Performance poetry
Found in 886 Collections and/or Records:
ICI RADIO VERONA, 2010
Iconic Notation System / Curtay, Jean-Paul., 1982
Curtay provides symbols for sounds produced from manipulation of his body parts (body poetry) as well as a sample score. -- Source of annotation: Marvin or Ruth Sackner.
Ideas Are Linked - Tour Catalogue / Olbrich, Jurgen ; Stake C ; Banana A ; Blurr B ; Fish P ; Sackner RK ; Sackner MA ; Pittore-Eurifico C., 1985
This book documents Olbrich's North American tour during 1985 including a visit to the Sackners house on Miami Beach from March 26 to April 1. -- Source of annotation: Marvin or Ruth Sackner.
Ikons of the First National Church of the Exquisite Panic, Inc. / Brown, Robert Delford ; Kaprow A ; Williams E ; Morgan R., 1992
Ikons of the First National Church of the Exquisite Panic, Inc. / Brown, Robert Delford ; Kaprow A ; Williams E ; Morgan R., 1992
Il Sistema Mi Ha Messo in Croce / Cavellini, Guglielmo Achille., 1986
The prints, which are photographic reproductions, depict Cavellini being crucified. -- Source of annotation: Marvin or Ruth Sackner.
iliazd to andre: highlights from the sackner archive of concrete and visual poetry / Anderson Si ; Acconci V ; Andre C ; Balla G ; Berman W ; Brecht G ; Broodthaers M ; Cangiullo F ; Crotti J ; Delaunay S ; Cendrars B ; Hansen A ; Hausmann R ; Houedard DS ; Iliazd ; Jess ; levy da ; Malevich K ; Marinetti FT ; D'Albisola T ; Rauschenberg R ; Roth D ; Soffici A ; Stein G ; Telingater S ; Zdanevich I ; Terentiev I ; Sackner RK ; Sackner MA., 2005
Simon Anderson provided an introductory essay, -- Source of annotation: Marvin or Ruth Sackner.
Image Mass Murder / Hambleton, Richard Art., 1976 - 1979
Wikipedia: Richard Hambleton's early public art is noteworthy for his Image Mass Murder concept. From 1976 to 1979 Hambleton painted a police "chalk" outline around bodies of volunteer "homicide victims." He then splashed some red paint on the outline, leaving behind a realistic looking crime scene. These "crime scenes" were done on the streets of several major cities across the United States and Canada. Like Hambleton's future "Shadowman" paintings, the Image Mass Murder "crime scenes" would often have the effect of startling or shocking passersby. -- Source of annotation: Marvin or Ruth Sackner.
Immaterial / Licata, Bea., 1986
Improvisations, 2005
This is a tour de force of mainly language and performance poetry. Frazer utilizes the word, "glossolalia" in a number of the poems. This is defined as strings of meaningless syllables made up of sounds taken from those familiar to the speaker and put together more or less haphazardly .... Glossolalia is language-like because the speaker unconsciously wants it to be language-like. Yet in spite of superficial similarities, glossolalia fundamentally is not language. -- Source of annotation: Marvin or Ruth Sackner.
Improvisations (XXV-L) / Frazer, Vernon., 2002
In The Groove / Lurie, Toby., 1979
In the Laboratory of the Psychologist / Learn, Beth., 1994
In Vision / Claire, Paula., 1985
Designated ICPA Publication No.12. The tautologic, typed texts are overlaid to form a Moire image and then printed with a photocopier. These poems were generated from Etherealght 1985 ICPA 5 Desember 1985. -- Source of annotation: Marvin or Ruth Sackner.
Index to the First Edition of Soliloquy / Goldsmith, Kenneth ; Sackner MA ; Sackner RK., 2001
This book is the prospectus for the paperback edition of Soliloquy, a book that recorded every word spoken by Goldsmith in a week. The Sackner Archive is cited. -- Source of annotation: Marvin or Ruth Sackner.
Installation Project 1998 / Baroni V ; Fierens L ; Galantai G ; Sutherland WM ; Filliou R ; Bulatov D ; Collins P ; Maggi R ; Tavenner P ; Netmail ; Cook G ; Summers R ; Lebel JJ ; Filliou R., 1998
The texts are interviews with artists involved with installation art who answer the following questions: Why did you choose to make installations and not anything else? What do you think of your own works? What do you think the difference is between your own work and other installations? What do you think of the relationship of traditional art work and installation? What is the size and material of an installation determined by? Is there any object or idea that can not be installed? -- Source of annotation: Marvin or Ruth Sackner.
Instructions for Paintings: May 24, 1962 / Ono, Yoko ; Jon Hendricks., 1993
Inter: Arts et Electroniques. No.63 / Durand G., 1995
Inter: La Zona del Silencio. No.29/Fall / Durand G., 1985
This issue presents a contemplative work on the environment of the desert, somewhat different than its unusual thrust. -- Source of annotation: Marvin or Ruth Sackner.
Inter: memoire active: Joseph Beuys 1921-1986. No.31/Spr / Durand G ; Labelle-Rojoux A ; Fischer H ; Burgaud C ; Dreyfus C ; Orlan ; Fekner J ; Papp T ; Martel R ; Beuys J., 1986
This issue reproduces two optical, typewriter poems by Christian Burgaud. -- Source of annotation: Marvin or Ruth Sackner.