The drawing consists of a spray painted surface, a portrait of Isadore Isou, abstract letter forms, a small collage addition of Satie's work and a handprinted Lettrist text. The text is subtitled "de la sclerose dans un monde artistique...Reponse aus detracteurs de l'art contemporain." -- Source of annotation: Marvin or Ruth Sackner.

This a reprint of the book first published in 1968. -- Source of annotation: Marvin or Ruth Sackner.

Satie uses the following magic squares in this book, viz., SATOR, DATUR, OPALE, SATIE, and SIGNE. -- Source of annotation: Marvin or Ruth Sackner.

Pages are uncut. This copy includes one drawing by Lemaitre and two drawings by Altmann in the beginning of the book that were added to the pages after its publication. The edition of 10 copies of the special limited edition (not held by the Sackner Archive) included four watercolors by Altmann. -- Source of annotation: Marvin or Ruth Sackner. Edition has glassine protective cover.

Pages are uncut and in the last section, the pages are out of order. The edition of 10 copies of the special limited edition (not held by the Sackner Archive) included four watercolors by Altmann. -- Source of annotation: Marvin or Ruth Sackner.

This is a reprinting of Lemaitre's novel with documentation as published in the periodical, Lettrisme n.s. No.25-26, 1971. These issues are also held by the Sackner Archive. There are several examples of Lemaitre's visual and poetic works as well as his followers reproduced in the book. -- Source of annotation: Marvin or Ruth Sackner.

This book first appeared as Lettrisme n.s. No.25-26, 1971 that is also held by the Sackner Archive. This book was also published in a deluxe edition of 30 copies, one of which is held by the Sackner Archive. There are several examples of Lemaitre's visual and poetic works as well as his followers reproduced in the book. -- Source of annotation: Marvin or Ruth Sackner.

The text is a transcription of a conference given by Devaux in Glasgow, Scotland. This is the deluxe edition because of the painted front and back covers by Devaux. -- Source of annotation: Marvin or Ruth Sackner.

This production by 13 Lettrist artists has been described as the most important of the illustrated Lettrist books, a very "soignee realization," of which only a few rare complete examples exist. Georges Visat provides an introduction. -- Source of annotation: Marvin or Ruth Sackner.

Maurice Lemaitre wrote the preface to this book. Lemaitre stated that only 200 copies survived in his essay in Isou's exhibition catalogue, Hypergraphic Novels 1950-1984. -- Source of annotation: Marvin or Ruth Sackner.

Dupont submitted these three prints to an international competition for book plates in Metz, France, as an homage to the poet Paul Verlaine. As explained in an accompanying document, "Concours International D'Ex Libris "Paul Verlaine," there are three states: the first is black and gray to evoke ink and ink-paint; the second is stained absinthe green mixed with red for passion; The third is the celestial blue of inspiration mixed with earth green, planted on and in his body. -- Source of annotation: Marvin or Ruth Sackner.

The cover was designed by Albert Dupont. -- Source of annotation: Marvin or Ruth Sackner.

This is the ordinary edition of unstated number of copies; ten copies had an added gravure. -- Source of annotation: Marvin or Ruth Sackner.

This is an attack on the writers of the "new" novel by Isou. The watercolor was done by Lemaitre. The ordinary edition is Lettrisme No.17. -- Source of annotation: Marvin or Ruth Sackner.

Also designated A.DU3. -- Source of annotation: Marvin or Ruth Sackner.

The letters and hieroglyphics were painted red and white colors on black paper. -- Source of annotation: Marvin or Ruth Sackner.