John Bennett contributed an introduction and Kryss writes a biographical statement. -- Source of annotation: Marvin or Ruth Sackner.

This text of political and cultural theory spectacle was first published in Paris in 1967. -- Source of annotation: Marvin or Ruth Sackner.

In his essay, "Pushing the envelope: Mail Art and the Michaels," Simon Anderson writes that both "Thomson and Hernandez de Luna paresent a sophisticated twist on this variegated [mail art] history, combining the random markers of official passage with a deliberate manipulation of the aesthetic involved; their small scale prints, connected to tahe much denser history of printmaking, dovetail at various points - inclusing teamwork, political humor nad tricksterism - with the fragmentary origins of art-through-the-mail, as this brief survey hopes to indicate." The illustrations depict the fake stamps and the cancelled stamps on envelopes indicating that the stamps went through the mail. -- Source of annotation: Marvin or Ruth Sackner.

This dvd documents an ice sculpture formed of the letters of the word "DEMOCRACY" which was placed in the garden of the gallery on the third anniversary of the Iraq war. Its collapse due to the heat of the day was a metaphor for the tragic fate of democracy during that time period. -- Source of annotation: Marvin or Ruth Sackner.

This dvd documents an ice sculpture formed of the letters of the word "DEMOCRACY" which was placed in the garden of the gallery on the third anniversary of the Iraq war. Its collapse due to the heat of the day was a metaphor for the tragic fate of democracy during that time period. -- Source of annotation: Marvin or Ruth Sackner.

A page from a periodical dealing with a political issue in Wales is cut jaggedly down the center. The printed black name, Wales, is repeated in its opening with progressive enlargement of the typeface dimensions. The uppermost "Wales" is printed in red, large capital letters. On the verso, the caption, "subscribe to Second Aeon" is printed in handwritten black letters. -- Source of annotation: Marvin or Ruth Sackner.

Includes illustrations by Yuri Annenkov, which appeared in first edition published in Moscow in 1918. The original of this book is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Blok's symbolist poem "The Twelve" was written in Russia in January 1918, following the Russian Revolution. -- Source of annotation: Marvin or Ruth Sackner.

Ringgold drew a map of the United States and wrote acts of violence that occurred in America's history by the name of the event and the number of dead and wounded. Her signature appears in the lower right corner; another copy of this poster was seen at ACA Gallery in 2006 without the signature. -- Source of annotation: Marvin or Ruth Sackner.

This book deals with the kikking of great auks byhumans on Funk Island. -- Source of annotation: Marvin or Ruth Sackner.

This depicts 10 line drawn, picture poems printed in red and black, one to a page that involve a war theme. A complete reprinting of this book appeared as a section of the catalog for Finlay's exhibition at the Serpentine Gallery (1977). Unable to locate an entry for this book, which was printed by the Stellar Press, in the Finlay bibliographies. -- Source of annotation: Marvin or Ruth Sackner.

There is no reference made to this book in the various Finlay bibliographies but the the same images printed on identical paper are bound into the exhibition catalog, Ian Hamilton Finlay, Serpentine Gallery, London, 1977, a book also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

d.a.levy's poem in this anthology, "the bells of the Cherokee ponies," deals with the injustices suffered by the American Indians. -- Source of annotation: Marvin or Ruth Sackner.