Political poetry
Found in 1449 Collections and/or Records:
Doubts and Memories / Morris, Stephen., 1969
The letter was written by les daly, the publisher of ethos publications, to Bill Wyatt. Daly sent this book as a gift to Wyatt and wrote to him requesting poems for a book. -- Source of annotation: Marvin or Ruth Sackner.
Drawings by the Holbein Family, 1960
Dreams from le menage a trois (22-6-85) / Arnold Iger., 1985
Dreams from le menage a trois (22-6-85) / Arnold Iger., 1985
Dvenadtsat / Annenkoff, George; Blok, Alexander., 1985
Early Impressions / Gonzales-Torres, Felix., 2006
The loose sheet is from one of a series of works of an unlimited edition that are given away free (entitled, Helms Amendment 1987...) -- Source of annotation: Marvin or Ruth Sackner.
Earth Incantations Body Chants / Dowden, George., 1976
Earth Post Stamps / Anonymous., 1992
Eat the Poor / Durland, Steven., 1981
Ecologia / De Araujo, Avelino., 1998
Ecosystems / Young, Karl., 1988
ED 912 Posters (Manifesti No Series, No. 4): Vittoria per Rudi Dutschke, 1968
Eddie (Sylvie's brother) in the Desert. / Fahlstrom, Oyvind., 1966
Fahlstrom provides instructions for cutting out figures in this print and mounting in other places. The print was part of a portfolio of prints by other artists issued by Tanglewood Press (New York International). *WEB 1998: Sharon Avery-Fahlström. The correct title is "Eddie (Sylvie's brother) in the Desert." Sackner: corrected. -- Source of annotation: Marvin or Ruth Sackner.
Edition Ubu: Soviet Propaganda and Photomontage. / Gustav Klucis., 1997
Egg Harvest / Thalia., 1993
Egg Series: A Curate's Egg, Imperially Hatched, To be Viewed Landscape / Furnival, John., 1976
Curate is a British term for the assistant to a vicar of the Church of England. The egg shell has been divided into 16 segments, each with a different style of line-drawn hatchings. A lower case letter appears in negative relief on ten of the segments which spells, "excellent." This is a spoof on the British religious tradition. -- Source of annotation: Marvin or Ruth Sackner.
Ein Deutsches Requiem After Brahms / Phillips, Tom., 1972
This was the first purchase by the Sackners of a Tom Phillips artwork. It was acquired fom Galerie Bama in Paris. According to the colophon, this is a suite of 12 lithographs bvased on Brahms Opus 45. The images were derived from postcards collected by Phillips in Germany and have inset texts, which are treated fragments of the novel 'A Human Document' by W H Mallock, and titles quoting the textural material of the Requiem itself. One of the prints has been framed and hangs in the first floor hallway. In the BBC Music magazine (JUne 2013), comments about the CD of the month Brahms's 'A German Requiem' included the following.This Requiem does not mention Jesus nor is there a fire-breathing 'Dies Irae' striking fear into souls of potentially errant isteners! This is a requiem that sets a German not Latin text to music and doesn't pray for the well-being of the dead but instead comforts the living. -- Source of annotation: Marvin or Ruth Sackner.
El Lissitzky 1890-1941 / Lissitzky, El., 1977
This exhibition was the first complete showing of Lissitzky's work in England. David Elliot contributed a chronological essay on Lisstizky's career, and Lissitzky himself a posthumous autobiography and essays descibing his works. The poster, "Beat the Whites with the Red Wedge," which is illustrated in the catalogue was loaned by the Stedelijk van Abbemuseum in Eindhoven as a letterpress reprinting from 1968. The Sackner Archive holds a copy of this important political print which is thought to be an original print from 1919 and differs in imagery from this reprint. The Sackner Archive also holds Proun 2D listed but not illustrated in the catalogue, For the Voice, USSR in Construction, and the catalogue for the International Press Exhibition. -- Source of annotation: Marvin or Ruth Sackner.