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The original photograph of the image on the first page is held by the Sackner Archive. The photographs on each page are printed with a grainy techique. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The original photograph of the image on the first page is held by the Sackner Archive. The photographs on each page are printed with a grainy techique. -- Source of annotation: Marvin or Ruth Sackner.

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This card was published on behalf of the National Council for Civil Liberties. -- Source of annotation: Marvin or Ruth Sackner.

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The classical image is of a six layer cake; the image of neoclassical is of six stacked drums. In each picture, the sizes of each layer become progressively smaller from botton to top. The cake probably refers to Marie Antoinette's pre-revolutionary statement, "Let Them Eat Cake!" and the drums refer to the French revolution. -- Source of annotation: Marvin or Ruth Sackner.

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The message on the left reads HOPE, (image of a flame): It's all over in an instant. On the right: (image of a whirlwind), Every action has an opposite and equal reaction, and PERFIDY. The work was received about 10 days prior to Hurricane Andrew, the most devastating natural disaster to the USA in the 20th century, that struck South Florida. The text and images are particularly relevant since the instantaneous destruction to dwellings was attributed in large part to shoddy construction. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Wikipedia: P.J. O'Rourke (1947-) wrote articles for several publications, including "A.J. at N.Y.U." for The Rip Off Review of Western Culture, an underground magazine/comic book, in 1972, as well as pieces for the Baltimore underground newspaper Harry and the New York Ace, before joining National Lampoon in 1973, where he served as managing editor among other roles and authored articles such as "Foreigners Around the World" and "How to Drive Fast on Drugs While Getting Your Wing-Wang Squeezed and Not Spill Your Drink." He received a writing credit for National Lampoon's Lemmings which helped launch the careers of John Belushi, Chevy Chase and Christopher Guest. He also co-wrote National Lampoon's 1964 High School Yearbook with Douglas Kenney. O'Rourke said later that Kenney brought comedy to the piece and he brought the organization. The Yearbook was a bestseller and some themes were later used in the movie Animal House. Going freelance in 1981, O'Rourke began publishing in...

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The comments on the cover of this trade edition of a limited edition artist collaborative book project follow. " In a series of beautiful and jarring montages, the artists tell of the colonial conquest, cultural transformations, linguistic admixtures and economic interdependence that have formed the Americas...Rice's masterful typographic compositions orchestrate the many voices, weaving texts from Gomez-Pena's performances through and around the visual play of Chagoya's rhetorically sophisiticated collages, offering a critical analysis of border politics through a density of historical references and icons of popular culture."The book is bound like the ancient codex whose pages can be navigated as one continuous extended frieze. -- Source of annotation: Marvin or Ruth Sackner.

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These three colored photographs of collages are inscribed on the verso by Ferrari along with a numbering desigation, presumably for exhibition placement purposes. The themes are anti-nuclear bomb and anti-war. -- Source of annotation: Marvin or Ruth Sackner.

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Edited by Henri Chopin and translated from English into French with printing on translucent paper by Jean Chopin. This book was printed by Design and Print, London for Henri Chopin. -- Source of annotation: Marvin or Ruth Sackner.

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Edited by Henri Chopin who also contributes a critical essay on de Charmoy's work. Translated from the English into French by Jean Chopin. -- Source of annotation: Marvin or Ruth Sackner.

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Edited by Henri Chopin who also contributes a critical essay on de Charmoy's work. Translated from the English into French by Jean Chopin. -- Source of annotation: Marvin or Ruth Sackner.

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The print depicts a photograph of a seated pope with collaged elements of a female torso in the opening of the papal robe and the body of nude ancient stature pointing his arm at the pope's forehead. A paper doily is collaged below the papal image. -- Source of annotation: Marvin or Ruth Sackner.

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The print idepicts a photograph of Mao along with a photograph of a nude woman collaged with images of eyes and vaginas. The text deals with Mao's appropriation of women in his communist regime. -- Source of annotation: Marvin or Ruth Sackner.

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The print idepicts a photograph of Mao along with a photograph of a nude woman collaged with images of eyes and vaginas. The text deals with Mao's appropriation of women in his communist regime. -- Source of annotation: Marvin or Ruth Sackner.

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One of the collages was made as a collaboration between Hubaut and Pelieu. -- Source of annotation: Marvin or Ruth Sackner.