The Sackner Archive lent "Cries of Poindexter Village" to this exhibition. In the catalogue, Robinson (1940-2015) describes this work as "a two-volume book I made for my son, Syndey. One volume is 'Schoolyard,' and the other is 'Bethlehem Journey,' a hinged book with a large cloth painting inside. Both volumes are about the voices of the children coming up in Poindexter and the characters who lived there and some of their stories." The folder contains documentation for the exhibition, press releases and a thank you note thanking the Sackners for lending their piece to the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

The eight colored prints play off the image of the Pansey, the flower as a camouflaged image of Panzer, the German armored tank. A section of this book is entitled, "Detached Sentances on Camouflage: In the Manner of Shenstone. William Snenstone (1714-1763) was a poet and gardner. This list aphorisms about floral and military tank camouflage. -- Source of annotation: Marvin or Ruth Sackner.

Stored in Yeah magazine box. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Eugenio Miccini. -- Source of annotation: Marvin or Ruth Sackner.

Published for the First Congress of the International Association for Semiotic Studies. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Eugenio Miccini. The theme of this book is graffiti art and its political reprecussions. -- Source of annotation: Marvin or Ruth Sackner.

Reprint from b. bissett's book "Nobody Owns th Earth," published by Anansi Press in 1971. -- Source of annotation: Marvin or Ruth Sackner.

Temple, according to Finlay's definition, signifies a sacred place or a place menaced by bailiffs. The accompanying image is taken after Claude Lorrain's "Landscape with Apollo." The poem refers to the buiding housing Finlay's artworks, "Temple" and seizure of these works by bailiffs because of a local tax dispute. -- Source of annotation: Marvin or Ruth Sackner.

Temple denotes the exhibition space at Finlay's residence. The caption under an image of a Greek temple includes a definition, a quote from The Metamorphosis of Ovid, and the storming of Finlay's Temple by the Strathclyde region tax collectors who launched a surprise attack on Budget day, March 15, and successfully looted the garden TEMPLE. The definition is "a marbled edifice, a veined edifice; the seat or summit of reason." -- Source of annotation: Marvin or Ruth Sackner.

The catalogue has six pages altered with drawings by Joel Hubaut - they were not part of this exhibition. He particapated in a sound poetry component of the exhibition through a CD recorded by Dmitry Bulatov for his book, An International anthology of sound poetry. There are essays on holograms by Augusto De Campos, Eduardo Kac, and Richard Kostelanetz. -- Source of annotation: Marvin or Ruth Sackner.

Joel Hubaut, a participant in this exhibition, hand lettered an anti-Bush, anti-Iraq war political discourse on the inside of the front cover where he signed and dedicated the book to the Sackners. He also marked the paragraph in the preface in green ink that described his work.This catalogue is stored in the box with Hubaut material. -- Source of annotation: Marvin or Ruth Sackner.

The leaflet provides an explanation for the image on the medal. Virtue is signified by two classical columns and terror by the two posts of the Guillotine. -- Source of annotation: Marvin or Ruth Sackner.

The print depicts a human-like dog with a handwritten text that decries the designation "artist" to many contemporaries. The poem concludes, "The only people left who seem to be artists are illustrators. -- Source of annotation: Marvin or Ruth Sackner.