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Van der Donk comments: "First edition of this fictional series of "portraits from memory" of female sexual conquests, the descriptive words forming visual poems in the author's hand, lithographically reproduced here. The memories of the encounters (which again are fictional - fact which is emphasied by dates which certainly precede the dawn of the author's sexual activity) are fundamentally a series of quick judgements, mean-spirited physical descriptions and occasionally, fond remembrances. -- Source of annotation: Marvin or Ruth Sackner.

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Van der Donk comments: "First edition of this fictional series of "portraits from memory" of female sexual conquests, the descriptive words forming visual poems in the author's hand, lithographically reproduced here. The memories of the encounters (which again are fictional - fact which is emphasied by dates which certainly precede the dawn of the author's sexual activity) are fundamentally a series of quick judgements, mean-spirited physical descriptions and occasionally, fond remembrances. -- Source of annotation: Marvin or Ruth Sackner.

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This is a shaped calligraphic image of Renaissance ceiling painting. -- Source of annotation: Marvin or Ruth Sackner.

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This is the second edition of the book which was first published in 1979 in an edition of 100 copies. It includes a reprinting of the poems from "12 x 12" first published by Permanent Press in 1976. -- Source of annotation: Marvin or Ruth Sackner.

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The support for this drawing is a flattened Heineken's beer cardboard box with its blank side primed for paint. Babilla is also a NYC playwriter and director. -- Source of annotation: Marvin or Ruth Sackner.

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Written for Le Mouvement Lettriste No.18. -- Source of annotation: Marvin or Ruth Sackner.

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The book binding was done by F. Michel who made a collage on the front cover in the style of an abstract human figure by Michaux. The original copy of the book was probably soft cover. -- Source of annotation: Marvin or Ruth Sackner.

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This book consists of poems by Ernst Jandl along with multiple versions in text and layout of the poem by American poets. -- Source of annotation: Marvin or Ruth Sackner.

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This book reproduces segments from Furnival's standing screens as well as presenting an anti-Vietnam war collage. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Wikipedia: Ludwig Zeller Ocampo (1927-) is a Chilean, surreal visual artist/poet ow living in Mexico. His father came from Chile from Germany to work as a manufacturer of dynamite to the copper mines. From childhood he was a voracious reader and thanks to that learned poetry. Along with his first wife, Wera Zeller, translated to Spanish German Romantics. He was a cCutting-edge innovator and directed the Gallery of Ministry of Education in Chile from 1952-1968. That same year he left the gallery, founded the literary magazine and the Moon Coffee House in Villavicencio Street in Aubrey neighborhood of Santiago. In 1970, he organized the exhibition Surrealism in Chile in the Catholic University, which, in addition to his works, exhibited those of Roberto Matta, Nemesio Antunez, Enrique Zanartu, Opazo Rodolfo Sepulveda Viterbo, Valentina Cruz, Susana Wald and others. He left Chile the following year, along with his wife, artist Susana Wald, and three of her four children. They...

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This paper is a well researched survey of concrete and visual poetry done by an undergraduate student. -- Source of annotation: Marvin or Ruth Sackner.

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Exhibited in Visualog 2, San Luis Obispu, California. Exhibition was curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.

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This is a typed poem attributed to Ian Hamilton Finlay that depicts a carousel.The three poles read round and round and the horizontal words depict horses and zebras. -- Source of annotation: Marvin or Ruth Sackner.

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The image consists of portaits of Charles and Diana shaped by text dealing with the wedding. -- Source of annotation: Marvin or Ruth Sackner.

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This is a page from the manuscript dedicated to Ruth & Marvin Sackner. Kempton used a Panasonic electronic typewriter to produce the typewritings that he called glyphs. It was not published until 1993 by Runaway Press but then in a reduced size. -- Source of annotation: Marvin or Ruth Sackner.

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This is a page from the manuscript dedicated to Ruth & Marvin Sackner. Kempton used a Panasonic electronic typewriter to produce the typewritings that he called glyphs. It was not published until 1993 by Runaway Press but then in a reduced size. -- Source of annotation: Marvin or Ruth Sackner.