Performance poetry

The Return of Paula Claire / Claire, Paula., 1983

Item

Identifier: CC-20034-20424

Scope and Contents

This is a program for a performance by Paula Claire. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1983

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

The Roots of the Moment / Oliveros, Pauline ; Seagram B ; MacLow J ; Cage J ; Kaprow A ; Knowles A ; Rothenberg J ; Sublette N., 1998

Item

Identifier: CC-31146-32613

Scope and Contents

This book was designed by Blair Seagram. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

The Shit of God / Galas, Diamanda., 1988

Item

Identifier: CC-32607-34188

Scope and Contents

This book consists of the texts of Galas' performances; it includes photographic reproductions of Galas in her various roles. Galas uses her voice to evoke the profound suffering and isolation of the human condition as it confronts AIDS and insanity. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

The Soken Word: Early Recordings 1965-1973 / Bob Cobbing; H Chopin; J Cobbing; F Dufrene; G Dufrene; P Finch., 2009

Item

Identifier: CC-59611-10002688

Scope and Contents British Library: "Bob Cobbing (1920"“2002) was a British sound, visual, concrete, and performance poet; a central member of the British Poetry Revival; and an influence on generations of artists, sound experimenters, educators, poets, and printmakers. Perhaps his most famous work is 26 Sound Poems, several poems of which are included here, alongside collaborations with Annea Lockwood, Henri Chopin, François Dufrene, and others, as well as previously unreleased archival recordings from the BBC and the British Library's Sound Archive, in which the listener can hear Cobbing's unique exploration of the visual and auditory possibilities inherent in the English alphabet. In a career marked by the emergence of the 1960s counterculture and the thrilling potential for sound-based performance poetics, the work of Bob Cobbing stands alone as an instrument at play for the human voice; a testament to the core interdisciplinarity between writings for print and sound; and the strangely verbal...

Dates: 2009

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Audiovisual Materials

The Soken Word: Early Recordings 1965-1973 / Bob Cobbing; H Chopin; J Cobbing; F Dufrene; G Dufrene; P Finch., 2009

Item

Identifier: CC-59611-10002688

Scope and Contents British Library: "Bob Cobbing (1920"“2002) was a British sound, visual, concrete, and performance poet; a central member of the British Poetry Revival; and an influence on generations of artists, sound experimenters, educators, poets, and printmakers. Perhaps his most famous work is 26 Sound Poems, several poems of which are included here, alongside collaborations with Annea Lockwood, Henri Chopin, François Dufrene, and others, as well as previously unreleased archival recordings from the BBC and the British Library's Sound Archive, in which the listener can hear Cobbing's unique exploration of the visual and auditory possibilities inherent in the English alphabet. In a career marked by the emergence of the 1960s counterculture and the thrilling potential for sound-based performance poetics, the work of Bob Cobbing stands alone as an instrument at play for the human voice; a testament to the core interdisciplinarity between writings for print and sound; and the strangely verbal...

Dates: 2009

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Audiovisual Materials

The Spitter / John M. Bennett., 1985

Item

Identifier: CC-21917-22329

Dates: 1985

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Audiovisual Materials

The Times of Signalism / Todorovic, Miroljub, editor ; Abramovic M ; Aguiar F ; Padin C ; Filimir MF ; Saric Z ; Leftwich J ; Sapgir G ; Dencker KP ; Shimamoto S ; Todorovic M ; Melnikov W ; Nescic D ; Taylor T ; Bertola C ; Kamperelic R ; Kamperelic D ; Nakamura K ; Klivar M ; Bakic I ; Groh K ; Perfetti M ; Garnier P ; Maggi R., 2006

Item

Identifier: CC-49567-70615

Scope and Contents

Todorovic wrote to the Sackners in response to their questions about this book as follows. In the beginning of Almanac for pages 3 to 15, we had originally planned to put a text that was removed from the final version, however the page numbers were left unchanged [the pages begin on 15]. Names of the authors in English, pp 45-47and 52 Dobrivoje Jevtic, 67 Miroljub Filipovic Filimir, 72 Zvonko Saric, 85 Franko Busic and Robert G. Tilly, 94 Jim Leftwich and Tamara Zikic, 103 Genrih Sapgir and Klaus Peter Dencker, 115 Shozo Shimamoto-Miroljub Todorovic, 119 Dejan Bogojevic and Vojislaav Begovic, 120 Vili R. Melnikov and Dragan Nesic, 132 Zdravko Krstanovic, 133 Tom Taylor and Margareta Jelic, 137 Carla Bertola and Ruzica Bajic, 148 Rorica Kamperelic and Dobrica Kamperelic, 159 Keiichi Nakamura and Miroslav Klivar, 178 Milivoj Andjelkovic, 179 Ilija Bakic and Klaus Groh, 207 Michele Perfetti and Pierre Garnier, 213 and Ruggero Maggi. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2006

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books