The artist composed the work on an Olympia Splendid 99. In a personal communication to Marvin Sackner in 2013, Mott stated that his typewritings were influenced by Margaret, his first wife's (died in 1990) weavings plus reading on knots, quipu, etc and not by the reading of Monk's Pond that he was unaware of until the 1980s. He further mentioned that he employed "various degrees of pressure to give variations and life to the work." -- Source of annotation: Marvin or Ruth Sackner.

Columns of parentheses are typed from top right to a sqare form on the bottom left over many lines of diagonal slash marks. -- Source of annotation: Marvin or Ruth Sackner.

The image on the card is the greater sign '>.' -- Source of annotation: Marvin or Ruth Sackner.

The image consists of rows of wavy parenthesis pouring from a box composed of slashes and dashes into a containerat the bottom of the page composed of dashes . -- Source of annotation: Marvin or Ruth Sackner.

The text consists of the empty spaces from the words removed but with the punctuation marks intact. This was also the basis for a sound poem.Internet: The unit was originally created as an accurate representation of all punctuation marks in an article from the Neue Zurcher Zeitung., Nearly 100 pages of punctuation with varying density - a kind of map of written language starry. In Prix Nobel has just written source been returned. What we usually see as central, is shaved away and work out as yet another meaning to Reutersward s excitement of "international letters -- Source of annotation: Marvin or Ruth Sackner.

The card is addressed to Emmett Williams of Something Else Press. The printed text depicts a grid of the same question marks. -- Source of annotation: Marvin or Ruth Sackner.

This work was part of a portfolio entitled, "Quabel." -- Source of annotation: Marvin or Ruth Sackner.

This work was part of a portfolio entitled, "Quabel." -- Source of annotation: Marvin or Ruth Sackner.

Kozlowski removed the text from Kant's essay "Kritik der reinen Vernunft" leaving only the punctuation marks. -- Source of annotation: Marvin or Ruth Sackner.

The two red square and the two blue squares are made with@ symbols. -- Source of annotation: Marvin or Ruth Sackner.

In the letter to Marvin Sackner, Riccardo Boglione wrote that this book "is the removal of all the words of the entire Boccaccio's Decameron, except for the spacing between words and the punctuation...Ritmo D ignites the tension between erasure and evocation of one of the most censored books in history. An example of abstract literature, of an illegible text that, yet, can be read." -- Source of annotation: Marvin or Ruth Sackner.

This book consists of essays of critical texts. In an essay about the work of bill bissett, Beaulieu extols bissett's "what fuckan theory" as an early conceptual text but excoriates him for the repetive nature of his work and performances as the years progressed. -- Source of annotation: Marvin or Ruth Sackner.

Villa creates comma poems, "in which the commas are an integral and essential part of the medium: regulating the poem's verbal density and time movement: enabling each word to attain a fuller tonal and sonal value, and the line movement to become more measured." The poems are linear with commas separating every word. The artist Robert Indiana was very much influenced by Villa. -- Source of annotation: Marvin or Ruth Sackner.