Shaped poetry
Found in 788 Collections and/or Records:
Typewriter Town Unpublished: [semi-colon figure] [19] / Smith, William Jay., 1958
Typewriter Town Unpublished: [Slant-Eyed Peeker] [17] / Smith, William Jay., 1958
Typewriter Town Unpublished: [small dog] [20] / Smith, William Jay., 1958
Typewriter Town Unpublished: [sniling ladt] [7] / Smith, William Jay., 1958
Typewriter Town Unpublished: [standing figure] [13] / Smith, William Jay., 1958
Typewriter Town Unpublished: [Standing lady] [5] / Smith, William Jay., 1958
Typewriter Town Unpublished: [two collaged figures] [12] / Smith, William Jay., 1958
The top typed figure resembles a shark head. The bottom figure is a smiling lady on a couch with a snake. -- Source of annotation: Marvin or Ruth Sackner.
Typewriter Town Unpublished: [uuu III] [6] / Smith, William Jay., 1958
Typewritings [O & Y triangle] [GE63] / Evason, Greg., 2003
Typewritings [y & o triangle] [GE64] / Evason, Greg., 2003
Typografie als Form und Spiel / Becker, Heinz; Tschichold J; Gutenberg J; Rand P., 1998 - 1999
Typogramme / Hoesselbarth, Kai., 1988
The poem depicts a bow and arrow with the bow formed from the word "mehrheit" repeated three times. the arrow is formed from the word "andersdenkende." Mehrheit means majority and andersdenkende dissident in English. The arrow pierces the bow and drips red drops of blood. the verso depicts a fragment of another shaped poem. Hosselbarth or Hoesselbarth is now known as Kai Selbar. -- Source of annotation: Marvin or Ruth Sackner.
Typogramme / Hoesselbarth, Kai., 1992
The concrete poems in this portfolio are printed with contemporary typefaces sans serif. Hosselbarth or Hoesselbarth is now known as Kai Selbar. The Sackner Archive holds two copies of this portfolio. In this one, the portfolio is covered with brown fabric and the cover print has a blue background. In the other copy, the portfolio is covered with black fabric and the cover print has a black background. The images of the prints are identical but there are minor differences in color registration on some of them. The number of artist proof copies is unknown. -- Source of annotation: Marvin or Ruth Sackner.
Typogramme / Hoesselbarth, Kai., 1992
The concrete poems in this portfolio are printed with contemporary typefaces sans serif. Hosselbarth or Hoesselbarth is now known as Kai Selbar. The Sackner Archive holds two copies of this portfolio. In this one, the portfolio is covered with black fabric and the cover print has a black background. In the other copy, the portfolio is covered with brown fabric and the cover print has a blue background. The images of the prints are identical but there are minor differences in color registration on some of them. -- Source of annotation: Marvin or Ruth Sackner.
Typographic Foregrounding / Peer, Willie van; Apollinaire G; Mallarme S; Carroll L; Schwitters K; Herbert G., 1993
Typographica. No.14/Dec / Herbert Spencer, editor ; Themerson S ; Apollinaire G ; Herbert G ; Mallarme S ; Panard CF ; Albert-Birot P ; Altman N ; Blake W ; Lewis WP ; Tzara T ; Lissitzky E., 1966
Stefan Themerson contributes a well illustrated essay on the calligrammes of Apollinaire and Albert-Birot. These include the black & white reproductions for Apollinaire's "pour Irene Lagut (1917); the original printed and hand colored copies of these poems is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Typomanie / Raasch, Klaus; Neruda P., 1991
The images of the prints combine large type face letters with typographic inventions. -- Source of annotation: Marvin or Ruth Sackner.
Udine; A Literary Journal. No.1 / Hollander J., 1974
Uj Iras. No.11/Nov / Kepes G., 1980
Depicts several shaped poems with Latin texts. -- Source of annotation: Marvin or Ruth Sackner.
[Ukrainian Concrete Poems] / Soroka, Mykola, editor; Nezhdana N; Miroshnychenko M; Shun M; Luhovyk M; Soroka M; Trubaj V; Hosejko L; Melnychuk B; Melnyk V; Mojsienko A; Dohl R; Sadlovskyj R; Kodlubaj I; Honchar N., 1994
Each print depicts the original poem in the Ukrainian language along with a English translation stapled to it. -- Source of annotation: Marvin or Ruth Sackner.