Performance poetry
Found in 888 Collections and/or Records:
Water Yam 5th Edition , 1986
The 1st edition of Water Yam appeared in 1962, the 2nd in 1964, the 3rd in 1972, and a 4th in 1983. This 5th unlimited edition which was unsigned as issued, was signed by Brecht for Francesco Conz who gifted this work to the Sackners. it does not include the booklet entitled NUT BONE present in the 4th edition but has a sealed envelope entitled 'Cloud Scissors' that is not included in the 4th edition. -- Source of annotation: Marvin or Ruth Sackner.
West End / Kern, Bliem ; Johnson, Joe., 1976
These poems were part of a poetry concert at the West End Cafe, 113thStreet and Broadway, NYC on April 4, 1976. Most of joe johnson's poems have graphic additions and breaks marked for reading . Possibly, this was joe johnson's copy.One page has an ink stain. -- Source of annotation: Marvin or Ruth Sackner.
[What Is Body Music?] / Curtay, Jean-Paul., 1981
This is one of Curtay's sketch books. It includes drawings and scores for his body poems. -- Source of annotation: Marvin or Ruth Sackner.
What Is Life/ And When It Ceases / Lurie, Toby., 1978
Lurie states that this body of work is designated serial poems - a series of words, fragments,or sentences is (are) established, and repeats itself in this order until the poem is finished. -- Source of annotation: Marvin or Ruth Sackner.
[White Self-portrait] / Hubaut, Joel., 1996
This piece is an example of Hubaut's body of work pertaining to monochromatic themes in which he himself becomes part of the art work. Hubaut is dressed in a outlandish white hat with a white female nude sculpture on it. His face, neck and legs are painted with white dots, and he is wearing a white chef's coat, no pants, white boots, and is standing in front of an opened white refrigerator filled with white food products, holding a woman's white purse. -- Source of annotation: Marvin or Ruth Sackner.
White Wall (site in sight) / Sutherland, W. Mark., 1994
WhiteWalls: Culture, Identity, & Colonialism. No.31 / Tisdale D., 1992
Includes as advertisement on page 4 for the Second Annual Washington Book Fair indicating that Dr. Marvin and Ruth Sackner are to receive Pyramid Atlantic's Award of Distinction. -- Source of annotation: Marvin or Ruth Sackner.
WhiteWalls: Petty Crimes for the Common Good. No.26/Fall., 1990
Edited by Susan Snodgrass. -- Source of annotation: Marvin or Ruth Sackner.
WhiteWalls: Rants and Raves. No.27/Win., 1991
Edited by Susan Snodgrass. This issue solely documents performance pieces. -- Source of annotation: Marvin or Ruth Sackner.
WhiteWalls: When Words Collide. No.30/Fall / Rosen K., 1992
Edited by Susan Snodgrass. -- Source of annotation: Marvin or Ruth Sackner.
Why Do I Hear...But Not Undertand, 2014
This piece was performed by Michael Basinski at the Perez Art Museum Miami on March 22, 2014 in conjunction with the exhibition "A Human Document: Selections from The Sackner Archive of Concrete and Visual Poetry." -- Source of annotation: Marvin or Ruth Sackner.
Will Read Their Work , 1979
Wingtrace/The Sign of Its Track / Cutler-Shaw, Joyce., 1985
Wingtrace/The Sign of Its Track / Cutler-Shaw, Joyce., 1986
Wingtrace/The Sign Of Its Track / Cutler-Shaw, Joyce., 1984
Winter Souvenir / Nomads, The ; Arts A ; Monro N ; Olbrich JO ; Schnyder A ; Stake C., 1988
womb word (051165) / Houedard, Dom Sylvester., 1965
The poem was may have been printed much later than its creation. The Sackner Archive holds the original of this poem. -- Source of annotation: Marvin or Ruth Sackner.
Word Play / Lurie, Toby., 1980
Word Works 2, 1980
'X' Marks His (Disputed) Spot in Canada's Art Scene / Krauss, Clifford; Kantor I., 2004
The article reports that Istvan Kantor (aka Monty Cantsin) received the Governor General's Award in visual and media arts, one of the highest artistic awards in Canada. -- Source of annotation: Marvin or Ruth Sackner.