Political poetry
Found in 1449 Collections and/or Records:
Ready to Rumba! Latin Political Art Sets Utopia on Its Ear / Cotter, Holland; Solar X; Ferrari L; Torres-Garcia J., 2004
The catalogue for this exhibition is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Reap The Sac Faction / Finlay, Ian Hamilton., 1985
The message deals with enlisting help for Finlay's despute with the local tax collectors. -- Source of annotation: Marvin or Ruth Sackner.
Rece$$ion / Thomas, Patrick., 2007
Recent Finlay Items / Heart Fine Art ; Finlay IH., 2003
Recent Work, 1992-1998 / Weems, Carrie Mae., 1998
Redbook: A Book of Hours / Maher, Miranda., 1992
This book lists women's names in alphabetical order according to day and time on a daily basis over a year to symbolize the average annual estimate of reported forcible rapes. -- Source of annotation: Marvin or Ruth Sackner.
Re/form: art - law - justice / Tipping R., 1998
This exhibition from the Griffith University art collection was organized into categories such as Indigenous Australians, Women and the Law, Gay and Lesbian Rights, Legislating for the Environment and Copyright and Intellectual Property. Four works by Richard Tipping are exhibited in the last category including "Meat Mart" that is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Reform: Sowjetische Agitation im Reprint / Rothe, M.; Rodchenko A., 1989
The card by Ruth Wolf-Rehfeldt, "Esprit" is a typed concrete poem. -- Source of annotation: Marvin or Ruth Sackner.
Renew Jerusalem / Dowden, George ; Houedard DS., 1969
A part of the book deals with Dowden's encounter with Dom Sylvester Houedard in Prinknash Chapel. The poems in the book appear to be composed after Burroughs' cut-up method. -- Source of annotation: Marvin or Ruth Sackner.
Rent Free in the East Village, 1985
Reply Card / Finlay, Ian Hamilton; Manduca, John Borg., 1978
Depicts an armored camouflaged tank with questions and a check box superimposed upon it, e.g. "Thank you for your communication, You are not the only big shot around here," etc. -- Source of annotation: Marvin or Ruth Sackner.
Repression and Recovery: Modern American Poetry and the Politics of Cultural Memory 1910-1945 / Nelson, Cary ; DeZayas M ; Brown B ; Crosby H ; Zukofsky L ; Patchen K ; Lissitzky E ; Apollinaire G ; Meyer A ; Lewis WP ; Gillespie AL., 1989
Nelson describes the work of "forgotten" poets involved in avant garde cultural and political movements during the period 1910-1945. Includes a great deal of poetry with critical text and documentation by blacks and leftists. -- Source of annotation: Marvin or Ruth Sackner.
Res Publica: The Public Works 1968-1999 / Gerz, Jochen ; Hapkemeyer A., 1999
This catalogue was edited by Andreas Hapkemeyer and Marion Hohlfeldt who also contributed critical essays on Gerz's works. -- Source of annotation: Marvin or Ruth Sackner.
Resistance / Padin, Clemente., 1997
This leaflet was taken from the Archive of O!!Zone 1997. Stored in Padin box. -- Source of annotation: Marvin or Ruth Sackner.
Resistance / Thalia., 1993
Resurgent Agitprop in Capital Letters / Spears, Dorothy; Kruger B., 2010
In Europe, Toronto, the Hamptons and at the coming Whitney branch, Barbara Kruger offers a more global, refective verbal attack. -- Source of annotation: Marvin or Ruth Sackner.
Retrospective: Political Document of a Decade / Coe, Sue., 1991
Retrospectives / Metzger, Gustave ; Phillpot C ; Schwitters K ; Paolini G ; Connor B ; Fontana L ; Reinhardt A., 1999
Influenced by the Holocaust, Metzger created "an art that aimed at introducing destruction as a means of transforming peoples' thoughts and feelings, not only about art, but to use art to change peoples' relation to themselves and society." Metzger is best known for organizing the Destruction in Art Symposium (DIAS) in London in September 1966. The main object was to focus attention on the element of destruction in Happenings and other art forms including the Viennese Actionists. -- Source of annotation: Marvin or Ruth Sackner.