Political poetry
Found in 1449 Collections and/or Records:
[The Individual Artist's Arrogation..., on red], 1980
The print is stamped ARTEXT. The color of the text is black, the background is red and the border is white. Presumably. the color schema is unique. The text is the same on all prints with this title. -- Source of annotation: Marvin or Ruth Sackner.
[The Individual Artist's Arrogation..., on white], 1980
The background color of the print is white; the text is either black or blue. The text is the same on all prints with this title. -- Source of annotation: Marvin or Ruth Sackner.
[The Individual Artist's Arrogation..., transparent], 1980
This print with a graphite border on translucent material has the same text as the other prints with this title. -- Source of annotation: Marvin or Ruth Sackner.
The Inside Story on Outsiderness / Vogel, Carol; Ligon G., 2011
This is an exhibition review of the work of Glen Ligon. -- Source of annotation: Marvin or Ruth Sackner.
The JAMES R LOWELL DEFENSE FUND (1) / levy, d.a.., 1967
This work kists books seized by Cleveland police from Asphodel Book shop. almost all the books and several of the magazines are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
The JAMES R LOWELL DEFENSE FUND (2) / levy, d.a.; Brainard J., 1967
The recto of this work sets forth the context of the trial and the verso reproduces a poem by Joe Brainard relating to peace and tranquility. -- Source of annotation: Marvin or Ruth Sackner.
The Kefaya portfolio / Perkins, Stephen., 2011
The Last Acts of Saint Fuckyou (Window Shade Version) / Bern Porter., 1990
The text of this work is laid out in two printed red columns with the space between the columns consisting of the title printed in a large bold typeface. The left column begins, "The abnegating of treaties - The acidifying of alkalis - The afiliation of bastards - The alighning of booby-traps - The ambulating of cripples - The annuling of covenants - The assessing of polls... The right column begins with The naming of misers - The napping of covers - The narrating of contradictions - The nidification of vats - The non-processing of plantiffs - The non-plusing of laities... There were three artist proofs in this edition. Bern Porter was born February 14, 1911 and died June 7, 2004. -- Source of annotation: Marvin or Ruth Sackner.
The Madison Collages, 1975
The silkscreen cover print of d.a.levy was done by Tom Kryss. The collages were first published in Quixote Vol.4 No.6. -- Source of annotation: Marvin or Ruth Sackner.
The Madison Collages / levy, d.a.., 1968
The Marble Arrow / Finlay, Ian Hamilton., 1984
The card is shaped like an arrow and has been made from marbled paper, a pun on the poem printed along an inside fold, "The Marble Arrow Always Hits Its Mark!" -- Source of annotation: Marvin or Ruth Sackner.
The Marrahwannah Quarterly, Vol. 3, No.2 / levy, d.a., editor ; Baxter ER-III ; Taylor K ; Dowden G ; levy da ; Harris DW ; Wagner Dr ; Friedman K ; Woideck C ; Richmond S ; Michaud H ; Pound E., 1967
The Masses arre Asses / Pietri, Pedro., 1997
The Masterpiece of Hatshepsut / Meyers, Augusta Huggins., 1991
The Medium Is The Massage / Morris, Stephen., 1970
The Medium Is the Message / Finlay, Ian Hamilton; Costley, Ron., 1987
The title has been inscribed on a guillotine blade and underneath it the inscription "Death to the Strathclyde Region" is inscribed on the black background, a reference to Finlay's dispute with the local tax collectors. -- Source of annotation: Marvin or Ruth Sackner.
The Missiles with Warheads / Saunders, Robert., 1984
The Moralist, 2002
This work features ambiguities related to censorship. The label of two cigarette packs, "Lucky Strike" is cancelled to leave only "Lust." The cancelling device is a large block of wood with black paint at its tip that serves as phallic symbol. -- Source of annotation: Marvin or Ruth Sackner.
The National Trust Follifies / Finlay, Ian Hamilton., 1987
This is an attack on the National Trust for regarding Finlay's sculptural garden as an architectural folly. -- Source of annotation: Marvin or Ruth Sackner.
The New World Border / Gomez-Pena, Guillermo., 1996
Subtitled "Prophecies, Poems & Loqueras for the end of the Century," Gomez-Pena writes about the interaction and space between the Mexican and American cultures using performance art, poetry, essays and dramas as his media. He is involved with the issues of immigration, racial violence, AIDS, political freedom and human rights. -- Source of annotation: Marvin or Ruth Sackner.