Shaped poetry
Found in 788 Collections and/or Records:
Jackson Pollock / Sutherland, W. Mark., 1993
The image of this poem depicts Sutherland's interpretation of an Pollock abstract expressionistic painting formed by repetitively writing the name Jackson Pollock. -- Source of annotation: Marvin or Ruth Sackner.
James Joyce as Ulysses / Sokol, John., 1977
This print depicts a portrait of Joyce drawn from handwritten phrases of his novel "Ulysses." -- Source of annotation: Marvin or Ruth Sackner.
J'Attends l'Homme!, 1969
The text of this print consists of several repetitions of the word, joie (joy) with a single word, jois, placed near the bottom. -- Source of annotation: Marvin or Ruth Sackner.
Je n'ai rien a dire. Seulement a montrrer. I have nothing to say. Only to show. / Czech, Natalie., 2012
Je Nose Pas / Chopin, Henri., 1973
Je Pense a Toi / Anonymous., 1983
The verso has a message from Kerry Curtay (first wife) to Jean-Paul Curtay. -- Source of annotation: Marvin or Ruth Sackner.
Jeff's Riot Shield / Murphy, Peter., 1994
Jerusalem 33 / Hirschman, Jack A.., 1968
This poem is printed in Hirschman's book, "Black Alephs," in linear format. Here it is written within the shapes of Hebrew letters. -- Source of annotation: Marvin or Ruth Sackner.
Jerusalem LTD / Hirschman, Jack A.; Blake W; Abulafia A., 1967
This poem is printed in Hirschman's book, "Black Alephs," in linear format. Here it is printed in two columns on a gray background of a William Blake Christian religious scene and overlaid with mandulas of a Kabbalistic Hebrew text written by Abraham Abulafia in the 13th century. -- Source of annotation: Marvin or Ruth Sackner.
Jim Andrews, 2004
This poem depicts an abstract rectangular image. -- Source of annotation: Marvin or Ruth Sackner.
Joseph Cornell in "View" / Haroutunian, Helen., 1981
Julietta / de Vilmorin, Louise., 1959
The book includes a novel and eight calligrams in the style of Apollinaire printed on stiff colored paper stock, some of which appeared in "L'Alphabet des Aveux." -- Source of annotation: Marvin or Ruth Sackner.
Juxta. No.1 / Jim Leftwich, Ken Harris, editors ; Bennett JM ; Berry J ; Hill C ; Grumman B ; Vassilakis N ; Barone D ; Kettner M ; Murphy S ; Nash S ; Selby S ; Basinski M ; Ganick P ; Silliman R ; Cage J., 1994
This issue includes a critical essay on Language Poetry by Susan Nash Smith. -- Source of annotation: Marvin or Ruth Sackner.
Kenneth Goldsmith 1961 - / Daniels, David; Goldsmith K., 2004
The shape of the poem is in the form of a silhouetted suit with Goldsmith's head depicted by the title of the poem. -- Source of annotation: Marvin or Ruth Sackner.
Ketubbah / Sabar, Shalom., 1990
Kiment a Haz az Ablakon / Lukacsy, Andras ; Vilmorin L ; Breton A ; Kassak L ; Michaux H ; Apollinaire G ; Isgro E ; Garnier P ; Lemaitre M ; Pignotti L., 1981
klankteksten ?konkrete poezie visuele teksten Exhibition: erotic. No.139ba / Paul De Vree., 1970
This poster was hung in the most important exhibition of concrete poetry in its time. The numbering scheme used to classify the posters is based upon the pages of the exhibition catalogue with the same title. The shape of the poem depicts the frontal torso og a nude woman. -- Source of annotation: Marvin or Ruth Sackner.
Klasyczne Podstawy Poetyki Perskiej / Dulera, Wladyslaw., 1986
The title translated into English is "The Classical Foundations of Persian Poetics." Includes two poems with the shape of trees. -- Source of annotation: Marvin or Ruth Sackner.
KOLAR ED 912 Posters (Situazione, No. 6): Le Poeme Visuel III 1963, 1968
Konfessions of an Elizabethan Fan Dancer / Nichol, bp ; Cobbing B., 1973
bp Nichol dedicated this book "to Bob Cobbing who took that chance of first publishing me thank you." The paper slip contains the following: "KONFESSIONS OF AN ELIZABETHAN FAN DANCER is a collection of bp Nichol's "borderblur" pieces from the period 1964-1966. It includes some previously unpublished material. It is ironical that Nichol's work of this perid, upon which his earlier reputation was based, has not previously been published in book form in Canada. KONFESSIONS fills the gap." -- Source of annotation: Marvin or Ruth Sackner.