The print idepicts a photograph of Mao along with a photograph of a nude woman collaged with images of eyes and vaginas. The text deals with Mao's appropriation of women in his communist regime. -- Source of annotation: Marvin or Ruth Sackner.

The print idepicts a photograph of Mao along with a photograph of a nude woman collaged with images of eyes and vaginas. The text deals with Mao's appropriation of women in his communist regime. -- Source of annotation: Marvin or Ruth Sackner.

One of the collages was made as a collaboration between Hubaut and Pelieu. -- Source of annotation: Marvin or Ruth Sackner.

This periodical is an example of Samizdat Art. The title translates to "Noncreativity." -- Source of annotation: Marvin or Ruth Sackner.

This print dealing with worldwide political and environmental issues is the most finished work of same theme in the series of 9 prints. The vividly colored elements are juxtaposed rather than discrete with blank space and the texts are carefully hand printed. Human figures such as Richard M[oses] Nixon, Angela Davis, and Gordon Liddy are drawn with a cartoon-like approach. The Vietnam War, the Russian Communist invasions into other countries, and the American invasions into Latin America are depicted. *WEB 1998: Sharon Avery-Fahlström. This work is correctly titled "Column No. 3 (Chile F)." Sackner: corrected. -- Source of annotation: Marvin or Ruth Sackner.

This card prints a polemic against Michel Blum, "the intellectual terroist" for his role in rejection of Finlay's commission for the city of Paris. -- Source of annotation: Marvin or Ruth Sackner.

According to Horvath, "These nine unpublished drafts of 'cleveland undercovers' trace the poem's progression from its single sheet origin to a 16 page manuscript containing sections which were later removed. None of the early versions contained the 'Introduction' which only appeared with the published poem. 'cleveland undercovers' was initially printed by 7 flowers press." The cover print was based upon a photograph published in a 1966 edition of the Cleveland Press by David Pishnery. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition of works by American artists dealing with environmental issues was curated by Betty Bright who wrote a critical essay for the catalog. The Sackner Archive lent the artist book, Sisters of Menon, by Susan Hiller to the exhibition. The stapled pages are reviews of the exhibition. The catalog reproduces Rita Dove's print, "Ozone," which is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The photographs are silver prints with Sabattier effect. The image relates to military, industrial, manufacturing plants, located near New Orleans with potential pollutution of the environment. -- Source of annotation: Marvin or Ruth Sackner.

Rachid Koraichi is mentioned in this review of the exhibition, Global Conceptualism. He is described as "an Algerian living in Tunisia, who stands here also as a window into the Middle East and Muslim culture...Koraichi's calligraphic work uses Arabic script that combines political questions and private psychological explorations. Of course , for the Westerm eye it becomes a formal device that we cannot read." -- Source of annotation: Marvin or Ruth Sackner.

The photocopied colored poem is entitled "The Armistice" combines one portion of the each of the logographs for Pepsi Cola and Coca Cola. -- Source of annotation: Marvin or Ruth Sackner.

The book consists of typed phrases reminiscent of Jenny Holzer's approach to art. -- Source of annotation: Marvin or Ruth Sackner.

This issue was printed as a special supplement to the newspaper, "A Republica." -- Source of annotation: Marvin or Ruth Sackner.