Political poetry
Found in 1449 Collections and/or Records:
Poetry Newsletter. No.11 / Wally Depew, Linda Bandt, editors ; levy da ; Depew W ; Depew L ; Scott J ; Crews J ; rjs ; Fowler G ; Bandt L., 1966
The pages are stapled into a papercard folder. There is an abstract ink, line drawing on the cover done by Linda Bandt Depew. The two loose sheets are erotic line drawn interpretations of Male and Female genitalia. The loose sheet for the latter is missing in this issue and has been replaced by a photocopied b&w sheet. d.a. levy contibuted two poems, each taking up a page, dealing with anti-Vietnam war themes. -- Source of annotation: Marvin or Ruth Sackner.
Poetry Newsletter. No.11 / Wally Depew, Linda Bandt, editors ; levy da ; Depew W ; Depew L ; Scott J ; Crews J ; rjs ; Fowler G ; Bandt L., 1966
The pages are stapled into a papercard folder. There is an abstract ink, line drawing on the cover done by Linda Bandt Depew. The two loose sheets are erotic line drawn interpretations of Male and Female genitalia. The loose sheet for the latter is missing in this issue and has been replaced by a photocopied b&w sheet. d.a. levy contibuted two poems, each taking up a page, dealing with anti-Vietnam war themes. -- Source of annotation: Marvin or Ruth Sackner.
Poetry Newsletter. No.11 / Wally Depew, Linda Bandt, editors ; levy da ; Depew W ; Depew L ; Scott J ; Crews J ; rjs ; Fowler G ; Bandt L., 1966
The pages are stapled into a papercard folder. There is an abstract ink, line drawing on the cover done by Linda Bandt Depew. Both two loose sheets of erotic line drawn interpretations of Male and Female genitalia are missing in this copy although the male genitalia has been bound into the body of the text; they have been replaced by two photocopied b&w sheets. d.a. levy contibuted two poems, each taking up a page, dealing with anti-Vietnam war themes. -- Source of annotation: Marvin or Ruth Sackner.
Poetry Newsletter. No.11 / Wally Depew, Linda Bandt, editors ; levy da ; Depew W ; Depew L ; Scott J ; Crews J ; rjs ; Fowler G ; Bandt L., 1966
The pages are stapled into a papercard folder. There is an abstract ink, line drawing on the cover done by Linda Bandt Depew. Both two loose sheets of erotic line drawn interpretations of Male and Female genitalia are missing in this copy although the male genitalia has been bound into the body of the text; they have been replaced by two photocopied b&w sheets. d.a. levy contibuted two poems, each taking up a page, dealing with anti-Vietnam war themes. -- Source of annotation: Marvin or Ruth Sackner.
Poetry Newsletter. No.11 / Wally Depew, Linda Bandt, editors ; levy da ; Depew W ; Depew L ; Scott J ; Crews J ; rjs ; Fowler G ; Bandt L., 1966
The pages are stapled into a papercard folder. There is an abstract painted drawing on the cover done by Linda Bandt Depew. The two loose sheets are erotic line drawn interpretations of Male and Female genitalia. d.a. levy contibuted two poems, each taking up a page, dealing with anti-Vietnam war themes. -- Source of annotation: Marvin or Ruth Sackner.
Poetry Newsletter. No.12 / Wallace Depew, Linda Bandt, editors ; Phillips L ; Scott J ; Krech R ; Fisher S ; Depew L., 1966
The artwork was done by Linda Bandt. -- Source of annotation: Marvin or Ruth Sackner.
Poetry Survival Fund Booklet / levy, d.a., editor ; Butcher G ; Wagner Dr ; Mara ; Basho ; Guion J ; levy da., 1967
The cover was hand colored by Mara. -- Source of annotation: Marvin or Ruth Sackner.
point d'ironie: [A couple is dancing]. No.26/Jun / Christian Boltanski., 2002
This issue of Point d'Ironie was printed in association with Documenta 11 that depicts blurred, enlarged, photographs of a couple dancing. It is part of Boltanski's dispersion series relating to the Holocast. -- Source of annotation: Marvin or Ruth Sackner.
point d'ironie: The Boy from Mars/Hybrid Muscle - Welcome to Reality Park. No.33/Apr / Philippe Parreno., 2004
This issue of Point d'Ironie juxtaposes two recent images by Parreno: "The Boy from Mars/Hybrid Muscle" with the collaboration of Francois Roche and "Welcome to Reality Park" a gateway to an amusement park. -- Source of annotation: Marvin or Ruth Sackner.
Poked With Sticks. No.4/Jan / Stephen Toth, Star Bowers, editors ; Zable J ; Weinman P ; Crews J ; Bennett JM ; Kettner M ; Berry J ; Lipman J ; Sollfrey S ; Kucharski L ; Winkler C ; Fierens L., 1991
Poker Playing Buddies / Goswell, Joan Iversen., 1996
Police State / Coe, Sue., 1987
Police (State) USA / Gilbert, Sharon., 1994
Political Cartoons from the Colllection of Anthony J. Mourek / Mourek, Anthony J. ; Nast T ; Young A., 2013
This catalogue that is not for sale was designed by Jerry Kelly. -- Source of annotation: Marvin or Ruth Sackner.
Political Corrections: Number 1 / Finlay, Ian hamilton., 1995
Two excerpts, one from a soldier in Hitler's Youth Division and the second from Peter Pan, compare personal thoughts preceding possible death. -- Source of annotation: Marvin or Ruth Sackner.
Political Poem / Morris, Stephen., 1970
The print depicts the names of four famous politicians with symbols substituted for certain letters, e.g., Nixon with a swatstika for the 'x', Johnson with a $ for the 's' and Kennedy for two coffins for the two 'n's.' -- Source of annotation: Marvin or Ruth Sackner.
Political Poem / Morris, Stephen., 1969
Politics, 1979
This wall piece consists of the word POLITICS, made of wooden letters, placed at the top of a surface of chaotic, fragmented, interlocked, wooden letter shapes. -- Source of annotation: Marvin or Ruth Sackner.
Politics As Art: Italian Futurism and Fascism / Bowler, Ann; Marinetti FT., 1990
This mauscript is unpublished. -- Source of annotation: Marvin or Ruth Sackner.
Poppy, n. / Finlay, Ian Hamilton; Hincks, Jo., 1987
The card depicts a watercolor rendition of poppies captioned with "the Phrygian Flower." Phhrygia refers to an ancient country in central and NW Asia Minor. A Phrygian cap was a soft conical cap associated with the liberty cap in the late 18th and early 19th centuries . Finlay draws attention to poppies as a metaphor for the liberty cap. This card deals with a metaphor for the French revolution. -- Source of annotation: Marvin or Ruth Sackner.