Finlay combines line images of airplanes with analogies to butterflies and a cherry blossom. This work consists of a folded sheet of light blue, blank tissue paper containing a second, slightly smaller, folded sheet of white tissue paper with line drawings of aeroplanes and text (in blue). -- Source of annotation: Marvin or Ruth Sackner.

The text is printed on the right facing pages. The left facing pages consist of varyied typographic designs of rubberstamped letters of the title and Asian calligraphy. -- Source of annotation: Marvin or Ruth Sackner.

This prose poem deals with levy resigned to turning himself in to serve his sentence for the obscenity charge. -- Source of annotation: Marvin or Ruth Sackner.

The book consists of reproduced posters on the right side from a smoke-free ad contest for children. The facing page provides facts about cigarettes and the dangers of smoking. -- Source of annotation: Marvin or Ruth Sackner.

Finlay uses the kite as a metaphor for a leaflet dropping, propoganda, aircraft aimed at the Arts Council of Great Britain and the Fulcrum Press to argue his displeasure with these two groups. -- Source of annotation: Marvin or Ruth Sackner.

This book reproduces 100 colored, revolutionary posters from Cuba along with Susan Sontag's critical essay. -- Source of annotation: Marvin or Ruth Sackner.

The book reproduces 17 colored photomontages done by Rozkov in 1924 to illustrate Mayakovsky's poem, "To the Workers of Kursk who Extracted the First Ore - A Provisional Memorial of the Work of Vladimir Mayakovsky." These photomontages were included in an exhibition of Rozkov's work in 1930. Nothing is known about Rozkov's life. This book is stored on one of the 'M' shelves. Not listed in any library on the internet (2012). Includes an introductory essay by Vladimir Remes. Translation of Mayakovsky's 1923 poem into Czech by Jiri Taufer. Yuri Rozhkov, a student at the Vkhutemas State High School for Art and Design created the included color photomontages using lines from Mayakovsky's poem and presented them to the artist. They were included in Mayakovsky's 1928 exhibition "Twenty Years of Work." The original of the montages are currently housed in the collection of the State Literary Museum, Moscow. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue reproduces a great deal of ephemera from 1959 to 2000. -- Source of annotation: Marvin or Ruth Sackner.

The text reads, "La revolution devrait faire pour le peuple ce que le Cubisme a fair pour le couteau, la fourchette et la cuillere." The Sackner Archive also holds a print with the same text. This card has a similar layout to the print. -- Source of annotation: Marvin or Ruth Sackner.

The text reads, "La revolution devrait faire pour le peuple ce que le Cubisme a fair pour le couteau, la fourchette et la cuillere." The Sackner Archive also holds a print with the same text but the layout in this card differs from the print and the other card with the same title. Here the text is linear and brown ink on tan paper. -- Source of annotation: Marvin or Ruth Sackner.

The title in English is "Knitter" and the image is the face of a woman. By combining the image and the caption, Finlay's intent is to paint Catherine Millet, his antagonist, as a "knitter" apparently to give the impression of her lack of seriousness on literary issues. -- Source of annotation: Marvin or Ruth Sackner.

This print depicts the word "Laconic" (terse) inscribed on a guillotine blade. Beneath it on the red background is inscribed the phrase "Homage to Neo-Classicism." -- Source of annotation: Marvin or Ruth Sackner.