The narrative compares classical Greek arcadia with the French revolution. -- Source of annotation: Marvin or Ruth Sackner.

This book was done to commemorate the death of Bob Kaufmann, a fellow communist poet who lived in the North Beach section of San Francisco and was a good friend of Hirschman. -- Source of annotation: Marvin or Ruth Sackner.

Varennes signifies the city that was the place where the King of France was captured during the French revolution and Vincennes the place where Rousseau had a vision that "...progress had not purified morals at all, but corrupted them disastrously." -- Source of annotation: Marvin or Ruth Sackner.

Depicts President Nixon shaped as a worm. -- Source of annotation: Marvin or Ruth Sackner.

Depicts President Nixon shaped as a worm. -- Source of annotation: Marvin or Ruth Sackner.

This poem is entitled Des Esseintes and reads The muddied- colours of - the mouthwash - cocktails. The title translate in English to boredom. -- Source of annotation: Marvin or Ruth Sackner.

The cover depicts a cap with a Spitfire (British WWII fighter airplane) roundel. The poem reads, A cap - of liberty- with a Spitfire -roundel -- Source of annotation: Marvin or Ruth Sackner.

The images deal with Finlay's notions of denazification of the Ehrentemple sites. In Finlay's bookprints 1963-1997, this work is annotated as teo drawings with commentary but they are probably lithographis. -- Source of annotation: Marvin or Ruth Sackner.

This book includes reproductions of "Book 14 T that consisted of abstract markings rendered on the mimeograph machine. The book reproduces 'The Para-Concrete Manifesto (1996)' is from the original mimeograph printing. Some of the pages inside 'untitled (1964)' also reproduced in the book were based upon images used for levy's '6 cleveland prints' (renegade press, 1964). There were 5 copies published; probably each one different from the other. Here, copy #2. is reprinted. The pages are colored abstract markings with some containing letter pictures. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition is a retrospective of Balestrni's two-dimensional works. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition deals with Ligon's identity as a black artist. -- Source of annotation: Marvin or Ruth Sackner.

This drawing from the book "Yod" is an example of the Kabbalistic period of Hirschman's work in which the poet combined Hebrew letters within his poetry. Yod is the letter Y and also means hand in Hebrew. This drawing is a facsimile of the illustration in the book that was designed by Paul Vaughn and Pip Benveniste. -- Source of annotation: Marvin or Ruth Sackner.

Commissioned for "The Beauty in Breathing" exhibition. Torok reproduced a translucent fragment of a Seurat painting "Une baignade à Asnières," with a computer in which its clarity is obscured according to his ideas by the effects of the presumed passage of time, exposure to environmental pollutants and occurrence of catastrophic weather conditions. These conditions are listed in bold type face partially overlaying each of the six images. -- Source of annotation: Marvin or Ruth Sackner.

In a Letter to America the word UNITED changes to CHANGE in six stages. The printout also contains photographs of groups of people around the world on election night celebrating Barak Obama's presidential victory. -- Source of annotation: Marvin or Ruth Sackner.

Exhibited in Visualog 2, San Luis Obispu, California. Exhbition was curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.