Performance poetry
Found in 886 Collections and/or Records:
The 4 Day Opportunity / Chinica; Richard Hammersley; Betty Radin; Richard Tabor., 1980
The 4 Day Opportunity / Chinica; Richard Hammersley; Betty Radin; Richard Tabor., 1980
The Autobiographies of Dick Turpin / P.C. Fencott; S McCaffery., 1980
Dick Turpin was a British bandit in the 1800's who was considered to be the "Gentleman of the Road" but who actually was a thug and petty thief. On being sentenced to death, he delivered an eloquent 25 minute speech in a calm voice with the noose around his neck. Fencott's narrative element is intuitive rather than actual autobiography. Steve McCaffery recorded the performance. Also designated No.3 in Underwhich Audiograph Series. -- Source of annotation: Marvin or Ruth Sackner.
The Autobiographies of Dick Turpin / P.C. Fencott; S McCaffery., 1980
Dick Turpin was a British bandit in the 1800's who was considered to be the "Gentleman of the Road" but who actually was a thug and petty thief. On being sentenced to death, he delivered an eloquent 25 minute speech in a calm voice with the noose around his neck. Fencott's narrative element is intuitive rather than actual autobiography. Steve McCaffery recorded the performance. Also designated No.3 in Underwhich Audiograph Series. -- Source of annotation: Marvin or Ruth Sackner.
The Badge Show, 1980
The Badge Show, 1980
The Beach At Cleone, 1983
The Black & White File / Patterson, Ben., 1999
This book documents music scores and instructions for Patterson's music, events, operas, performances and other projects from 1958 to 1998. The Sackner Archive holds a signed performance piece by Patterson entitled, Solo Decollage Piece - 1961 for Wolf Vostell along with a German translation and three small drawings that are not depicted in this book. -- Source of annotation: Marvin or Ruth Sackner.
The Blue Roofs of Japan: A Score for Interpenetrating Voices / Bringhurst, Robert., 1986
This book is a score for jazz duet reading. Another signed edition of this book in 150 copies, less rare, was published by William Hoffer. -- Source of annotation: Marvin or Ruth Sackner.
The Choral Piece / Albert, Jonathan., 1981
The Collector as Performer / Sackner, Marvin., 2004
Marvin Sackner was the guest speaker at the Rowfant Club meeting on March 31, 2004. -- Source of annotation: Marvin or Ruth Sackner.
The Cop Killers 4482 / Vittore Baroni; Daniele Ciullini; M.A. Phillips., 1982
This work is stored in box with Area Condizionata. -- Source of annotation: Marvin or Ruth Sackner.
The Development of My Sound Poetry, 1961-1983 / Claire, Paula., 1983
Designated ICPA Publication No.2. Consists of an illustrated lecture for The Leading Edge Music Series, Texas Tech University, Lubbock, Texas. -- Source of annotation: Marvin or Ruth Sackner.
The Elation Symphony, 1981
Book was performed/made in a copy shop by Elizabeth Was and Heidi Sheppard. -- Source of annotation: Marvin or Ruth Sackner.
the eschenau summer press & temporary travelling press publi: Remember Gustav Theodor Fechner. No.33 / Herman de Vries., 1992
This issue documents a reading performance at the Royal Botanic Garden Edinburgh on August 16, 1992. The text was written in 1848. -- Source of annotation: Marvin or Ruth Sackner.
The First Three Novellas of the Second Row / Griffiths, Bill., 1980
The Flight to the Moon, 1993
The Four Suits, 1965
The title of this book as described by Dick Higgins refers to the four authors of this book who are each identified in the introductions pages to their section by a suite of playing cards, e.g., clubs, hearts, diamonds and spades. Thus, what they have in common is that 1) each is essentially not operating in a media for which they were trained, 2) each is really operating in a medium or mode of activity of their own devising, which 3) lies somewhere between the conventional concept of the seven arts. The name Ben Patterson is used in this citation rather than Benjamin Patterson since all other references in this database refer to Ben not Benjamin Patterson. -- Source of annotation: Marvin or Ruth Sackner.
The History of Performance Art According to Me / Martha Wilson; S Mallarme; FT Marinetti; G Apollinaire; V Mayakovsky; J Holzer; D Higgins; L Weiner; R Johnson., 2005
This is a copy of a lecture given by Martha Wilson. It includes a listing of the slides she used to illustrate her historical points or reference. -- Source of annotation: Marvin or Ruth Sackner.
The History of Performance Art According to Me / Martha Wilson; S Mallarme; FT Marinetti; G Apollinaire; V Mayakovsky; J Holzer; D Higgins; L Weiner; R Johnson., 2005
This is a copy of a lecture given by Martha Wilson. It includes a listing of the slides she used to illustrate her historical points or reference. -- Source of annotation: Marvin or Ruth Sackner.