Scope and Contents

This is a reproduction of a print measuring 147 x 101.3 cm that was made using photoetching, softground etching, and handcoloring. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents After introducing the theory and historical background of the avant-garde, this book examines the major figures and movements from Rimbaud, Apollinaire, and Italian Futurism, through Dada and surrealism, Mayakovsky, Russian Futurism and Brecht, to the post-modernist writers Burroughs, Robbe-Grillet, and Pynchon. This book also includes a section of political poetry such as "The Future of Socialism" by Helmut Heissenbuttel below.nobody exploitsnobody oppressesnobody is exploitednobody is oppressednobody wins anythingnobody loses anythingnobody is masternobody is slavenobody is superiornobody is subordinatenobody owes anything to younobody does anything to younobody owns nothingnobody exploits nobodynobody oppresses nobodynobody is exploited by nobodynobody is oppressed by nobodynobody wins nothingnobody loses nothingnobody is master of nobodynobody is slave of nobodynobody is superior to nobodynobody is subordinate to nobodynobody owes anything to nobodynobody does anything to...

Scope and Contents

This poem was printed by d.a. levy. -- Source of annotation: Marvin or Ruth Sackner.

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Deals with interview of Ian Hamilton Finlay by Jackson regarding "Bicentenary Tricolour" produced to commemorate the French Revolution. The author explains the imagery in this commissioned work which was refused by the French government because of the incorporation of Nazi images. -- Source of annotation: Marvin or Ruth Sackner.

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Stored in Cozette de Charmoy box. -- Source of annotation: Marvin or Ruth Sackner.

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Exhibition was curated by Peter Day. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Richard Minsky created the bookbinding and box for the poetic text written by Mitch Cullin entitled "Branches." The book was published by The Permanent Press. The illustrations were done by Ryuzo Kikushima. The front cover is punctured with five bullet holes. The cover consists of a sheriff's badge pinned to a shirt pocket and a name badge with the word "Branches." The box is affixed with a black gun leather holster on which the fifth amendment of the constitution is printed in gold, lowercase, italic text. The title of the book refers to the protagonist in the autobiographical poem, I.A.C. Branches, a bigoted Texas Sheriff, who uses his authority and gun without remorse to rape, torture gays, and shoot Mexican border intruders. The fifth amendment states that no person shall be held to answer for a capital, or otherwise infamous crime, unless on a presentment or indictment of a grand jury, except in cases arising in the land or naval forces, or in the militia, when in actual...

Scope and Contents

The text that is printed as a horizontal line of words on the translucent paper pages is taken from "crowds and power" by Elias Canetti. -- Source of annotation: Marvin or Ruth Sackner.

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In the introduction, Golden writes about levy's "The North American Book of the Dead." He states that "this is not only a major epic spiritual hymn, it is one of, if not the major post-modern shamanistic-poetic vision of America written this century. Read it straight through and levy will take you on a trip through not just the times he lived in, but through all time. He was, first and foremost, a writer of space, yet as visionary as his voice was, to this point he has been recognized primarily as a writer of place.' And that place was Cleveland. Golden also contributed an essay, "Portrait of a Young Man Trying to Eat the Sun." There are eight colored photographic reproductions of levy's collages in this book. The collage reproduced on page 99 is held by the Sackner Archive. In addition, several works from the Sackner Archive are reproduced in this book. This book is stored near the d.a. levy material. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The abstract expressionist cover was painted by maRa. A handwritten poem by levy appears on the back cover. This book contains all the stanzas of Chalchihuitlicue; the booklet of the same title (held by the Sackner Archive) only contains the first stanza. -- Source of annotation: Marvin or Ruth Sackner.

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Edited and introduction by Edith Jarolim. -- Source of annotation: Marvin or Ruth Sackner.

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This exhibition was shown in seven venues. It was "a comprehensive survey of Fahlstrom's graphic work, including twenty-seven prints as well as four multiple editions in three-dimentional object and book format." The Sackner Archive holds "My Dear White Skeleton" in 1 cent Life, "Eddie (Sylvia's brother) in the Desert," "Opera" 1976, and the print portfolio of 1974. -- Source of annotation: Marvin or Ruth Sackner.

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This is the text that accompanies Typewriter Poems: 1984. -- Source of annotation: Marvin or Ruth Sackner.

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The backgound text is a repetitively written run-on of the word 'freedom.' -- Source of annotation: Marvin or Ruth Sackner.

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The backgound text is a repetitively written run-on of the word 'freedom.' -- Source of annotation: Marvin or Ruth Sackner.

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The completed text reads, "Wych Countree has the Elm Disease?" The outlines of world-wide countries are flying around a sky with a setting sun as if they were leaves. Four human figures are drawn encased in grids. Stored in Odds & Sods. The duplicate print is matted. Another copy listed seperately was signed by Furnival. This print is depicted in Furnival's "Lost For Words" (2011) page 61. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The completed text reads, "Wych Countree has the Elm Disease?" The outlines of world-wide countries are flying around a sky with a setting sun as if they were leaves. Four human figures are drawn encased in grids. The Archive has three other unsigned copies of this print. This print is depicted in Furnival's "Lost For Words" (2011) page 61. -- Source of annotation: Marvin or Ruth Sackner.