Performance poetry
Found in 886 Collections and/or Records:
A Puzzle of Notes (A Two Voice Poem), 2007
This piece was made specifically for the Sackners and was a gift from the artist and is one half of a companion work made for Norma and Allan Wilson who introduced us to Lina Weiss. Both works were exhibited in the Art Center Gallery on Lincoln Road, Miami Beach along with the performance of the poem. -- Source of annotation: Marvin or Ruth Sackner.
A Retrospective: 1969 to 1980 / Acconci, Vito., 1980
A Soiree at Hotel Dada / Millis, Bill., 1989
A Sound Poem Sequence (An ABC of Sound) / Cobbing, Bob ; Pike J., 1965
Designated poets number seven. Cobbing provided a page of directions for reading the poems which was his second book of verse. Cover was done as a silkscreen print by Jennifer Pike. -- Source of annotation: Marvin or Ruth Sackner.
A Sound Poem Sequence (An ABC of Sound) [Working Copy] / Cobbing, Bob., 1965
Designated poets number seven. Cobbing provided a page of directions for reading the poems which was his second book of verse. Cover was done as a silkscreen print by Jennifer Pike. This copy has handwritten comments by Cobbing and was used for a perormance. -- Source of annotation: Marvin or Ruth Sackner.
A Sound Poem Sequence (Working Copy) / Cobbing, Bob., 1979
Designated poets number four. Cobbing provides a page of directions for reading the poems. This copy was used during a performance. -- Source of annotation: Marvin or Ruth Sackner.
A. Spatola / Spatola, Adriano ; Bisinger G., 1986
The illustrations feature Spatola's classic fractured, constructivistic letter pictures including an original collage held by the Sacknar Archive, ["Red, White, & Black Overlying fremes with Text."] -- Source of annotation: Marvin or Ruth Sackner.
a table! / Hubaut, Joel., 2003
The drawing of two tables with large perforations at the site of the intended place settings was done on a dinner announcment for an artist performance event. Hubaut was a participant in this event as well as Jean Pierre Raynaud. -- Source of annotation: Marvin or Ruth Sackner.
A Terrible Fright / Saunders, Robert., 1987
A Vocabulary For Carl Fernbach-Flarsheim / Mac Low, Jackson., 1968
The verso is a calligraphic text explaining how the print was made, the exhibition of it and instructions for performing the piece. -- Source of annotation: Marvin or Ruth Sackner.
A Vocabulary For Michael Wiater / Mac Low, Jackson., 1973
A Vocabulary For Peter Innisfree Moore / Mac Low, Jackson., 1975
A Vocabulary For Sharon Belle Matlin / Mac Low, Jackson., 1973
The Sackner Archive owns the prints (paper, cloth) of the same title. -- Source of annotation: Marvin or Ruth Sackner.
A Vocabulary For Sharon Belle Mattlin / Mac Low, Jackson., 1973
A Vocabulary For Sharon Belle Mattlin / Mac Low, Jackson., 1973
This is the first of several visual scores created by making words from the letters of a person's name, in this case the title name. -- Source of annotation: Marvin or Ruth Sackner.
A Vocabulary For Vera Regina LachmanN / Mac Low, Jackson., 1974
A Woodland Flute / Finlay, Ian Hamilton; Costley, Ron., 1978
A Work in Progress / Rose, Matthew; Orlan., 1992
Describes the body art of Orlan and her cosmetic surgery escapades. -- Source of annotation: Marvin or Ruth Sackner.
Aberration Birdyak / Bob Cobbing; Hugh Metcalfe., 1988
Abzu, 2003
The illustrations or "illumagery" by Sorin complement the fractured and inventive texts by Basinski. The frenzied texts are fashioned in a Neo-Dada like context and arrangement that are probably performed by Basinski. -- Source of annotation: Marvin or Ruth Sackner.