Shaped poetry
Found in 788 Collections and/or Records:
Esterni di Vita Interiore / Perfetti, Michele ; Restany P ; D'Ambrosio M., 1980
Ethernity / Brannen, Jonathan ; Raphael D., 1989
Introduction by Dan Raphael. -- Source of annotation: Marvin or Ruth Sackner.
Even the Oatmeal / Finlay, Ian Hamilton., 1986
The shape of this poem is a goblet. -- Source of annotation: Marvin or Ruth Sackner.
EX. No.4 / Jean-Jacques Lebel, Emilio Villa, editors ; Accame V ; Blaine J ; Bory JF ; Brossa J ; Carrega U ; Diacono M ; Lebel JJ ; Mussio M ; Novak G ; Schwarz A ; Vicinelli P ; Villa E ; Maurus H ; Cagnone N ; Pedio R., 1968
This is the most experimental issue of the EX series. -- Source of annotation: Marvin or Ruth Sackner.
Experimentelle Texte: Gott Raucht Nicht / Er Braught Pudding. No.4 / Werner Schreib., 1985
Experimentelle Texte: im labyrinth der alphabete. No.36 / Frank Richter., 1994
Experimentelle Texte: Worter. No.1 / Vilen Barsky., 1983
Experimentelle und Konkrete Poesie / Reichartz, Peter, editor ; Morgenstern C ; Ball H ; Schwitters K ; Gomringer E ; Mon F ; Gappmayr H ; Ruhm G ; Jandl E ; Bremer C ; Harig L ; Achleitner F ; Marti K ; Schmidt SJ., 1981
Eye / Kathy Ernst., 1983
The poem says EYE, representing the pupil, in the middle of an eye that is shaped by repetitions of the word eye. The interior of the eye also reads Look and SEE; all words are made of white wooden, raised letters. -- Source of annotation: Marvin or Ruth Sackner.
Eye / Kathy Ernst., 1983
The poem says EYE, representing the pupil, in the middle of an eye that is shaped by repetitions of the word eye. The interior of the eye also reads Look and SEE; all words are made of white wooden, raised letters. -- Source of annotation: Marvin or Ruth Sackner.
eYe / Miroshnychenko, Mykola., 1985
This poem depicts two eyes and a nose formed from letraset. -- Source of annotation: Marvin or Ruth Sackner.
[eye] / Topel, Andrew., 2009
[Face: The Atlantic] / Nicola L.., 1987
The image is a profile of the head onto which is collaged headlines from newspapers featuring political texts. The background surrounding the head is painted blue and bears inscriptions and an image (ship) related to oceans. The artist is also known as Nicola L. -- Source of annotation: Marvin or Ruth Sackner.
falamaleikum: gedichte und bilder, 1983
Spohn contributed ten illustrations to the book. -- Source of annotation: Marvin or Ruth Sackner.
Farbe Bekennen, Mein Weg durch die konkrete Poesie / Bremer, Claus., 1983
Faulknerovo jablko / Hirsal, Josef; Grogerova, Bohumila., 1962
The theme of this poem is William Faulkner. -- Source of annotation: Marvin or Ruth Sackner.
Fear (Mound) / Rosenberg, Marilyn., 1984
Exhibited in Visualog 2, San Luis Obispu, California. Exhibition was curated by Karl Kempton -- Source of annotation: Marvin or Ruth Sackner.
Feetprints: Candle. No.4/Jan / David UU., 1991
Edited by Damian Lopes. -- Source of annotation: Marvin or Ruth Sackner.
Figurative Poetry in Sanskrit Literature / Jha, Kalanath., 1975
This book is an attempt at resolving and important tangle, that of the utility of Figurative Poetry in Sanskrit Literature. In the shape of Sabdacitra and Ubhayacitra, connoting verbal juggleries and intellectual riddles this literature amuses vast shades of people, even today. Arthacitra is the real imagist poetry. Even old Sanskrit rhetoricians, Ananda, Abhinava and Panditaraja had a flash of its imagist appeal. Contents: Preface; Abbreviations; Chapters I. Introduction; II. Development of Concepts; III. Sabdacitra; IV. Ubhayacitra; V. Arthacitra; VI. History of Citrakavya; VII. Conclusion; Appendix I: The Imagint Movement in Western Poetry; Bibliography; Appendix II: Illustrations; Index -- Source of annotation: Marvin or Ruth Sackner.
Figurative Poetry in Sanskrit Literature / Jha, Kalanath., 1975
This book is an attempt at resolving and important tangle, that of the utility of Figurative Poetry in Sanskrit Literature. In the shape of Sabdacitra and Ubhayacitra, connoting verbal juggleries and intellectual riddles this literature amuses vast shades of people, even today. Arthacitra is the real imagist poetry. Even old Sanskrit rhetoricians, Ananda, Abhinava and Panditaraja had a flash of its imagist appeal. Contents: Preface; Abbreviations; Chapters I. Introduction; II. Development of Concepts; III. Sabdacitra; IV. Ubhayacitra; V. Arthacitra; VI. History of Citrakavya; VII. Conclusion; Appendix I: The Imagint Movement in Western Poetry; Bibliography; Appendix II: Illustrations; Index -- Source of annotation: Marvin or Ruth Sackner.