox Memorial/Sun-Cheese wheel-ode, a double-rolling-gloster memorial for kencox" and the complex workings of Houedard's Consonant and Vowel System, as well as acknowledging Semi-Bold Flaxman by Edward Wright. The letters K- E- N- C- O- X are missing from the composition - reflecting the loss of the artist. Less than 300 prints were produced on white, pink and yellow stock." -- Source of annotation: Marvin or Ruth Sackner.

Publisher's note: Proposed as a collection of imaginary logos for the corporate sponsors of Borges' Library of Babel, Kern balances on a precipice between the visual and nonsensical, offering poems just out of meaning's reach. Using dry-transfer lettering, derek beaulieu made these concrete pieces by hand, building the images gesturally in response to shapes and patterns in the letters themselves. This is poetry closer to architecture and design than confession, in which letters are released from their usual semantic duties as they slide into unexpected affinities and new patterns. Kern highlights the gaps inside what we see and what we know, filling the familiar with the singular and the just seen with the faintly remembered. -- Source of annotation: Marvin or Ruth Sackner.

The color of the letters of this print is green. -- Source of annotation: Marvin or Ruth Sackner.

This poster was hung in the most important exhibition of concrete poetry in its time. The numbering scheme used to classify the posters is based upon the pages of the exhibition catalogue with the same title but this poster was not depicted in the catalogue. -- Source of annotation: Marvin or Ruth Sackner.

This print was hung in the most important exhibition of concrete poetry in its time. The numbering scheme used to classify the posters is based upon the pages of the exhibition catalogue with the same title. In this case, the print was not depicted in the catalogue and the page reference is to Burkhardt's biography. -- Source of annotation: Marvin or Ruth Sackner.

This print was hung in the most important exhibition of concrete poetry in its time. The numbering scheme used to classify the posters is based upon the pages of the exhibition catalogue with the same title. -- Source of annotation: Marvin or Ruth Sackner.

This poster was hung in the most important exhibition of concrete poetry in its time. The numbering scheme used to classify the posters is based upon the pages of the exhibition catalogue with the same title. -- Source of annotation: Marvin or Ruth Sackner.

This typing is created totally with the letters klkl. There is at least three errosr on this page. -- Source of annotation: Marvin or Ruth Sackner.

This issue consists of ten letter pictures made from letraset. The cover image consists of typewriter poetry and superimposed abstract markings. -- Source of annotation: Marvin or Ruth Sackner.

The image consists of dense arrangement of colored words and letters in recognizable and hieroglyphic-like shapes and sizes. -- Source of annotation: Marvin or Ruth Sackner.