Optical image
Found in 346 Collections and/or Records:
[Untitled] / Keith, Bill., 1993
[Untitled] / Xenakis, Constantin., 1982
This catalogue consisted of 26 gouaches completed between 1978 and 1982. -- Source of annotation: Marvin or Ruth Sackner.
uo + [1st version] / Mairey, Francoise., 2002
Card No.8 was scanned into record. -- Source of annotation: Marvin or Ruth Sackner.
uo + [2nd version] / Mairey, Francoise., 2002
Card No.18 was scanned into record. -- Source of annotation: Marvin or Ruth Sackner.
ut + / Mairey, Francoise., 2002
Card No.10 was scanned into record. -- Source of annotation: Marvin or Ruth Sackner.
Venus Rising, 1986
Vibration Concrete Poem (D) / Malina, Jaroslav., 1970
Video Fictions / Richard Kostelanetz., 2004
There is no sound on this DVD. These videopoems were produced from 1985-1989. -- Source of annotation: Marvin or Ruth Sackner.
Video Fictions / Richard Kostelanetz., 2004
There is no sound on this DVD. These videopoems were produced from 1985-1989. -- Source of annotation: Marvin or Ruth Sackner.
Video Poems / Richard Kostelanetz., 2004
There is sound on this DVD. These videopoems were produced from 1985-1989. -- Source of annotation: Marvin or Ruth Sackner.
Video Poems / Richard Kostelanetz., 2004
There is sound on this DVD. These videopoems were produced from 1985-1989. -- Source of annotation: Marvin or Ruth Sackner.
[wavey lines] (210367) / Houedard, Dom Sylvester., 1967
The alternating parenthesis are arranged in wave-like veritcal lines. -- Source of annotation: Marvin or Ruth Sackner.
[wavy lines within cube] (100267) / Houedard, Dom Sylvester., 1967
The wavy lines are composed of parenthesis and the sides of the cube are composed of slashes and apostrophes. -- Source of annotation: Marvin or Ruth Sackner.
weavings / Topel, Andrew., 2010
Topel states that his work was inspired by Jen Bervin. -- Source of annotation: Marvin or Ruth Sackner.
Wechselspiele: Neuer Umgang mit alten Ornamenten / Willberg, Brigitte., 1994
Brigitte Willberg composed this book using ornamental typographic devices. As she states in the preface, created "expansive new compositions in which the individual element is an integral component. The forms are fluid, streaming with an energy that is at times, explosive." Five different ornaments were used for these compositions. Each ornamental surface was based on just one figure which was typeset by hand after extensive calculations and sketches. Although the images were typeset, their appearance is reminiscent of typewriter art, particularly in the work of Henri Chopin. -- Source of annotation: Marvin or Ruth Sackner.
Winter / Bigus, Richard., 1974
Word/Light Pescia: Unfolding. No.1 / Mori Ikuo., 1992
wrecking ballzark, th: Hologram 4. No.60/Nov / bp Nichol., 1983
The poem is difficult to read because it is written in three dimensions but appears to state "flat feet." It is also listed as Curvd H&Z No.257 and One Cent Series No.134. -- Source of annotation: Marvin or Ruth Sackner.
wrecking ballzark, th: Shift. No.20/Sep / jw curry., 1980
The letters of this poem are set apart and smudged except for the SH of SHIFT to imply motion. The SH is printed together possibly to draw a scatologic inference. This work is also designated Curvd H&Z No.69 and Hangnail #3. -- Source of annotation: Marvin or Ruth Sackner.