Political poetry
Found in 1438 Collections and/or Records:
This Postcard Was Exposed to Nuclear Fall-Out, 1986
Thornier / Finlay, Ian Hamilton; Boulton, Janet., 1997
The print depicts a thorn with barbs. -- Source of annotation: Marvin or Ruth Sackner.
Thornier / Finlay, Ian Hamilton; Boulton, Janet., 1997
The card depicts a thorn with barbs. -- Source of annotation: Marvin or Ruth Sackner.
Thoughts on Democracy / Mill G ; Kidd C ; Chwast S ; Fella E ; Kuitca G ; Scher P ; Brody N ; Lupton E ; Heller S ; Lamonaca M., 2008
Sixty graphic designers contributed works reinterpreting Norman Rockwell's "Four Freedoms" posters based on freedom of speech, freedom of worship, freedom from want and freedom from fear. -- Source of annotation: Marvin or Ruth Sackner.
Three Kings for the Republic / Finlay, Ian Hamilton; Hincks, Gary., 1984
Drpicts symbols of the French Revolution, watering-can, altar, and teapot. -- Source of annotation: Marvin or Ruth Sackner.
Through a Dark Wood/Midway, 1976
Relates to the World War II battle of Midway. -- Source of annotation: Marvin or Ruth Sackner.
Through a Dark Wood/Midway, 1975
A folded sheet onto which is printed a critical text by Stephen Bann accompanies this medallion. The image is a metaphor for the World War II battle of Midway in the South Pacific which was fought with airpower rather that ship to ship sightings. The text accompanying this work is stored in a box of Finlay booklets. -- Source of annotation: Marvin or Ruth Sackner.
Thunderbolt Steers All, 1975
Image is an armored tank. -- Source of annotation: Marvin or Ruth Sackner.
Thunderbolt Steers All / Ian Hamilton Finlay., 1975
This is one of a series of four medallions produced in 1975 with Ron Costley. An accompanying folded sheet on which is printed a critical text by Stephen Bann is stored in the booklet section of Finlay. -- Source of annotation: Marvin or Ruth Sackner.
Thunderbolt Steers All / Ian Hamilton Finlay., 1975
This is one of a series of four medallions produced in 1975 with Ron Costley. An accompanying folded sheet on which is printed a critical text by Stephen Bann is stored in the booklet section of Finlay. -- Source of annotation: Marvin or Ruth Sackner.
Tilting at Corporate Camouflage / Haacke, Hans., 1988
The curators of this exhibition, which was sponsored by the Gil and Lila Silverman Foundation, published the catalogue in the Grand Rapids Press newspaper as advertisements depicting each work in the show on five successive days. -- Source of annotation: Marvin or Ruth Sackner.
Time Capsule: A Concise Encyclopedia by Women Artists / Kahn, Robin, editor ; Attie D ; Castoro R ; Dill L ; Edelson MB ; Gordon C ; Knowles A ; Kopystiansky S ; Kruger B ; Laxson R ; Rosen K ; Rothenberg E ; Schneemann C ; Seagram B ; Sleigh S ; Kopystiansky S ; Steiner W ; Coron B ; Stuart M ; Tompkins B ; Romero R ; Rosen A ; Landes-Levi L ; Williams S., 1995
This book was published to commemorate the United Nations' Fourth World Conference on Women held in Beijing in 1995. All submissions from women around the world were accepted for the project that was a joint venture with SOS Int'l. Kahn places a short caption on the header of each page that sorts the pages into sequential alphabetical content to simulate pages of an encyclopedia, e.g., COOL IDEA, COTIDIANIDAD, COUPON, COUPS, etc. -- Source of annotation: Marvin or Ruth Sackner.
Tipo Grafico / Romero, Juan Carlos., 2012
Jaun Carlos gifted the book and poster when visiting the Sackner Archive in December 2014. -- Source of annotation: Marvin or Ruth Sackner.
To All Saint-Just Vigilantes / Finlay, Ian Hamilton., 1987
Christmas card that refers to the Finlay's turmoil with the Strathclyde region tax authorities. -- Source of annotation: Marvin or Ruth Sackner.
To Answer / Mayakovsky, Vladimir., 1982
The dust jacket is decorated with a constructivistic design of Varvara Stepanova from 1920. There has been water damage to the pages but the text is unaffected. -- Source of annotation: Marvin or Ruth Sackner.
To Forgive the Unforgivable / Morris, Stephen., 1997
The poet/artist conceived of this book of paintings after a visit to the Auschwitz-Birkenau concentration camp in Poland. The preface page is partially cut-out and page 23-24 is ripped out. -- Source of annotation: Marvin or Ruth Sackner.