Second book in the trilogy "POETIX" in which Adlers rearranges words and poems to form his own collection. -- Source of annotation: Marvin or Ruth Sackner.

Also designated Parkland Poet Series No.5 -- Source of annotation: Marvin or Ruth Sackner.

The first copy was acquired in 1991; a second copy with slightly different color registrations and higher prices published in 2007 is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The first copy was acquired in 1991 and held by the Sackner Archive; this second copy with slightly different color registrations and higher prices was published in 2007. -- Source of annotation: Marvin or Ruth Sackner.

Poem consists of phrases which contain the word "Jack." -- Source of annotation: Marvin or Ruth Sackner.

This object was formed from by photocopied hand lettered text in the style Phillips uses for his text based sculptures, where each letter is physically linked to adjacent ones. The photocopied sentence of the title, glued onto the cube is repeated twice on each of its surfaces. The Sackner Archive also holds the hand-drawn maquette for this work. The text is by the philosopher Ludwig Wittgenstein. -- Source of annotation: Marvin or Ruth Sackner.

For this piece, Tom Phillips lettered the text in the style he used for his text based wall sculptures. Each letter is linked to adjacent ones. The sentence of the title is repeated twice on each surface of the cube. The text is by the philospher Ludwig Wittgenstein.Phillips writes, "The series of cubes began with a cage of wire made for The Globe Theatre's production of A Winter's Tale. A cage of wire words followed to exemplify Wittgenstein's proposition 'The Limits of My Language are the Limits of My World'. Printing this on an acrylic cube where the inside can be seen and, by an oddity of optics, experienced from the outside seemed to unite the reading of a statement with its perception as a metaphor. Reversing the text on the outside in a later version emphasised the trap of language that Wittgenstein describes." -- Source of annotation: Marvin or Ruth Sackner.

For this maquette, Tom Phillips hand lettered the text in the style he used for his text based wall sculptures. He marked design changes in small, red symbols. Each letter is linked to adjacent ones. The sentence of the title is repeated twice on each surface of the cube and hand-drawn on each surface of the wooden cube. The maquette is slightly smaller than the finished work that is also held by the Sackner Archive. The text is by the philospher Ludwig Wittgenstein. -- Source of annotation: Marvin or Ruth Sackner.

d.a. levy provided an introductory essay. -- Source of annotation: Marvin or Ruth Sackner.

The poems are triangular shaped. -- Source of annotation: Marvin or Ruth Sackner.

All pages of this book are rubberstamped with different colored inks and the text consists of common expressions that would be expected from the title. The arrangement of the words is wildly frenetic. -- Source of annotation: Marvin or Ruth Sackner.

Poem by R. Bradbury. Designed and printed by R. Bigus. -- Source of annotation: Marvin or Ruth Sackner.

The leaflets are printed and handcolored with the word, courage, in varied colors of ink. This version of the work was based upon a unique 1978 work. The embroidered badges were made by Steve Gilley in his shop in Yakima, Washington. -- Source of annotation: Marvin or Ruth Sackner.

The leaflets are rubberstamped with the word, courage, in varied colors of ink. One leaflet depicts an image of a lion. The rubberstamped leaflets differ in color and layout from bag to bag such that all ten copies can be considered unique. All seven copies are stored in the Wally Depew unique box. This version of the work was based upon a unique 1978 work. -- Source of annotation: Marvin or Ruth Sackner.

On the unbound page, Tipping provides background notes for each of the concrete poetic prints. -- Source of annotation: Marvin or Ruth Sackner.