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Neo-Dada

 Subject
Subject Source: Sackner Database

Found in 742 Collections and/or Records:

In the Studio, 1997

 Item — Box 209: [Barcode: 31858072460169]
Identifier: CC-30037-31431
Scope and Contents

This is an assortment of works that Collins used in her contributions to mail art periodicals and projects. A fair amount of the work deals with contradictions. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

inner inSights, 2005

 Item — Box 333: [Barcode: 31858072491024]
Identifier: CC-47105-49844

Innuendo / Carroll, Lewis., 1990

 Item
Identifier: CC-20672-21074
Scope and Contents

This is a spoof (author unknown) on a book written by Lewis Carroll in 1922. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

Inspiration Machine / Barron, Susan., 1992

 Item
Identifier: CC-23310-23750
Scope and Contents

In this drawing, Barron emphasizes the importance of directing attention to observing the act of breathing in diagnostic medicine over the utilization of the invasive diagnostic tool, the Swan-Ganz catheter. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

Inter Dada 84 / Ginny Lloyd, editor; B Gaglione; R Rocola; B Cleveland; A Banana; A Spiegelman; M Bell; CE Loeffler; D Domel; P Fish; JO Olbrich; C Stake; GA Cavellini; P Tavenner; J Hoffberg; A Schmidt; R Johnson., 1984

 Item
Identifier: CC-51673-72773
Scope and Contents

Although the edition called for 25 copies, according to Ginny Lloyd during a personal visit to the Archive in 2010, only four copies were actually assembled. Since the Sackner copy is numbered '5', perhaps she meant five copies. The box is addressed to the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

Inter Dada 84 / Ginny Lloyd, editor; B Gaglione; R Rocola; B Cleveland; A Banana; A Spiegelman; M Bell; CE Loeffler; D Domel; P Fish; JO Olbrich; C Stake; GA Cavellini; P Tavenner; J Hoffberg; A Schmidt; R Johnson., 1984

 Item
Identifier: CC-51673-72773
Scope and Contents

Although the edition called for 25 copies, according to Ginny Lloyd during a personal visit to the Archive in 2010, only four copies were actually assembled. Since the Sackner copy is numbered '5', perhaps she meant five copies. The box is addressed to the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

International Artistamps / Crozier, Robin., 1995

 Item
Identifier: CC-20781-21187
Scope and Contents

The stamp sheet was an exhibition announcement fot International Artistamps held at the Stamp Art Gallery. The stamp caption is Post Painting and the image is an empty picture frame. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

Introgic Enclodiacy / And, Miekal., 1989

 Item
Identifier: CC-25885-26346
Scope and Contents

The box is a tape cassette container. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

IOU, 1995

 Item — Box 268: [Barcode: 31858072460599]
Identifier: CC-01683-1719
Scope and Contents

The letters IOU are engraved and colored with gold leaf on the polished surface of a jagged piece of granite. The edition size is unlimited. The IOU refers to art objects that were paid for and not delivered at the time to the Sackner Archive. These were subsequently delivered. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

Irreverzibili Zeneon / Bujdoso, Alpar., 1985

 Item
Identifier: CC-23191-23629
Scope and Contents

Contains visual poems in which text arranged in varied patterns and type faces overlays roentgenograms of different parts of the body including two of the chest. In the latter, the text is Neo-Dada in content, e.g. along the left border of one chest x-ray is printed in Hungarian "The chest wall is like Moses' basket of breathing" and in the middle of the cardiac silhouette, "With fear, I am the guardian of my diaphragm." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1985

It's In the Box, 1997

 Item — Box 209: [Barcode: 31858072460169]
Identifier: CC-28564-29850
Scope and Contents

The box includes representative booklets, cards, and objects made by Collins, some for other mail art publications. A neck tie has a sewn label, Christian Boltanski (rather than Christian Dior). An accompanying typed pamphlet lists the publication where these works appeared along with the tirage. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

JAB (The Journal of Artist's Books). No.17/Spr / Brad Freeman, editor., 2002

 Item
Identifier: CC-46925-49661
Scope and Contents

The booklet was composed by Seana Biondollilo. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2002

je mot "et" / Garnier, Pierre., 1990

 Item
Identifier: CC-10008-10206
Scope and Contents

The imafe depicts a hand drawn stright line with about a 10% gap in its right side and the title words toward the b ottom of the print. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

Jean Dubuffet Fan Club / Johnson, Ray ; Phillpot, Clive., 1988

 Item
Identifier: CC-31999-33528
Scope and Contents

The book consists of three questions and answers posed by Clive Phillpot to Ray Johnson in response to three black & white photographs reproduced in the book. These were taken on the grounds of the Nassau Museum. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988

Jimmy Corrigan or The Smartest Kid on Earth / Ware, Chris., 2000

 Item
Identifier: CC-39564-41522
Scope and Contents The Sackners saw the story boards for this book on display at the Whitney Bienalle in 2002. The Sackner copy is the first edition of the book.From Booklist, Gordon Flagg wrote: "Ware's hero is a doughy, middle-aged loser who retreats into fantasies that he is "The Smartest Kid on Earth." The minimal plot involves Jimmy's tragicomic reunion with the father who abandoned him in childhood. In abruptly juxtaposed flashbacks, Ware depicts previous generations of Corrigan males, revealing how their similar histories of rejection and abandonment culminated in Jimmy's hapless state. What makes the slight story remarkable is Ware's command of the comics medium. His crisp, painstaking draftsmanship, which sets cartoonish figures in meticulously detailed architectural settings, is matched by his formal brilliance. Ware effectively uses tiny, repetitive panels to convey Jimmy's limited existence, then suddenly bursts a page open with expansive, breathtaking vistas. His complex, postmodern...
Dates: 2000