Political poetry
Found in 1438 Collections and/or Records:
Living Humbly / Pyros, John., 1983
Logo for... / Corris, Michael., 1984
The cards depict a logo for the Activist, Cultivated, Confused, and Dispossessed. -- Source of annotation: Marvin or Ruth Sackner.
Logo for the Activist , 1986
The repitition of the statement "Art Is A Weapon!" creates a moire efffect. A central square is printed in finer type making a Malevich style logo. -- Source of annotation: Marvin or Ruth Sackner.
Long Slow March / Meador, Clifton., 1996
This book describes the civil rights struggle in Montgomery, Alabama and the march from Selma to Montgomery in the 1960's with documentary texts and photographs layed out as postmodernist non-fiction. -- Source of annotation: Marvin or Ruth Sackner.
Los Angeles Riots 4/30/92 / Saunders, Robert., 1992
Lotta Poetica: Numero Monografico su Arias-Misson. No.45/Feb / Arias-Misson A., 1975
Louis Treize / Finlay, Ian Hamilton., 1987
The poem on this card reads, "Louis Treize - Louis Quatorze - Louis Quinze - Louis Seize - Louis Cane." Cane means duck in English. The poem is captioned with the following phrase, "On ne point regner innocemment" and refers to the King of France during the French revolution. -- Source of annotation: Marvin or Ruth Sackner.
Lubb Dub / Tyler, Ann., 1998
The author tells the story of the murder of a homosexual man by a heterosexual man, both of whom appeared on Jenny Jones' TV talk show with the gay person indicating that he was in love with the unsuspecting straight person. The murder was committed with a gunshot wound to the heart. Images of the heart, arteries and veins and portraits of the men are interspersed with various textural comments. This is a very powerful book on the misuse of power by the media. -- Source of annotation: Marvin or Ruth Sackner.
Luftwaffe after Mondrian , 1976
This image is adapted from an early Mondrian abstracted painting and depicts crosses of various sizes and shadings that act as a metaphor for the cross on Luftwaffe airplanes. -- Source of annotation: Marvin or Ruth Sackner.
Lullaby / Finlay, Ian Hamilton; Andrew, John., 1975
The card depicts a grid of carrier-based aircraft with folded wings. The caption "Lullaby" signifies that the airplanes are not prepared for "sleeping" or when flying and attacking an enemy ship destroy it or put it to "sleep." -- Source of annotation: Marvin or Ruth Sackner.
lullaby (HU$H a buy) / UU, David., 1970
Luxo-Lixo / Vater, Regina; DeCampos A., 1992
Based on a poem by Augusto DeCampos, Vater writes that the label is her participation in the ecological summit in Rio. -- Source of annotation: Marvin or Ruth Sackner.
Lyres (1) / Finlay, Ian Hamilton; Heideken, Carl., 1976
This card depicts a black and white photograph of a stationary, automatic cannon model made by Finlay. It was photographed by Heideken. The caption on the verso taken from Heraclitus provides a definition of the tuning of a lyre that is the title of this poem. By this, Finlay implies the tuning of a weapon of destruction. -- Source of annotation: Marvin or Ruth Sackner.
Lyres (2) / Finlay, Ian Hamilton; Heideken, Carl., 1977
This card depicts a colored photograph of a model of a stationary automatic cannon made by Finlay. It was photographed by Heideken. There is a cryptic caption taken from Cocteau on the verso, "With us, there is a house, a lamp, a plate of soup, a fire, wine, and pipes at the back of every important work of art." -- Source of annotation: Marvin or Ruth Sackner.
MACIUNAS ED 912 Posters (No Series, No. 2): U.S surpasses all Nazi genocide records!, 1967
Madam X's Gazet: The Good Life. No.28., 1989
Madam X's Gazet: True Love. No.27., 1988
Madam X's Gazet: Unites Mankind. No.29., 1989
Made In Brazil (1) / De Araujo, Avelino., 1983
This print differs from the one exhibited in Visualog 2, San Luis Obispu, California in that it does not have a collaged addition. -- Source of annotation: Marvin or Ruth Sackner.
Made In Brazil (1) / De Araujo, Avelino., 1983
Exhibited in Visualog 2, San Luis Obispu, California, an exhibition was curated by Karl Kempton. In contast to the other copy of this print, the eyes of the child depicted in this print are covered with a miniature band-aid. -- Source of annotation: Marvin or Ruth Sackner.