Scope and Contents

This exhibition was shown in seven venues. It was "a comprehensive survey of Fahlstrom's graphic work, including twenty-seven prints as well as four multiple editions in three-dimentional object and book format." The Sackner Archive holds "My Dear White Skeleton" in 1 cent Life, "Eddie (Sylvia's brother) in the Desert," "Opera" 1976, and the print portfolio of 1974. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is the text that accompanies Typewriter Poems: 1984. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The backgound text is a repetitively written run-on of the word 'freedom.' -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The backgound text is a repetitively written run-on of the word 'freedom.' -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The completed text reads, "Wych Countree has the Elm Disease?" The outlines of world-wide countries are flying around a sky with a setting sun as if they were leaves. Four human figures are drawn encased in grids. Stored in Odds & Sods. The duplicate print is matted. Another copy listed seperately was signed by Furnival. This print is depicted in Furnival's "Lost For Words" (2011) page 61. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The completed text reads, "Wych Countree has the Elm Disease?" The outlines of world-wide countries are flying around a sky with a setting sun as if they were leaves. Four human figures are drawn encased in grids. The Archive has three other unsigned copies of this print. This print is depicted in Furnival's "Lost For Words" (2011) page 61. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The completed text reads, "Wych Countree has the Elm Disease?" The outlines of world-wide countries are flying around a sky with a setting sun as if they were leaves. Four human figures are drawn encased in grids. The Archive has two other unsigned copies of this print; this is the only copy that is folded. This print is depicted in Furnival's "Lost For Words" (2011) page 61. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The completed text reads, "Wych Countree has the Elm Disease?" The outlines of world-wide countries are flying around a sky with a setting sun as if they were leaves. Four human figures are drawn encased in grids. The Archive has three other unsigned copies of this print. This print is depicted in Furnival's "Lost For Words" (2011) page 61. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The poem reads, "After decapitation the victims are limewashed." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The medal depicts an automatic machine gun as a metaphor for a flute; commemorates first episode of an assult by the Strathclyde Region tax collectors on Finlay's home. The leaflet accompanyimg this medal commemorating the incident is a visual pun on Virgil's flute, with the vents in the barrel-sleeve as the finger-stops. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents The image on this card is a drawing of a drum. Wikipedia 2011: A flageolet is a woodwind musical instrument and a member of the fipple flute family. Its invention is ascribed to the 16th century Sieur Juvigny in 1581.[1] It had 4 holes on the front and 2 on the back. The English instrument maker William Bainbridge developed it further and patented the "improved English flageolet" in 1803 as well as the double flageolet around 1805. They were continued to be made until the 19th century when it was succeeded by the tin whistle. Flageolets have varied greatly during the last 400 years. The first flageolets were called "French flageolets", and have four tone-holes on the front and two on the back. This instrument was played by Frédéric Chalon, Samuel Pepys, and Robert Louis Stevenson. Henry Purcell and George Frideric Handel both wrote pieces for it. Small versions of this instrument, called bird flageolets were also made and were used for teaching birds to sing. The number of keys on...

Scope and Contents

On the verso, Finlay writes that his garden is opened to members of the National Trust whose book considered Finlay's sculptural garden an architectural folly; however the gate to the garden in the image on the recto is framed with a guillotine. -- Source of annotation: Marvin or Ruth Sackner.

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The text reproduces Hollo's handwritten version of the poem. The letter dated 18 August 1966 is addressed to Henry Rago, the editor of Poetry (Chicago) and requests that this book as well as & it is a song and Faces and Forms be considered for review. The two poems as loose pages are entitled "Love in the bathroom." This book is also designated Writers Forum Quartos No.1. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Also designated Writers Forum Quartos No.1. The text reproduces Hollo's handwritten version of the poem -- Source of annotation: Marvin or Ruth Sackner.