Performance poetry
Found in 886 Collections and/or Records:
Prepared Tube One: Song of the Red Toad / Michael Basinski., 2011
According to Basinski, this prepared tube is an example of an "opem," which is a poem for improvisational performance. He indicates that one should perform the opems in ensemble via improvisational interpretation by "reading" and voicing the textual elements through the tubes (or not) and around them. These opems are instruments and should be treated as such and they are scores and, again, should be engaged as such. Use silents and sound. Play. Orchestrate. Duration is variable. This work was displayed in the Gallery's exhibition entitled, Object Poems (2011). -- Source of annotation: Marvin or Ruth Sackner.
Prepared Tube One: Song of the Red Toad / Michael Basinski., 2011
According to Basinski, this prepared tube is an example of an "opem," which is a poem for improvisational performance. He indicates that one should perform the opems in ensemble via improvisational interpretation by "reading" and voicing the textual elements through the tubes (or not) and around them. These opems are instruments and should be treated as such and they are scores and, again, should be engaged as such. Use silents and sound. Play. Orchestrate. Duration is variable. This work was displayed in the Gallery's exhibition entitled, Object Poems (2011). -- Source of annotation: Marvin or Ruth Sackner.
Pressures of the Text / Peter Rose., 1983
Pressures of the Text / Peter Rose., 1983
Private Tutor: The Weed Boat Masters Ticket Preliminary Test (Part One). No.11/May / Ian Hamilton Finlay., 1970
Finlay provides instructions and questions related to his poetry. -- Source of annotation: Marvin or Ruth Sackner.
Probable Latitude 76'15' Longitude 113': Balance Poem on the Centrifugal Land. / Mieko Shiomi., 1970
This 1st edition has a larger page than the reprint. -- Source of annotation: Marvin or Ruth Sackner.
Probable Latitude 76'15' Longitude 113': Balance Poem on the Centrifugal Land (reprint). / Mieko Shiomi., 1970
Processeroxing / Schnyder, Achim., 1988
The original flower of the "copy-action" is on the cover. -- Source of annotation: Marvin or Ruth Sackner.
Progetto Casina. Immaginate. Poetiche fuori luogo dalla sezione femminile della Casa circondariale di San Vittore / Ortelli, Antonelia ; Quartana, Luca., 2001
Programacion CCE / Padin C., 2010
Programme for Apples & Snake / Cobbing, Bob., 1989
Programme for Subvoicive / Cobbing, Bob., 1989
Programme Mars 2008 / Blaine, Julien., 2008
[Project & Performance Pieces] / Curtay, Jean-Paul; McDermott K., 1982
Includes the following works: Body Music..., Three Worlds Game, Lettrist Poems, and Laugher Pieces. -- Source of annotation: Marvin or Ruth Sackner.
Projects Class / Anonymous; Barry R; Dibbets J; Weiner L; Huebler D; N.E. Thing; Kosuth J; Bochner M; Smithson R; Graham D; LeWitt S; Lippard L; Byars JL., 1969
Important conceptual art piece that gives instructions by each artist to a Projects Class. Byars gave his instructions in microscopic text. -- Source of annotation: Marvin or Ruth Sackner.
Protest & Survive / Gilbert & George ; Graham D ; Hirschhorn T ; Metzger G ; Ruppersberg A ; Tot E ; Willats S ; Fahlstrom O ; Beuys J ; McDermott & MacGough ; Home S., 2000
Provos; Amsterdam 1960-7: gli inizi della controcultura / Guarnaccia, Matteo., 1997
The book documents the periodical Provo, and the Dutch avant garde artistis and literary group with the same name that performed in Amstedam from 1960-1967. -- Source of annotation: Marvin or Ruth Sackner.
Push-Machinery: Untitled Island. No.1 / Daniel f. Bradley., 1986
This is a reprint of Pangen Subway Ritual No.4. -- Source of annotation: Marvin or Ruth Sackner.
Put....In, 1995
Consists of Ay-O's typical Fluxus works, e.g., objects with different textures that invite the viewer to put a finger into. -- Source of annotation: Marvin or Ruth Sackner.
Quabel (poems, visual poems, objects, installations, performances) / Jozsef Biro; L Kassak., 1996
Biro sent the compact disc to the Sackners which had a PDF file of the book in color. Sackner printed out the PDF file in b&w. Some of the original pieces are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.