Music score
Found in 71 Collections and/or Records:
Ear Magazine. No.8 / Kostelanetz R., 1975
Ear Magazine. No.9 / Anderson B., 1973
Ear Magazine. No.10-11 / Gnazzo A., 1973
Ear Magazine. No.12., 1974
Ear Magazine. No.13-14.5 / Kelbach K ; Anderson B ; Moorman C., 1974
Ear Magazine. No.23., 1974
Ear Magazine. No.14.5 / Anderson B., 1974
Echoes of Silence, 1980
Factotumbook: Piano Album: Short Piano Pieces 1962-1984. No.26/Sep / Dick Higgins ; Williams E., 1980
First Post Last Post / Lane, Brian., 1979
From Stone to Star / Caldiero, A.F.., 1977
Some of these poems in this book appeared in Clown War, a publication held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
From Sweet Talk / Friedman, Ed., 1978
Also designated Series #6. -- Source of annotation: Marvin or Ruth Sackner.
Great Bear Pamphlet, A: A Dick Higgins Sampler: Betwixt & Between: The Life and Works of Fluxus Artist Dick Higgins. No.Last / Simon Anderson, Hannah Higgins, editors ; Higgins D., 2000
This book documents a commemorative exhibition to Dick Higgins after his death in 1998. -- Source of annotation: Marvin or Ruth Sackner.
William Hibbard Papers
Homage to Throbbing Gristle / Rushmer, David., 1993
According to Rushmer, the poems in this book are conceived of as visual sounds. -- Source of annotation: Marvin or Ruth Sackner.
Hot Bird Mfg: S. No.9/Aug / Ben Yarmolinsky ; Paul Bowles., 1993
Edited by Ray DiPalma. -- Source of annotation: Marvin or Ruth Sackner.
Hydrangea / Casserley, Lawrence ; Cobbing, Bob., 1985
I. Score: Impossible Score / Berry, Jake., 1989
il bacio / poesia visiva / Ori, Luciano., 1969
The poem features a music score by Robert Schumann with a couple kissing. -- Source of annotation: Marvin or Ruth Sackner.
Immeasurable Distances: The Collected Essays / Mathews, Harry ; Carroll L ; Perec G ; Thomson V ; Metail M ; Queneau R ; Roussel R ; Calvino I., 1991
Contains an essay, "The Oulipo" that describes the Workshop of Potential Literature (Ouvoir de Litterature Potentielle) of which Georges Perec and Raymond Queneau were members. Mathews discusses his theory of algorithms for tracking down hidden meanings in texts, so that every word "becomes a banana peel."In one of three essays on Georges Perec, Mathews states that he reimagined and reinvented the act of writing itself..."His work is of one piece - the transcription of a rare intelligence and sensibility united in the crafty and straightforward attempt to refashion a world where nothing could be relied on by assembling and disassembling those things of the world that we call letters and words, poems and books." -- Source of annotation: Marvin or Ruth Sackner.