This book is featured in an essay by Brad Freeman in JAB No.27. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by Rodney Phillips and Steven Clay. It documented new and experimental writing in little magazines, many mimeographed and published in Manhattan's East Village or in other places related to this scene. According to the catalogue, these publications fostered "collaborations, community, spontaneity, humor, chance, experimentation, and committment...as basic social and literary values." -- Source of annotation: Marvin or Ruth Sackner.

This book includes "14 Stations, a poem that joins the concise verbal techniques of gematria (traditional Hebrew numerology) with the stark agonies of the Holocaust." -- Source of annotation: Marvin or Ruth Sackner.

The book and the compact discs serve as a database for Perneczky's works. In a work entitled "Very Alternative Art, 1981," Perneczky stamped the word "shit" in eight different languages on toilet tissues. This kind of activity was later used for the more contemporary assembling magazine "Wipe," that is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This consists of reproduced political quotes from books, periodicals and newspapers on war and peace with innovative layouts. The bound, numbered, and signed copy of the book is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This consists of reproduced political quotes from books, periodicals and newspapers on war and peace with innovative layouts. It is accompanied by loose page spreads used for exhibition. Linoleum cuts, zinc cuts, letterpress with lead and wood type. Non-adhesive binding using a German Medieval chain stitch. "In 1984 I began collecting material for a book examining how often and why we (as humans) have gone to war. Rather than write or commission the text, I selected quotations and worked them together typographically using the wood and lead fonts available in my studio. The book was also a means to improve my letterpress printing technique. The book is essentially a collection of broadsides with the emphasis on two-page spreads. The German Medieval binding technique was selected because it did not take any space away from the two-page spreads.". -- Source of annotation: Marvin or Ruth Sackner.

This is exceptionally powerful print that commemorates the September 11, 2001 destruction of the World Trade Center Towers in NYC. It was first published in the book, "The Visualised Page" (2001), an assembling held by the Sackner Archive. The image accompanies that record. -- Source of annotation: Marvin or Ruth Sackner.

The definitions are taken from quotations in the classic literature. -- Source of annotation: Marvin or Ruth Sackner.

This print deals with worldwide political concerns as well as artistic autobiographical issues through hand printed texts incorporated into discrete, vividly colored anthropomorphic shapes on an unprinted white background. "To me, it is important to demonstrate that heavy art (not cartoons, etc) and critical/concerned art can be one; as an artist, you are paid with surplus money (stolen from the workers)." This print was part of 9 others by Fahlstrom published by multipla editions. -- Source of annotation: Marvin or Ruth Sackner.

Depicts seven flattened paper, seed packets with identical images om one side, a watering can and flowers; the name of seven leaders of the French revolution is a metaphor for the seeds, e.g., Robespierre, Saint-Just, Couthin, etc. On the other side of the packet, a tri-color ribbon is attached to the middle of a tombstone. These packets have outlines to allow cutting and folding to form a three dimensional seed packet. They are a metaphor to the events of the French revolution. -- Source of annotation: Marvin or Ruth Sackner.

This work deals with feminist issues. -- Source of annotation: Marvin or Ruth Sackner.

This work deals with feminist issues. -- Source of annotation: Marvin or Ruth Sackner.

This set of six stamps shows the logograph of Shell Petroleum Company with the first letter 'S' removed. It was produced for a Petroleum show in the gallery. -- Source of annotation: Marvin or Ruth Sackner.

This is a game based upon the business of art collecting. -- Source of annotation: Marvin or Ruth Sackner.