Political poetry
Found in 1438 Collections and/or Records:
Wasteland, 1995
This exhibition was curated by the Brazilian Sergio Bessa (b.1951) who serves as the Director of the Bronx Museum in NYC. A biography of Bessa appears on David Daniels' Gates of Paradise web site. For this exhibition, Kay Rosen contributed four pages of language poetry and Vic Muniz three pages entitled "Study for Neon." -- Source of annotation: Marvin or Ruth Sackner.
Watch What You Watch / Topel, Andrew., 2009
Watchtowers / Schuller, Brant., 1996
The subject is about various antennas and their uses. A circular picture on each page depicts a varient antenna and explanatory texts are printed at the bottom of the pages. -- Source of annotation: Marvin or Ruth Sackner.
Water-Lilies / Finlay, Ian Hamilton; Hincks, Gary., 1990
We The People: Proposal for an Artwork / Cutler-Shaw, Joyce., 1976
This book documents a proposed ice sculpture for the U.S. Capitol building grounds. -- Source of annotation: Marvin or Ruth Sackner.
We Won't Play Nature To Your Culture / Kruger, Barbara., 1983
Kruger's worded photographs are a contemporary extension of the emblem poems of the 17th & 18th centuries and the more recent picture poems of Kenneth Patchen and Ian Hamilton Finlay. -- Source of annotation: Marvin or Ruth Sackner.
When I Go / Herms, George., 1972
The complete text that reads, "When I go - I'm taking nationalism - and the internal combustion - engine with me" is printed in red over the image of crushed, stained and pierced paper. -- Source of annotation: Marvin or Ruth Sackner.
When I Hear the Word Culture / Pyros, John., 1984
When the World Took to Tolerance / Finlay, Ian Hamilton., 1987
Whitewall of Sound. No.3 / Jim Clinefelter, editor., 1985
Whitewall of Sound: The Machinery of State - 20th Century U.S. Presidents. No.15 / Jim Clinefelter., 1996
Each President is characterized by a photographic reproduction of an industrial metal working machine. The back cover records the following anonymous quote, "every few years, they change one of the gears...but the contraption still runs the wrong way." -- Source of annotation: Marvin or Ruth Sackner.
WhiteWalls: Identity and Self-Definition. No.28/Sum., 1991
WhiteWalls: Post Wall S. No.32., 1992
Issue focuses on Eastern European artists and writers. -- Source of annotation: Marvin or Ruth Sackner.
WhiteWalls: Rants and Raves. No.27/Win., 1991
Edited by Susan Snodgrass. This issue solely documents performance pieces. -- Source of annotation: Marvin or Ruth Sackner.
Who's Bitter Now? / Dezso, Andrea., 2008
Dezso's illustration is her typical stitching for an article by Larry M. Bartels about the presidential debates. -- Source of annotation: Marvin or Ruth Sackner.
Why Cheap Art? / Huth, Geof., 1984
Why Doesn't God Do Something? / Pyros, John., 1986
Wild Hawthorn Weapon Series No.2: Homage to Max Bill / Finlay, Ian Hamilton., 1974
The card depicts a photograph of a military tank with its two cannons pointing upwards, a metaphor for the constructivistic art of Max Bill. -- Source of annotation: Marvin or Ruth Sackner.