Political poetry
Found in 1438 Collections and/or Records:
Rent Free in the East Village, 1985
Reply Card / Finlay, Ian Hamilton; Manduca, John Borg., 1978
Depicts an armored camouflaged tank with questions and a check box superimposed upon it, e.g. "Thank you for your communication, You are not the only big shot around here," etc. -- Source of annotation: Marvin or Ruth Sackner.
Repression and Recovery: Modern American Poetry and the Politics of Cultural Memory 1910-1945 / Nelson, Cary ; DeZayas M ; Brown B ; Crosby H ; Zukofsky L ; Patchen K ; Lissitzky E ; Apollinaire G ; Meyer A ; Lewis WP ; Gillespie AL., 1989
Nelson describes the work of "forgotten" poets involved in avant garde cultural and political movements during the period 1910-1945. Includes a great deal of poetry with critical text and documentation by blacks and leftists. -- Source of annotation: Marvin or Ruth Sackner.
Res Publica: The Public Works 1968-1999 / Gerz, Jochen ; Hapkemeyer A., 1999
This catalogue was edited by Andreas Hapkemeyer and Marion Hohlfeldt who also contributed critical essays on Gerz's works. -- Source of annotation: Marvin or Ruth Sackner.
Resistance / Padin, Clemente., 1997
This leaflet was taken from the Archive of O!!Zone 1997. Stored in Padin box. -- Source of annotation: Marvin or Ruth Sackner.
Resistance / Thalia., 1993
Resurgent Agitprop in Capital Letters / Spears, Dorothy; Kruger B., 2010
In Europe, Toronto, the Hamptons and at the coming Whitney branch, Barbara Kruger offers a more global, refective verbal attack. -- Source of annotation: Marvin or Ruth Sackner.
Retrospective: Political Document of a Decade / Coe, Sue., 1991
Retrospectives / Metzger, Gustave ; Phillpot C ; Schwitters K ; Paolini G ; Connor B ; Fontana L ; Reinhardt A., 1999
Influenced by the Holocaust, Metzger created "an art that aimed at introducing destruction as a means of transforming peoples' thoughts and feelings, not only about art, but to use art to change peoples' relation to themselves and society." Metzger is best known for organizing the Destruction in Art Symposium (DIAS) in London in September 1966. The main object was to focus attention on the element of destruction in Happenings and other art forms including the Viennese Actionists. -- Source of annotation: Marvin or Ruth Sackner.
Revealing Taxi Journeys / Heart Fine Art ; Andersen E ; Beuys J ; Boetti A ; Breton A ; Broodthaers M ; Byars JL ; Chopin H ; Corso G ; Duchamp M ; Filliou R ; Finlay IH ; Gilbert & George ; Mano GL ; Hirst D ; Holzer J ; Jorn A ; Kruchenykh A ; Knowles A ; Ray M., 2004
Revolution and the Intelligentsia / Benjamins, John ; Luiggi, Philippe ; Isou I ; Pomerand G ; Rodchenko A., 1994
Revolutionary Poets Brigade Volume 1, 2010
Revolution/Virtue/Eloquence/Transparency / Finlay, Ian Hamilton; Stirling, Annet., 1993
The work is composed of 4 prints each a single word formed from a collage of packets of commercial plant seeds. The height of all the prints is the same with the width smaller or larger depending on the number of the letters in the word. -- Source of annotation: Marvin or Ruth Sackner.
Riff-Raff / Finlay, Ian Hamilton., 1988
The theme of this card is an attack on the authors of the book, "Follies, A National Trust Guide," that discredited Finlay's Temple Garden. -- Source of annotation: Marvin or Ruth Sackner.
Rights of Man Declaration / Finlay, Ian Hamilton., 1988
Deals with cacellation of Finlay's Declaration of the Rights of Man by the French government. -- Source of annotation: Marvin or Ruth Sackner.
Rockwell Re-Enlisted fro a Nation's Darker Mood / Cave, Damien; Mill G; Kuitca G; Kidd C; Tuttle R., 2008
This is a review of the Wolfsonian Museum's exhibition "Thoughts On Democracy." Sixty works by international artists reinterprete Norman Rockwell's Four Freedoms posters. -- Source of annotation: Marvin or Ruth Sackner.
Rodney King, 1992
The main caption of this anti-police state drawing, printed in large blue, eraser stamped letters reads, "Rodney King Resists Arrest." The latter refers to the unwarranted police beating of Rodney King in Los Angeles, who did not resist arrest, that was taken unbeknownst to the police on video and aired to the American public. -- Source of annotation: Marvin or Ruth Sackner.
Roma! / Huth, Geof., 1987
Rooms and Stories / Allen, Terry., 1983
RU$$IA RU$$IA RU$$IA Last Words From Klondike Pete / UU, David., 1970
The right side of the page is torn but does not interfere with the poetic text. -- Source of annotation: Marvin or Ruth Sackner.